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Exhibition: « Emmy's world », by Hanne van der Woude

Mercredi 12 Août 2015 10:24:09 par Thierry Côté dans Expositions

Broers in bad, Mas Malakoff, 2011 © Hanne van der Woude
Expositions du 12/9/2015 au 6/12/2015 Terminé

Huis Marseille, Museum voor Fotografie Keizersgracht 401, 1016 EK Amsterdam Pays-Bas

What drives a young and celebrated photographer to join three elderly people on a trip to a mountain in France? Or partake in the lives she documents, even when disease strikes? From 2009 on, the photographer Hanne van der Woude shared life’s joys and sorrows with an older married couple and a brother: people who despite their age never lost touch with their creativity or non-conformist disposition. Van der Woude gives special attention to the last remaining survivor: the 83-year-old artist Emmy, who lives in an old school building in the Betuwe surrounded by guinea fowl. For five years Van der Woude became a part of Emmy’s world, an immersion that resulted in a photographic project now being premiered in Huis Marseille.



Egbert met onderbroek, Mas Malakoff, 2012 © Hanne van der Woude



Two central elements of Emmy’s personality are an inexhaustible admiration for nature and the urge to collect everything around her. Van der Woude has succeeded in capturing these characteristics in specific moments; whether Emmy is spending time with her favourite guinea fowl Klara, or nursing her incurably ill husband Ben. Then there is Ben’s brother Egbert who had been living ascetically in rural France, but suddenly falls ill and is forced to move in with them. In this exhibition, Van der Woude’s photographic portraits and films and Emmy’s own private documents (sketchbooks, notebooks and photographs) trace the changes in Emmy’s world, especially when both Ben and Egbert come to pass. Through it all, however, Emmy stays true to herself.

Emmy’s world is unique, but also very familiar. The photographs and films show a woman living her own life, little occupied with what others might think of it, as documented by the empathic eyes of a photographer who became part of that life. Emmy occupies a position in society that is by no means self-evident. “I think of Emmy’s life as a dream world, far removed from the real one, and that’s how I wanted to portray it,” says van der Woude.



Emmy met mutsje, Dodewaard, 2014 © Hanne van der Woude



Emmy’s World is a moving portrait that touches on several important topics in society, such as intergenerational friendship, creativity, the art of living, independence and care. The exhibition also shows the long-awaited continuation of Van der Woude’s work following the acclaimed project MC1R − Natural redheads [2008].

Thierry Côté

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