Photographe France

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Benoit Billiet

Richard Billingham

Nace en Birmingham en 19702004 Artist in Residence, VIVID, Birmingham 2003 ArtSway Residency, New Forest, HampshireVirtually Real, Artist's commission, Half Tone Press, NorfolkWonders of the Black Country, Jubilee Arts, West MidlandsPrince of Wales Bursary for the Arts, Athens 2002 Sargant Fellowship, British School in Rome 2001 Turner Prize Shortlist, Tate Gallery, London Glen Dimplex Artist Award Shortlist, IMMA, DublinArtists work programme at IMMA, Dublin 1997 The Citibank Private Bank Photography Prize 1995 Felix H. Man Memorial Prize 1991-94 BA (Hons) Fine Art, University of Sunderland

Richard Billingham

Jimi Billingsley

Véronique Billiotte

Emilie Billon

Kevin Billon

Stéphane Billon

Guillaume Billon

Benoît Billotte

Marion Billou

Je m'appelle Marion Billou, j'ai 20 ans et j'habite près du Mans. Je suis passionnée de photographie et surtout du portrait.

Carole Billoud

Zoé Billy

Laetitia Billy

Sébastien Billy

Michel Billy

Adolphe Bilordeaux

Nicolas Bilot

Fanny Bilotte

Joshua Bilton

Raphael Bilumbu

Guillaume Bily

Yves Bily

Francoise Bimier

Marion Bina

Chrystèle Bina

Sabrina Bina

Marlene Binant

Erik Binder

Alexander Binder

Gabriela Binderova

Félicien Bineau

Camille Binelli-lécot

Alexandra Binello

Micheal Binemeddeko

Guillaume Binet

Hélène Binet

Jean-marie Binet

Lionel Binet

Frédérique Binet

Anthony Binet

Alexia Binet marris

Bernard Binette

Han Bing

Xu Bing

Iddhis Bing

Dong Bingfeng

Howard l. Bingham

Howard Bingham

Burçak Bingöl

Burçak Bingöl's work interrogates notions of belonging, culture, identity, decoration, and production by blurring the boundaries between these seemingly distinct concepts. In her first solo exhibition with the gallery in 2011 as the first stage, Bingöl utilized the conceptual framework of the cabinet of curiosities in order to merge her experiences and materials under the same rubric. In the second stage, Bingöl built on the fragmented identity of Turkey, highlighting the break from the Ottoman past without stepping into neither the East nor the West. The idea revolved around the centerpiece of a life-size truck, cast in ceramics.

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