Osamu Kanemura
#Photographe
- Livre
STREET PHOTOGRAPHY NOW
La street photography connaît aujourd’hui un renouveau sans précédent.
A travers le portrait de 46 photographes actuels, les auteurs de ce livre nous donnent à voir le meilleur de la création contemporaine dans un domaine qui n’a cessé depuis Gary Winogrand, Robert Doisneau, Henri Cartier-Bresson et Robert Frank — quatre des plus grands noms de la photographie de rue — de fasciner photographes, écrivains et un public amateurs d’« instants décisifs ». Toute la magie, la poésie, la beauté mais aussi le comique et le tragique de nos vies urbaines sont révélés par ces photographes capables en une fraction de seconde de rendre compte avec une rare éloquence de la complexité de la... - Festival
The New York Photo Festival 2010
“NYC is the melting pot, the metropolis of the world, and therefore the most natural location for a festival with a mission to bring together global talent that is both timely and critical.”
Jody Quon, curator, NYPH’09
The First International Photography Festival in the United States
Photography, one of the most important visual media of our lives, has been surprisingly uncelebrated, particularly in the United States. New York City, home to the most influential commercial and fine art photography community, has lacked—until now—a large-scale event dedicated to photography. The inaugural New York Photo Festival (May 14–May 18, 2008) delivered a dynamic, high-quality event in what is arguably the photographic capital of the world. This event celebrated both contemporary photography ... - Exposition
Japan Today - Taiji Matsue, Osamu Kanemura and Mikiko Hara.
Amador Gallery proudly presents “Japan Today” an exhibition which brings together the work of three prominent contemporary Japanese photographers: Taiji Matsue, Osamu Kanemura and Mikiko Hara.
The exhibition presents each of their distinct approaches to capturing the unique character of Japan, its land and its people.
Osamu Kanemura embeds himself within the dense makeup of Tokyo, using the conventions of black and white street photography to novel ends by letting the layers of dense electrical and telecommunications wires to feature centrally within the series "My Name is Shockhammer". These stark images, whose tonal contrasts appear formally alluring and intricate, depict unfamiliar views of Japan that connect to one another through the dense network of wires that chaotically stream throu...
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La street photography connaît aujourd’hui un renouveau sans précédent.
A travers le portrait de 46 photographes actuels, les auteurs de ce livre nous donnent à voir le meilleur de la création contemporaine dans un domaine qui n’a cessé depuis Gary Winogrand, Robert Doisneau, Henri Cartier-Bresson et Robert Frank — quatre des plus grands noms de la photographie de rue — de fasciner photographes, écrivains et un public amateurs d’« instants décisifs ». Toute la magie, la poésie, la beauté mais aussi le comique et le tragique de nos vies urbaines sont révélés par ces photographes capables en une fraction de seconde de rendre compte avec une rare éloquence de la complexité de la...
“NYC is the melting pot, the metropolis of the world, and therefore the most natural location for a festival with a mission to bring together global talent that is both timely and critical.”
Jody Quon, curator, NYPH’09
The First International Photography Festival in the United States
Photography, one of the most important visual media of our lives, has been surprisingly uncelebrated, particularly in the United States. New York City, home to the most influential commercial and fine art photography community, has lacked—until now—a large-scale event dedicated to photography. The inaugural New York Photo Festival (May 14–May 18, 2008) delivered a dynamic, high-quality event in what is arguably the photographic capital of the world. This event celebrated both contemporary photography ...
Amador Gallery proudly presents “Japan Today” an exhibition which brings together the work of three prominent contemporary Japanese photographers: Taiji Matsue, Osamu Kanemura and Mikiko Hara.
The exhibition presents each of their distinct approaches to capturing the unique character of Japan, its land and its people.
Osamu Kanemura embeds himself within the dense makeup of Tokyo, using the conventions of black and white street photography to novel ends by letting the layers of dense electrical and telecommunications wires to feature centrally within the series "My Name is Shockhammer". These stark images, whose tonal contrasts appear formally alluring and intricate, depict unfamiliar views of Japan that connect to one another through the dense network of wires that chaotically stream throu...