Michael Goldgruber
#Photographe
- Exposition
Trois expositions simultanées chez Contretype
3 expositions simultanées proposées chez Contretype du 15/06 au 04/09/2016:
1-Exposition «Lichtungen» de Michael GOLDGRUBER (Autriche):
Dans le cadre d’une résidence à Bruxelles-Contretype en 2015, le photographe autrichien a élaboré une réflexion sur la représentation du paysage et la perception de la nature, où se reflète le thème romantique du «sublime». Il y a toujours un arrière-goût d’artificialité dans le plaisir que procure la perception de la nature, en apparence authentique.Ses photographies panoramiques et ses images de racines d'arbres renversés sont le résultat de ses errances récurrentes dans la forêt de Soignes, où l'influenc... - Exposition
The gallery OstLicht presents "Industry"
The gallery OstLicht is located on the former campus of the Anker Bread Factory, i.e. at a location that was used industrially for a long time, its original use having changed over the past years.
With its exhibit Industrie (Industry), OstLicht commemorates the history of its own location, offering an examination of aspects of industrial production by presenting fifteen contemporary artistic positions ready to be explored.
Usually, the methods of industrial production remain invisible – for those who do not work there, factories are inaccessible places. The production of goods has also vanished from the public perception because numerous factories in Austria have been closed during the past decades, manufacturing having been outsourced to other countries. Former industrial compounds decay or are rededi... - Exposition
The exhibition POIESIS
The exhibition POIESIS combines three contemporary artistic positions, whose works both capture and visually materialize the moment of the active search and discovery of the coincidental, like the poetic fusion of time and space.
The photographic cut creates, so to speak, new worlds. Reference is made to the moment of medial transformation of a condition, and to such concentrated visual modifications when what “is” becomes something else.
Michael Goldgruber questions levels of observation and pre-formulated perspectives of landscapes in the transfer to photographic image and installation. The panorama view and the natural spectacle are seen alongside the architecture of consumption. The guided view is intensified in his artistic work resulting in experimental spaces of predetermined seeing. “While...
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3 expositions simultanées proposées chez Contretype du 15/06 au 04/09/2016:
1-Exposition «Lichtungen» de Michael GOLDGRUBER (Autriche):
Dans le cadre d’une résidence à Bruxelles-Contretype en 2015, le photographe autrichien a élaboré une réflexion sur la représentation du paysage et la perception de la nature, où se reflète le thème romantique du «sublime». Il y a toujours un arrière-goût d’artificialité dans le plaisir que procure la perception de la nature, en apparence authentique.Ses photographies panoramiques et ses images de racines d'arbres renversés sont le résultat de ses errances récurrentes dans la forêt de Soignes, où l'influenc...
The gallery OstLicht is located on the former campus of the Anker Bread Factory, i.e. at a location that was used industrially for a long time, its original use having changed over the past years.
With its exhibit Industrie (Industry), OstLicht commemorates the history of its own location, offering an examination of aspects of industrial production by presenting fifteen contemporary artistic positions ready to be explored.
Usually, the methods of industrial production remain invisible – for those who do not work there, factories are inaccessible places. The production of goods has also vanished from the public perception because numerous factories in Austria have been closed during the past decades, manufacturing having been outsourced to other countries. Former industrial compounds decay or are rededi...
The exhibition POIESIS combines three contemporary artistic positions, whose works both capture and visually materialize the moment of the active search and discovery of the coincidental, like the poetic fusion of time and space.
The photographic cut creates, so to speak, new worlds. Reference is made to the moment of medial transformation of a condition, and to such concentrated visual modifications when what “is” becomes something else.
Michael Goldgruber questions levels of observation and pre-formulated perspectives of landscapes in the transfer to photographic image and installation. The panorama view and the natural spectacle are seen alongside the architecture of consumption. The guided view is intensified in his artistic work resulting in experimental spaces of predetermined seeing. “While...