Max Regenberg
#Photographe
Né en 1951 à Bremerhaven, en Allemagne. Il vit et travaille à Cologne.
- Livre
Billboards - Max Regenberg
Depuis la fin des années 70, Max Regenberg s’intéresse à cette entêtante omniprésence de l’image publicitaire dans notre espace public. Il scrute l’apparition de ces images qui tapissent notre paysage au quotidien. Des images que nous côtoyons tous les jours sans toutefois leur prêter une attention particulière, des images perçues le plus souvent du coin de l’œil.... - Festival
Opening of the 32nd edition of The AIPAD Photography Show New York
The Association of International Photography Art Dealers (AIPAD) will hold the 32nd edition of The AIPAD Photography Show New York, one of the world’s most important annual photography events, at the Park Avenue Armory in New York City.
Seventy-five of the world’s leading fine art photography galleries will present a wide range of museum-quality work, including contemporary, modern, and 19th-century photographs, as well as photo-based art, video, and new media. The AIPAD Photography Show New York is the longest running and foremost exhibition of fine art photography. The Show will commence with an opening night gala on March 28, 2012, to benefit inMotion, which provides free legal services to low-income women.
AIPAD 2012 will present four new member exhibitors: David Zwirner, New York; Sasha Wo... - Exposition
Exhibition : « Urban decorations - Die dekorierte Stadt » by Max Regenberg
Urban Decorations – Die dekorierte Stadt provides us with an understanding of the urban images we are essentially confronted with on a daily basis. However, we are for the mostvpart less aware of them than the artist Max Regenberg (*1951). He has been dealing with the phenomenon of outdoor advertising, billboards, large-scale light boxes, as well as image-and-text statements in public space for about forty years. He can now look back at an enormous body of photographic material, from which he has selected about eighty-five representative works, many of them being shown for the first time, and pieces of documentation for the current exhibition. Regenberg thus provides insight into the unique scholarly-artistic study of the subject he has been carrying on since the late 1970s on his own initiative and... - Exposition
Le Centre de la photographie Genève présente "Urbanisme contemporain"
MAX REGENBERG- L’USAGE DU PAYSAGE
Le Centre de la photographie Genève consacre au photographe Max Regenberg sa première exposition hors d’Allemagne du 24 janvier au 23 mars 2014. Elle retrace avec environ 60 pièces les moments forts d’une œuvre construite durant les 35 dernières années. Né en 1951 à Bremerhaven, Regenberg compte parmi les représentants les plus intéressants du « style documentaire » en Allemagne ;néanmoins, son travail reste à découvrir. A cette occasion paraîtra un catalogue en collaboration avec la Städtische Galerie Wolfsburg, la Fondation « A Stichting » (Bruxelles) et la galerie Thomas Zander (Cologne). Depuis la fin des années 1970, Regenberg p... - Exposition
Max Regenberg - Come To Where, Galerie f5,6
With COME TO WHERE Galerie f 5,6 is presenting an insight to the photographic work of Max Regenberg (*1951, Bremerhaven). We will also be able to host the premiere of the artist book of the same title that comprises 46 black and white works from 1978 to 1984.
COME TO WHERE is the examination of an in the meantime almost historical occurence – poster advertisements for cigarettes. Succumbing to EU guidelines, the medial circulation of tobacco ads is a thing of the past but still for most of us it is possible to assemble the title COME TO WHERE with the rest of a very wellknown claim: "Come to where the flavour is, come to Marlboro Country“.
Marlboro, since 1971, cleverly used Americas self proclaimed image of the country without frontiers and the universal male fairy - tale of life as a cowboy ... - Exposition
MAX REGENBERG - Galerie f 5,6
The work of German born Max Regenberg (1951) can be seen as a solitary position within photography. For the last 25 years he has worked on a single theme: how does billboard advertising function within public space in Europe. This is a particularly interesting project as we are closing the analogue age and moving into a digital, fast moving way of life. The ground for Max Regenberg’s fascinating project was laid when he was living and working in North America, where over dimensional billboards very much became part of everyday life on the street since the 70’s, paving the way for the victory of image over word culture. Regensberg’s work is formally and thematically embedded within „new topographics“ and „new color photography“ of the 1960’s and 1970’s. Artists such a...
