Zbigniew Dlubak
#Photographe
- Festival
PHotoEspaña 2013 : 74 exhibitions and activities in Madrid, Alcalá de Henares, Alcobendas, Cuenca, Lanzarote and Zaragoza
Between June 5 and July 28, PHotoEspaña 2013, the XVI edition of the international festival of photography and visual arts, presents 74 exhibitions with works by 328 artists from 42 countries and an ample selection of public and professional activities. Lanzarote, Zaragoza and Prague are added to Madrid, Cuenca, Alcalá de Henares, and Alcobendas as venues of the festival.
© Ricard Terré, Sant Boi de Llobregat
In his last years as general curator of the festival, Gerardo Mosquera presents an exhibition program that revolves around the theme, Body. Eros and Politics, which look at the diversity with which photography has approached one of its major themes: the human body.
© Birgit Jürgenssen, Untitled (Self with Little Fur), 1974-1977
... - Exposition
Photography in Communist Poland: a surrealist spirit?
There was never a Surrealist movement as such in Poland, neither during the inter-war years nor after 1945. Nevertheless, certain strategies used by the Surrealists in cities like Paris and Prague in the 20s helped the Polish photographic scene, after the Second World War, make its greatest strides towards a modern conception of the image.
In a post-war cultural context first dominated by pictorialist aesthetics, then influenced by socialist realism, and finally polarized by propagandist photoreportage, the avantgarde sought to reclaim a place in the field of photographic art using various techniques (e.g. photomontage, chemical experiments, and reappropriation of images) and methods popular in Surrealist circles (e.g. staging and “flânerie”).
What was at stake here in Communist Poland was of cour... - Exposition
La photographie en Pologne communiste : un esprit surréaliste ?
Il n’y a pas eu à proprement parler de mouvement surréaliste en Pologne, ni durant l’entre-deux-guerres, ni après 1945. Il n’en demeure pas moins que certaines stratégies utilisées par les surréalistes de Paris à Prague au cours des années 1920-1930 contribuèrent à ce que le milieu photographique polonais opère, après la Seconde Guerre mondiale, ses plus grandes avancées vers une conception moderne de l’image.
Dans un contexte culturel d’après-guerre d’abord fortement dominé par l’esthétique pictorialiste, puis marqué par le réalisme socialiste, et finalement polarisé autour du photoreportage à vocation propagandiste, les artistes d’...
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Between June 5 and July 28, PHotoEspaña 2013, the XVI edition of the international festival of photography and visual arts, presents 74 exhibitions with works by 328 artists from 42 countries and an ample selection of public and professional activities. Lanzarote, Zaragoza and Prague are added to Madrid, Cuenca, Alcalá de Henares, and Alcobendas as venues of the festival.
© Ricard Terré, Sant Boi de Llobregat
In his last years as general curator of the festival, Gerardo Mosquera presents an exhibition program that revolves around the theme, Body. Eros and Politics, which look at the diversity with which photography has approached one of its major themes: the human body.
© Birgit Jürgenssen, Untitled (Self with Little Fur), 1974-1977
...
There was never a Surrealist movement as such in Poland, neither during the inter-war years nor after 1945. Nevertheless, certain strategies used by the Surrealists in cities like Paris and Prague in the 20s helped the Polish photographic scene, after the Second World War, make its greatest strides towards a modern conception of the image.
In a post-war cultural context first dominated by pictorialist aesthetics, then influenced by socialist realism, and finally polarized by propagandist photoreportage, the avantgarde sought to reclaim a place in the field of photographic art using various techniques (e.g. photomontage, chemical experiments, and reappropriation of images) and methods popular in Surrealist circles (e.g. staging and “flânerie”).
What was at stake here in Communist Poland was of cour...
Il n’y a pas eu à proprement parler de mouvement surréaliste en Pologne, ni durant l’entre-deux-guerres, ni après 1945. Il n’en demeure pas moins que certaines stratégies utilisées par les surréalistes de Paris à Prague au cours des années 1920-1930 contribuèrent à ce que le milieu photographique polonais opère, après la Seconde Guerre mondiale, ses plus grandes avancées vers une conception moderne de l’image.
Dans un contexte culturel d’après-guerre d’abord fortement dominé par l’esthétique pictorialiste, puis marqué par le réalisme socialiste, et finalement polarisé autour du photoreportage à vocation propagandiste, les artistes d’...