Julian Faulhaber
#Photographe
- Festival
Le Festival New York Photo dévoile le programme de sa première édition
Martin Parr, Kathy Ryan, Lesley A. Martin et Tim Barber ont dévoilé lundi les noms des photographes sélectionnés pour participer au festival New York Photo 2008. À l’occasion de cette première édition, qui se tiendra du 14 au 18 mai prochains, le festival a demandé à chacune de ces personnalités de concevoir une exposition qui traduise sa vision personnelle des tendances les plus importantes dans la photographie contemporaine. En multipliant les regards et en confrontant les points de vue, ce nouveau rendez-vous annuel se donne pour objectif de permettre à chacun d’imaginer ce que sera le futur de la photographie.
« Les commissaires d’exposition du festival NYPH08 ont été choisis pour leur approche innovant... - Exposition
Julian Faulhaber - Tulips, at Hasted Kraeutler
Hasted Kraeutler is pleased to announce that new work by Julian Faulhaber will be on view in gallery 4 this summer. The photographs were commissioned by the New York Times Magazine to illustrate Bloom and Bust in the Netherlands, a story about the tulips industry in the May 15, 2011 issue. These spectacular aerial views have also been discussed in Land of Tulips, an article by Lyle Rexer in Damn Magazine Issue #29.
Faulhaber's previous series, Lowdensitypolyethylene, brought Faulhaber international recognition and was exhibited in 2008 and 2010 at Hasted Kraeutler. Faulhaber's photographs have been collected by the Metropolitan Museum of Art, the Princeton University Art Museum and the Harvard Art Museum, among others.
© Julian Faulhaber - Parcel no. 677, 2011
Vignet... - Exposition
Julian Faulhaber - Lowdensitypolyethylene II
The German-born photographer made his United States debut in Chisel curated by Kathy Ryan of the New York Times at the first annual New York Photo Festival in 2008. His first gallery show in New York followed in the fall of that year at Hasted Hunt Kraeutler. Since then, Faulhaber has been named a new and emerging photographer to watch in 2009 by Photo District News (PDN) and has been included in the exhibition Reality Check: Truth and Illusion in Contemporary Photography at the Metropolitan Museum of Art.
The photographs in Faulhaber's body of work, Lowdensitypolyethylene, are created in newly constructed spaces in the time between when they are completed and when they become occupied or in use. The intense colors and sheen result from exposure times of 10 to 20 seconds, the perspective selected and the artificial l... - Exposition
PRUNE - abstracting reality
The exhibition PRUNE – abstracting reality focuses on the complex but intriguing relationship between realism and abstraction in contemporary photography. The exhibition includes only photographic work that is based on reality but which depicts this reality with a greater or lesser degree of abstraction. On show in the exhibition is work that first and foremost can be appreciated for its abstract, formal qualities, such as form, colour and composition. Only afterward does the viewer recognise the subject rendered in the work. Then the viewer becomes aware of an underlying story and the concept employed by the photographer. Usually it is the information in the caption which compels the viewer to relate to the work in a new way.
The exhibition emphasises that abstraction of reality is always present in photography a... - Exposition
Julian Faulhaber Lowdensitypolyethylene
HASTED HUNT is pleased to announce its upcoming exhibition of photographs by JULIAN FAULHABER, running from October 30 - December 13, 2008.
There will be a reception for the artist on Thursday, November 20th from 6 to 8 PM.
Faulhaber’s subjects are vibrantly colored yet austere newly constructed contemporary spaces at the moment of completion. The artist finds a marriage between Modernism and Minimalism with a unique tension between reality and abstraction. At first glance the works seem like fabrications, but these are straightforward photographs of real urban settings, made with an 8" x 10" camera, lit by available but artificial light. The final print is a traditional darkroom chromogenic print.
The settings are immaculately spare and clean, saturated with color, and there is no post-productio...
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Martin Parr, Kathy Ryan, Lesley A. Martin et Tim Barber ont dévoilé lundi les noms des photographes sélectionnés pour participer au festival New York Photo 2008. À l’occasion de cette première édition, qui se tiendra du 14 au 18 mai prochains, le festival a demandé à chacune de ces personnalités de concevoir une exposition qui traduise sa vision personnelle des tendances les plus importantes dans la photographie contemporaine. En multipliant les regards et en confrontant les points de vue, ce nouveau rendez-vous annuel se donne pour objectif de permettre à chacun d’imaginer ce que sera le futur de la photographie.
« Les commissaires d’exposition du festival NYPH08 ont été choisis pour leur approche innovant...
Hasted Kraeutler is pleased to announce that new work by Julian Faulhaber will be on view in gallery 4 this summer. The photographs were commissioned by the New York Times Magazine to illustrate Bloom and Bust in the Netherlands, a story about the tulips industry in the May 15, 2011 issue. These spectacular aerial views have also been discussed in Land of Tulips, an article by Lyle Rexer in Damn Magazine Issue #29.
Faulhaber's previous series, Lowdensitypolyethylene, brought Faulhaber international recognition and was exhibited in 2008 and 2010 at Hasted Kraeutler. Faulhaber's photographs have been collected by the Metropolitan Museum of Art, the Princeton University Art Museum and the Harvard Art Museum, among others.
© Julian Faulhaber - Parcel no. 677, 2011
Vignet...
The German-born photographer made his United States debut in Chisel curated by Kathy Ryan of the New York Times at the first annual New York Photo Festival in 2008. His first gallery show in New York followed in the fall of that year at Hasted Hunt Kraeutler. Since then, Faulhaber has been named a new and emerging photographer to watch in 2009 by Photo District News (PDN) and has been included in the exhibition Reality Check: Truth and Illusion in Contemporary Photography at the Metropolitan Museum of Art.
The photographs in Faulhaber's body of work, Lowdensitypolyethylene, are created in newly constructed spaces in the time between when they are completed and when they become occupied or in use. The intense colors and sheen result from exposure times of 10 to 20 seconds, the perspective selected and the artificial l...
The exhibition PRUNE – abstracting reality focuses on the complex but intriguing relationship between realism and abstraction in contemporary photography. The exhibition includes only photographic work that is based on reality but which depicts this reality with a greater or lesser degree of abstraction. On show in the exhibition is work that first and foremost can be appreciated for its abstract, formal qualities, such as form, colour and composition. Only afterward does the viewer recognise the subject rendered in the work. Then the viewer becomes aware of an underlying story and the concept employed by the photographer. Usually it is the information in the caption which compels the viewer to relate to the work in a new way.
The exhibition emphasises that abstraction of reality is always present in photography a...
HASTED HUNT is pleased to announce its upcoming exhibition of photographs by JULIAN FAULHABER, running from October 30 - December 13, 2008.
There will be a reception for the artist on Thursday, November 20th from 6 to 8 PM.
Faulhaber’s subjects are vibrantly colored yet austere newly constructed contemporary spaces at the moment of completion. The artist finds a marriage between Modernism and Minimalism with a unique tension between reality and abstraction. At first glance the works seem like fabrications, but these are straightforward photographs of real urban settings, made with an 8" x 10" camera, lit by available but artificial light. The final print is a traditional darkroom chromogenic print.
The settings are immaculately spare and clean, saturated with color, and there is no post-productio...