Olga Cafiero
« L’axe central d’un Cabinet de Curiosités à la Renaissance est le collectionneur lui-même, qui collectionne de manière encyclopédique et selon ses critères des objets hétérogènes qu’il organise en fonction de ses goûts, intérêts et passions. Il s’agit d’une démarche subjective, dont le résultat est la restitution d’un monde personnel et souvent magique.
Je choisis de réunir des images d’animaux extraordinaires et inquiétants, de portraits à la temporalité ambigüe et des machines contemporaines qui ressemblent étrangement à des décors du passé. J’interroge également la pratique photograph...
Cette année, 782 dossiers ont été envoyés par email au concours de photographie du 27e Festival International de Mode et de Photographie.
La sélection s’est déroulée en deux étapes. Tout d’abord, une présélection a retenu 60 candidatures, qui ont été présentées sous forme de tirages aux membres du jury 2012, lors d’une journée d’examens de portfolios qui s’est tenue le 31 janvier 2012. Le concours, sans limite d’âge ni restriction de genre ou de thème, vise à promouvoir et distinguer les écritures photographiques innovantes et structurées. Le jury a retenu dix photographes.
Photographes sélectionnés :
Olga Cafi...
We Want More explores the role photography and image-production plays in defining music culture today.
Spurred by the advent of digital technologies, both industries have seen a significant change to the channels and processes for ownership and distribution. The traditional frameworks that once upheld a distance between photographers, fans, stars and their labels have collapsed to allow for new routes and territories in which music photography is produced, shared and consumed.
Pauli "The PSM" - Damon Albarn, Jamie XX
(New York, July '14)
© Deirdre O’Callaghan
Courtesy of the artist
Where once many music photographers worked to briefs for specific publications, they are now more in control of context and creative direction. Musicians also play a more active role in their own...
Not in Fashion. Fashion and Photography in the 90s is the title of the new special exhibition at MMK Museum für Moderne Kunst. As the title already indicates the focus here is not on the glamorous fashion world of the rich and the beautiful. On the contrary, the show at MMK presents an anti-movement that in the 1990s consciously ran counter to the images of prêt-à-porter, haute couture and the mainstream fashion magazines. Especially in the first half of the decade, designers, stylists and photographers dedicated themselves to giving fashion strong roots in society not just as an industry with a feeling for the zeitgeist, but as an artistic form of expression and as a "politics of the body". Thus, fashion in the 1990s covered substantially more than the latest collections brought out by the in...
Exhibitions
From Galliano’s Warriors, photographed by Nick Knight, styled by Simon Foxton. Published in Arena Homme Plus, Summer/Autumn 2007From Hey There Fancy Pants, photographed by Jason Evans, styled by Simon Foxton. Published in i-D, May 2004From Tooling Around, photographed by Ben Dunbar-Brunton, styled by Simon Foxton. Published in i-D, February 2009From Acid Wash, photographed by Alasdair McLellan, styled by Simon Foxton. Published in 032c, Summer 2007From We Haven't Stopped Dancing Yet, photographed and styled by Simon Foxton, published in i-D, January 1992From I Wish I Had Invented Blue Jeans, photographed by Simon Thiselton, styled by Simon Foxton. Published in i-D, August 2008
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When You're a Boy
Men's Fashion Styled by S...