Mardi 10 Mai 2016 12:53:45 par Nour Alahiane-lechevalier dans Expositions

Michael Hoppen Gallery is delighted to present 'END.', the first solo exhibition by the Irish photographer Eamonn Doyle to be held in London. The series is the third and final installment of three bodies of work, each of which explores Doyle's native Dublin with varying stylistic techniques. His photographs are taken at close range in and around the multi-cultural, working class area of North Dublin's Parnell Street where the artist has long been a resident, and he describes being drawn to both the area's vibrancy and weary pathos. Unlike many of today's photographers constantly searching for the exotic and unknown, Doyle has instead chosen to draw from the wealth of photographic subjects on his doorstep.

Influenced by a reflective period of re-reading Samuel Becket, Doyle has described how he tried to strip as much of the context and background from his compositions as possible. "The subjects are all shot at close range, but respectfully, perhaps even reverently. The pictures show only fragments of possible narratives, but for me, every life has weight and drama, even if it's meaning is ultimately elusive".

© Eamonn Doyle

The final installment of the trilogy 'END.' which will be exhibited at the gallery gives equal significance to the city and its population, but here their combined forces continuously morph into one another. Individual journeys of everyday life are compacted repetitively into the same streets. Dubliners wear away at the constructed autonomy of their environment, while the streets themselves become a kind of sculptural mental State. 'END.' unfolds like a series of maps, photographs overlaid with screen prints and linking the two previous projects together as well as the city and its inhabitants in loops of time and place.

© Eamonn Doyle

In this series, the collaborative element of Doyle's practice becomes particularly evident as Niall Sweeney's sweeping screen prints traverse the surface of some of the photographs. Doyle and Sweeney are part of a larger group of cross-disciplinary compatriots working in design, art, technology and music that emerged from the Dublin creative scene during the 1990s. The city of Dublin has always been a strong presence in the work they have made together, whether in sound format or picture. Having collaborated in the design of Doyle's first two photobooks, 'i' and 'ON', it was a natural progression for the third book in the trilogy 'END.' to be created out of something more integrated between the two artists, more overlapping in its vision. The project investigates how photographs and drawings can resonate with one another, or even be at odds or out of synch, just as elements clash and rub and overlap on the street.