- Livre
New arrivals at the Anzenberger Gallery Bookshop
In a series of black and white images of the German landscape made between 1987 and 1997, Michael Schmidt has forged a new pictorial language to deconstruct the world he observes. Concerned with light and form, Schmidt’s images contain a wealth of silver tones, a spectrum of rich greys which evolve from light to dark in mystical, imperceptible gradients. But the black and white filter is also a tool that allows Schmidt to neutralise the world, impeding the subjective perception of his viewer. It is through his editorial process, a process of montage, that Schmidt constructs an interior dialect, fashioning a self-contained world within the linear sequence of the book.
ALP (signed)
by Olaf Unverzart
Text: Tom Dauer, Sophia Greiff
Publisher: Prestel
192 pages
Pictures: 90 colour illustrations
Year: 2014
... - Exposition
Deux univers en un à la Maison Européenne de la Photographie
La Maison Européenne de la Photographie présente deux univers bien différents.
© Shoji Ueda Office. Collection MEP, Paris. Don de la société Dai Nippon Printing Co., Ltd.
© Eikoh Hosoe. Collection MEP, Paris. Don de la société Dai Nippon Printing Co., Ltd
L'exposition Mémoire et Lumière rassemble 540 photographies japonaises s'étendant de 1950 à 2000 sur l'ensemble des quatre niveaux de la MEP. Dédiée à la mémoire de Keiichi Tahara (1951-2017) et de Hiroshi Yamazaki (1946-2017), cette « collection dans la collection » révèle la place essentielle de la photographie japonaise. Ces photographes, rassemblés par l'engagement dans... - Exposition
Miyako Ishiuchi Photographies
The Michael Hoppen Gallery is honoured to host the first European retrospective of work byMiyako Ishiuchi, Japan's foremost female photographer. Taking over both floors of the gallery, it will be the first time images from the series 'Mother's' (2000-2005), '1906 To the Skin' (1991-1993) and 'Yokosuka Story' (1976-1977) have been shown in Britain. Curated by Dutch photographer and Japanese photography specialist Machiel Botman, the exhibition comes to us from Foam Museum Amsterdam and La Filature Scène Nationale-Mulhouse before moving to Riga Art Space in Latvia. The exhibition was organized and produced by Langhans Galerie Praha, a non-profit organization for the promotion of photography, and will be accompanied by the limited edition book MIYAKO ISHIUCHI, edited by Machiel Botman and published by Manfred Heiting... - Exposition
Miyako Ishiuchi Retrospective of work by Japan's foremost female photographer
The Michael Hoppen Gallery is honoured to host the first European retrospective of work by Miyako Ishiuchi, Japan’s foremost female photographer. Taking over both floors of the gallery, it will be the first time images from the series ‘Mother’s’ (2000-2005), ‘1906 To the Skin’ (1991-1993) and ‘Yokosuka Story’ (1976-1977) have been shown in Britain. Curated by Dutch photographer and Japanese photography specialist Machiel Botman, the exhibition comes to us from Foam Museum Amsterdam and La Filature Scène Nationale-Mulhouse before moving to Riga Art Space in Latvia. The exhibition was organized and produced by Langhans Galerie Praha, a non-profit organization for the promotion of photography, and will be accompanied by the limited edition book MIYAKO ISHIUCHI, edited b... - Exposition
Miyako Ishiuchi Photographies 1976-2005
Après Prague, Amsterdam et Londres, La Filature a le plaisir d’accueillir cette première rétrospective en France de l’oeuvre de l’artiste japonaise. Après trente ans de carrière ininterrompue, Miyako Ishiuchi présente plusieurs séries intenses et intimes de son travail qui montrent les lieux de son enfance, mais aussi sa fascination pour le corps et la texture de la peau marquée par la vie. Son oeuvre décline l’idée du corps « vaisseau de temps et d’air », selon sa propre définition.
