Frank Breuer
#Photographe
- Actualité
L'Insensé BERLIN & CO
Pourquoi ? Quelle est la capitale européenne qui connaît aujourd’hui une prodigieuse effervescence artistique ? Berlin.
Quel est le pays qui a le plus d’écoles de photographie prestigieuses dans le monde ? l’Allemagne.
Quel est le magazine qui, chaque année, fait un état des lieux d’un pays à travers sa culture photographique ? L’Insensé Photo.
Vous l’aurez bien sûr deviné, le numéro de L’Insensé Photo, à paraître le 29 septembre 2009, est un spécial : « Berlin & Co, les photographes allemands ».
Comment ? Effectivement, il n’y a pas plus riche en photographie que cette culture si exigeante, au passé conceptuel et à l’avenir ouvert. 50 photo... - Exposition
The exhibition for Hilla Becher : « The Typological View »
Press release :
The Typological View—Exhibition for Hilla Becher
An exhibition by Die Photographische Sammlung/SK Stiftung Kultur
Im Mediapark 7, 50670 Cologne
With photographs by Bernd and Hilla Becher, Max Becher and Andrea Robbins, as well as by Boris Becker, Laurenz Berges, Natascha Borowsky, Wendelin Bottländer, Frank Breuer, Susanne Brodhage, Ralf Brueck, Götz Diergarten, Volker Döhne, Chris Durham, Elger Esser, Claudia Fährenkemper, Anna Ferrer, Bernhard Fuchs, Ulrich Gambke, Edith Glischke, Claus Goedicke, Andreas Gursky, Candida Höfer, Axel Hütte, Manfred Jade, Jörg Paul Janka, Christof Klute, Matthias Koch, Christian Konrad, Yoonjean Lee, Katharina Mayer, Ralph Müller, Thomas Neumann, Simone Nieweg, Tata Ronkholz, Martin Rosswog, Thomas Ruff, Jörg... - Exposition
Exhibition : « Conflict, Time, Photography » at the Museum Folkwang
"Conflict, Time, Photography" presents the many facets of the artistic portrayal of armed conflicts using the medium of photography. Artists such as Don McCullin, Pierre-Antony-Thouret, Simon Norfolk, Stephen Shore, Michael Schmidt and Taryn Simon have depicted acts of war and their legacy, in photographs taken in the mo-ment of the action, as well as days, months, years, and even decades after the event. This major group exhibition has no intention of serving as a ‘history of war photography’, however. It instead explores the various possibilities and strategies that artists and photographers have adopted to try to come to terms with violent conflict, in the hope of overcoming it. On show are some 200 works ranging from a period of just over 150 years in the history of photography, from 1855 to 201... - Exposition
An Artificial Wilderness: The Landscape in Contemporary Photography
Man’s impact on the natural landscape takes the form of construction, destruction and intervention in the photographic imagery of An Artificial Wilderness. The title borrows a phrase from the W. H. Auden poem The Shield of Achilles (1952), referring to modern society’s passive stance toward the decline of human values, and its disregard for the physical world. Exemplifying this idea at its most extreme, Edward Burtynsky captures the world’s largest accumulation of discarded rubber tires. Lewis Baltz confronts an uncommon, mundane subject—an urban parking lot—and finds beauty. Rosemary Laing documents a seamlessly laid, floral wall-to-wall carpet in a eucalyptus forest to symbolize the domestication of the natural environment. In diverse works dating from the 1960s to the present, and feat...
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Pourquoi ? Quelle est la capitale européenne qui connaît aujourd’hui une prodigieuse effervescence artistique ? Berlin.
Quel est le pays qui a le plus d’écoles de photographie prestigieuses dans le monde ? l’Allemagne.
Quel est le magazine qui, chaque année, fait un état des lieux d’un pays à travers sa culture photographique ? L’Insensé Photo.
Vous l’aurez bien sûr deviné, le numéro de L’Insensé Photo, à paraître le 29 septembre 2009, est un spécial : « Berlin & Co, les photographes allemands ».
Comment ? Effectivement, il n’y a pas plus riche en photographie que cette culture si exigeante, au passé conceptuel et à l’avenir ouvert. 50 photo...
Press release :
The Typological View—Exhibition for Hilla Becher
An exhibition by Die Photographische Sammlung/SK Stiftung Kultur
Im Mediapark 7, 50670 Cologne
With photographs by Bernd and Hilla Becher, Max Becher and Andrea Robbins, as well as by Boris Becker, Laurenz Berges, Natascha Borowsky, Wendelin Bottländer, Frank Breuer, Susanne Brodhage, Ralf Brueck, Götz Diergarten, Volker Döhne, Chris Durham, Elger Esser, Claudia Fährenkemper, Anna Ferrer, Bernhard Fuchs, Ulrich Gambke, Edith Glischke, Claus Goedicke, Andreas Gursky, Candida Höfer, Axel Hütte, Manfred Jade, Jörg Paul Janka, Christof Klute, Matthias Koch, Christian Konrad, Yoonjean Lee, Katharina Mayer, Ralph Müller, Thomas Neumann, Simone Nieweg, Tata Ronkholz, Martin Rosswog, Thomas Ruff, Jörg...
"Conflict, Time, Photography" presents the many facets of the artistic portrayal of armed conflicts using the medium of photography. Artists such as Don McCullin, Pierre-Antony-Thouret, Simon Norfolk, Stephen Shore, Michael Schmidt and Taryn Simon have depicted acts of war and their legacy, in photographs taken in the mo-ment of the action, as well as days, months, years, and even decades after the event. This major group exhibition has no intention of serving as a ‘history of war photography’, however. It instead explores the various possibilities and strategies that artists and photographers have adopted to try to come to terms with violent conflict, in the hope of overcoming it. On show are some 200 works ranging from a period of just over 150 years in the history of photography, from 1855 to 201...
Man’s impact on the natural landscape takes the form of construction, destruction and intervention in the photographic imagery of An Artificial Wilderness. The title borrows a phrase from the W. H. Auden poem The Shield of Achilles (1952), referring to modern society’s passive stance toward the decline of human values, and its disregard for the physical world. Exemplifying this idea at its most extreme, Edward Burtynsky captures the world’s largest accumulation of discarded rubber tires. Lewis Baltz confronts an uncommon, mundane subject—an urban parking lot—and finds beauty. Rosemary Laing documents a seamlessly laid, floral wall-to-wall carpet in a eucalyptus forest to symbolize the domestication of the natural environment. In diverse works dating from the 1960s to the present, and feat...