Ikko Narahara
#Photographe
- Exposition
Deux univers en un à la Maison Européenne de la Photographie
La Maison Européenne de la Photographie présente deux univers bien différents.
© Shoji Ueda Office. Collection MEP, Paris. Don de la société Dai Nippon Printing Co., Ltd.
© Eikoh Hosoe. Collection MEP, Paris. Don de la société Dai Nippon Printing Co., Ltd
L'exposition Mémoire et Lumière rassemble 540 photographies japonaises s'étendant de 1950 à 2000 sur l'ensemble des quatre niveaux de la MEP. Dédiée à la mémoire de Keiichi Tahara (1951-2017) et de Hiroshi Yamazaki (1946-2017), cette « collection dans la collection » révèle la place essentielle de la photographie japonaise. Ces photographes, rassemblés par l'engagement dans... - Exposition
Metamorphosis of Japan after the War (1945-1964)
In the years following the Second World War in Japan, photography played an important role in the development of a new national identity. From the shock of the atomic bomb to the country's re-emergence at the 1964 Olympics in Tokyo, important photographers documented the birth of a new Japanese nation. This exhibition includes 123 photographs, as well as books, magazines and exhibition catalogues featuring works from 11 leading representatives of Japanese photography of these years.
In the mid-1950s a group of photographers came to the fore who started to move away from the sombre photo journalism that depicted the misery of the years immediately following the war. Affiliated with the Vivo photography agency, these photographers examined the consequences of the massive modernisation process that gripped the co... - Exposition
Focus Japan
«Focus Japan» is the first of our exhibitions about Japanese Photography this year.
We start with an overview of our collection. Alongside watercoloured Albumines from the 19th century, at that time mainly produced for travellers from the West, we show samples from the sixities and seventies, two important decades for Japanese Photography, as well as some works of the younger generation. Among others are: Rinko Kawauchi, Ruji Miyamoto, Ikko Narahara, Koji Onaka, Toshio Shibata und Issei Suda.
Alongside original prints you will also find a large range of Japanese Photography books. Compared to the US and Europe there are still only few galleries and public institutions in Japan that organise photography exhibitions. Therefore photobooks carry special importance for the reception of photography in Japan.
... - Exposition
On the Road. Le voyage ce n'est pas arriver, c'est partir
“On the Road”, une sélection de tirages issus des collections de la MEP et de la Médiathèque de l’Architecture et du Patrimoine autour du thème de la route.
Le voyage, ce n’est pas arriver, c’est partir. Les photographes adorent le voyage. La saveur de l’inconnu, du mouvement, d’ici ou d’ailleurs.
“On the Road” réunit les visions oniriques de photographes majeurs du 20ème siècle qui rendent compte de ce moment privilégié de la transition. Il n’était pas évident d’amener vingt-cinq auteurs dans sur la plate-forme d’un camion suggéré par Jack Kerouac sur les routes de la poésie. La joie, la force, la suggestion qui s’en dégagent invite... - Exposition
On the Road - Maison Européenne de la Photographie
La Maison Européenne de la Photographie présente “On the Road”, une sélection de tirages issus des collections de la MEP et de la Médiathèque de l’Architecture et du Patrimoine autour du thème de la route.
Le voyage, ce n’est pas arriver, c’est partir. Les photographes adorent le voyage. La saveur de l’inconnu, du mouvement, d’ici ou d’ailleurs.
“On the Road” réunit les visions oniriques de photographes majeurs du 20ème siècle qui rendent compte de ce moment privilégié de la transition. Il n’était pas évident d’amener vingt-cinq auteurs dans sur la plate-forme d’un camion suggéré par Jack Kerouac sur les routes de la poésie. La jo... - Exposition
IKKO NARAHARA - Photographs from the 1950s to the 1970s
The Galerie Priska Pasquer is pleased to announce the first solo exhibition in Germany by the Japanese photographer Ikko Narahara. A selection of photographs, ranging from his early work of the 1950s through to the major series "Where Time has Vanished" from the beginning of the 1970s will be on show.
The Galerie Priska Pasquer is pleased to announce the first solo exhibition in Germany by the Japanese photographer Ikko Narahara. A selection of photographs, ranging from his early work of the 1950s through to the major series "Where Time has Vanished" from the beginning of the 1970s will be on show.
Ikko Narahara, born in 1931 in the Fukuoka Prefecture, was a self-taught photographer and as such took part in the groundbreaking photography exhibition "The Eyes of Ten" in Tokyo in 1957. T... - Exposition
Japan: a Self-Portrait, Photographs 1945-1964
Concept
On August 15th, 1945 the Pacific War came to an end and with it fourteen years of bombings, of deprivation and of great sacrifice for the Japanese people. With the collapse of Japanese militaristic rule and the arrival of the US occupation forces, the nation suddenly found itself thrust into a new and uncertain era. The myth of the Emperor's divinity, which was born during the Meiji era, was replaced with the American attempt at their homegrown brand of democratisation.