L’exposition comprend à la fois la série Mother, remarquée lors de la Biennale de Venise en 2005, et des travaux jamais encore montrés comme Yokosuka Story (1976-1977), Apartment (1977-1978...
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In a series of black and white images of the German landscape made between 1987 and 1997, Michael Schmidt has forged a new pictorial language to deconstruct the world he observes. Concerned with light and form, Schmidt’s images contain a wealth of silver tones, a spectrum of rich greys which evolve from light to dark in mystical, imperceptible gradients. But the black and white filter is also a tool that allows Schmidt to neutralise the world, impeding the subjective perception of his viewer. It is through his editorial process, a process of montage, that Schmidt constructs an interior dialect, fashioning a self-contained world within the linear sequence of the book.
ALP (signed)
by Olaf Unverzart
Text: Tom Dauer, Sophia Greiff
Publisher: Prestel
192 pages
Pictures: 90 colour illustrations
Year: 2014
...
La Maison Européenne de la Photographie présente deux univers bien différents.
© Shoji Ueda Office. Collection MEP, Paris. Don de la société Dai Nippon Printing Co., Ltd.
© Eikoh Hosoe. Collection MEP, Paris. Don de la société Dai Nippon Printing Co., Ltd
L'exposition Mémoire et Lumière rassemble 540 photographies japonaises s'étendant de 1950 à 2000 sur l'ensemble des quatre niveaux de la MEP. Dédiée à la mémoire de Keiichi Tahara (1951-2017) et de Hiroshi Yamazaki (1946-2017), cette « collection dans la collection » révèle la place essentielle de la photographie japonaise. Ces photographes, rassemblés par l'engagement dans...
The Michael Hoppen Gallery is honoured to host the first European retrospective of work byMiyako Ishiuchi, Japan's foremost female photographer. Taking over both floors of the gallery, it will be the first time images from the series 'Mother's' (2000-2005), '1906 To the Skin' (1991-1993) and 'Yokosuka Story' (1976-1977) have been shown in Britain. Curated by Dutch photographer and Japanese photography specialist Machiel Botman, the exhibition comes to us from Foam Museum Amsterdam and La Filature Scène Nationale-Mulhouse before moving to Riga Art Space in Latvia. The exhibition was organized and produced by Langhans Galerie Praha, a non-profit organization for the promotion of photography, and will be accompanied by the limited edition book MIYAKO ISHIUCHI, edited by Machiel Botman and published by Manfred Heiting...
The Michael Hoppen Gallery is honoured to host the first European retrospective of work by Miyako Ishiuchi, Japan’s foremost female photographer. Taking over both floors of the gallery, it will be the first time images from the series ‘Mother’s’ (2000-2005), ‘1906 To the Skin’ (1991-1993) and ‘Yokosuka Story’ (1976-1977) have been shown in Britain. Curated by Dutch photographer and Japanese photography specialist Machiel Botman, the exhibition comes to us from Foam Museum Amsterdam and La Filature Scène Nationale-Mulhouse before moving to Riga Art Space in Latvia. The exhibition was organized and produced by Langhans Galerie Praha, a non-profit organization for the promotion of photography, and will be accompanied by the limited edition book MIYAKO ISHIUCHI, edited b...
Après Prague, Amsterdam et Londres, La Filature a le plaisir d’accueillir cette première rétrospective en France de l’oeuvre de l’artiste japonaise. Après trente ans de carrière ininterrompue, Miyako Ishiuchi présente plusieurs séries intenses et intimes de son travail qui montrent les lieux de son enfance, mais aussi sa fascination pour le corps et la texture de la peau marquée par la vie. Son oeuvre décline l’idée du corps « vaisseau de temps et d’air », selon sa propre définition.
L’exposition comprend à la fois la série Mother, remarquée lors de la Biennale de Venise en 2005, et des travaux jamais encore montrés comme Yokosuka Story (1976-1977), Apartment (1977-1978...