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Depuis la fin des années 70, Max Regenberg s’intéresse à cette entêtante omniprésence de l’image publicitaire dans notre espace public. Il scrute l’apparition de ces images qui tapissent notre paysage au quotidien. Des images que nous côtoyons tous les jours sans toutefois leur prêter une attention particulière, des images perçues le plus souvent du coin de l’œil....
The Association of International Photography Art Dealers (AIPAD) will hold the 32nd edition of The AIPAD Photography Show New York, one of the world’s most important annual photography events, at the Park Avenue Armory in New York City.
Seventy-five of the world’s leading fine art photography galleries will present a wide range of museum-quality work, including contemporary, modern, and 19th-century photographs, as well as photo-based art, video, and new media. The AIPAD Photography Show New York is the longest running and foremost exhibition of fine art photography. The Show will commence with an opening night gala on March 28, 2012, to benefit inMotion, which provides free legal services to low-income women.
AIPAD 2012 will present four new member exhibitors: David Zwirner, New York; Sasha Wo...
Urban Decorations – Die dekorierte Stadt provides us with an understanding of the urban images we are essentially confronted with on a daily basis. However, we are for the mostvpart less aware of them than the artist Max Regenberg (*1951). He has been dealing with the phenomenon of outdoor advertising, billboards, large-scale light boxes, as well as image-and-text statements in public space for about forty years. He can now look back at an enormous body of photographic material, from which he has selected about eighty-five representative works, many of them being shown for the first time, and pieces of documentation for the current exhibition. Regenberg thus provides insight into the unique scholarly-artistic study of the subject he has been carrying on since the late 1970s on his own initiative and...
MAX REGENBERG- L’USAGE DU PAYSAGE
Le Centre de la photographie Genève consacre au photographe Max Regenberg sa première exposition hors d’Allemagne du 24 janvier au 23 mars 2014. Elle retrace avec environ 60 pièces les moments forts d’une œuvre construite durant les 35 dernières années. Né en 1951 à Bremerhaven, Regenberg compte parmi les représentants les plus intéressants du « style documentaire » en Allemagne ;néanmoins, son travail reste à découvrir. A cette occasion paraîtra un catalogue en collaboration avec la Städtische Galerie Wolfsburg, la Fondation « A Stichting » (Bruxelles) et la galerie Thomas Zander (Cologne). Depuis la fin des années 1970, Regenberg p...
With COME TO WHERE Galerie f 5,6 is presenting an insight to the photographic work of Max Regenberg (*1951, Bremerhaven). We will also be able to host the premiere of the artist book of the same title that comprises 46 black and white works from 1978 to 1984.
COME TO WHERE is the examination of an in the meantime almost historical occurence – poster advertisements for cigarettes. Succumbing to EU guidelines, the medial circulation of tobacco ads is a thing of the past but still for most of us it is possible to assemble the title COME TO WHERE with the rest of a very wellknown claim: "Come to where the flavour is, come to Marlboro Country“.
Marlboro, since 1971, cleverly used Americas self proclaimed image of the country without frontiers and the universal male fairy - tale of life as a cowboy ...
The work of German born Max Regenberg (1951) can be seen as a solitary position within photography. For the last 25 years he has worked on a single theme: how does billboard advertising function within public space in Europe. This is a particularly interesting project as we are closing the analogue age and moving into a digital, fast moving way of life. The ground for Max Regenberg’s fascinating project was laid when he was living and working in North America, where over dimensional billboards very much became part of everyday life on the street since the 70’s, paving the way for the victory of image over word culture. Regensberg’s work is formally and thematically embedded within „new topographics“ and „new color photography“ of the 1960’s and 1970’s. Artists such a...