The belief in the Emperor and his government, which had accompanied Japan's development for several decades, was shattered. At the same time, despite the surrounding physical destruction, a feeling of intense relief swept across the country accompanied by a thirst for freedom and creative expression. The Japanese people craved discovery: the...
Modifier l'image
La Maison Européenne de la Photographie présente deux univers bien différents.
© Shoji Ueda Office. Collection MEP, Paris. Don de la société Dai Nippon Printing Co., Ltd.
© Eikoh Hosoe. Collection MEP, Paris. Don de la société Dai Nippon Printing Co., Ltd
L'exposition Mémoire et Lumière rassemble 540 photographies japonaises s'étendant de 1950 à 2000 sur l'ensemble des quatre niveaux de la MEP. Dédiée à la mémoire de Keiichi Tahara (1951-2017) et de Hiroshi Yamazaki (1946-2017), cette « collection dans la collection » révèle la place essentielle de la photographie japonaise. Ces photographes, rassemblés par l'engagement dans...
In the years following the Second World War in Japan, photography played an important role in the development of a new national identity. From the shock of the atomic bomb to the country's re-emergence at the 1964 Olympics in Tokyo, important photographers documented the birth of a new Japanese nation. This exhibition includes 123 photographs, as well as books, magazines and exhibition catalogues featuring works from 11 leading representatives of Japanese photography of these years.
In the mid-1950s a group of photographers came to the fore who started to move away from the sombre photo journalism that depicted the misery of the years immediately following the war. Affiliated with the Vivo photography agency, these photographers examined the consequences of the massive modernisation process that gripped the co...
«Focus Japan» is the first of our exhibitions about Japanese Photography this year.
We start with an overview of our collection. Alongside watercoloured Albumines from the 19th century, at that time mainly produced for travellers from the West, we show samples from the sixities and seventies, two important decades for Japanese Photography, as well as some works of the younger generation. Among others are: Rinko Kawauchi, Ruji Miyamoto, Ikko Narahara, Koji Onaka, Toshio Shibata und Issei Suda.
Alongside original prints you will also find a large range of Japanese Photography books. Compared to the US and Europe there are still only few galleries and public institutions in Japan that organise photography exhibitions. Therefore photobooks carry special importance for the reception of photography in Japan.
...
“On the Road”, une sélection de tirages issus des collections de la MEP et de la Médiathèque de l’Architecture et du Patrimoine autour du thème de la route.
Le voyage, ce n’est pas arriver, c’est partir. Les photographes adorent le voyage. La saveur de l’inconnu, du mouvement, d’ici ou d’ailleurs.
“On the Road” réunit les visions oniriques de photographes majeurs du 20ème siècle qui rendent compte de ce moment privilégié de la transition. Il n’était pas évident d’amener vingt-cinq auteurs dans sur la plate-forme d’un camion suggéré par Jack Kerouac sur les routes de la poésie. La joie, la force, la suggestion qui s’en dégagent invite...
La Maison Européenne de la Photographie présente “On the Road”, une sélection de tirages issus des collections de la MEP et de la Médiathèque de l’Architecture et du Patrimoine autour du thème de la route.
Le voyage, ce n’est pas arriver, c’est partir. Les photographes adorent le voyage. La saveur de l’inconnu, du mouvement, d’ici ou d’ailleurs.
“On the Road” réunit les visions oniriques de photographes majeurs du 20ème siècle qui rendent compte de ce moment privilégié de la transition. Il n’était pas évident d’amener vingt-cinq auteurs dans sur la plate-forme d’un camion suggéré par Jack Kerouac sur les routes de la poésie. La jo...
The Galerie Priska Pasquer is pleased to announce the first solo exhibition in Germany by the Japanese photographer Ikko Narahara. A selection of photographs, ranging from his early work of the 1950s through to the major series "Where Time has Vanished" from the beginning of the 1970s will be on show.
The Galerie Priska Pasquer is pleased to announce the first solo exhibition in Germany by the Japanese photographer Ikko Narahara. A selection of photographs, ranging from his early work of the 1950s through to the major series "Where Time has Vanished" from the beginning of the 1970s will be on show.
Ikko Narahara, born in 1931 in the Fukuoka Prefecture, was a self-taught photographer and as such took part in the groundbreaking photography exhibition "The Eyes of Ten" in Tokyo in 1957. T...
Concept
On August 15th, 1945 the Pacific War came to an end and with it fourteen years of bombings, of deprivation and of great sacrifice for the Japanese people. With the collapse of Japanese militaristic rule and the arrival of the US occupation forces, the nation suddenly found itself thrust into a new and uncertain era. The myth of the Emperor's divinity, which was born during the Meiji era, was replaced with the American attempt at their homegrown brand of democratisation.
The belief in the Emperor and his government, which had accompanied Japan's development for several decades, was shattered. At the same time, despite the surrounding physical destruction, a feeling of intense relief swept across the country accompanied by a thirst for freedom and creative expression. The Japanese people craved discovery: the...