Born in 1978 in Montreal, Canada. Lives in Amsterdam, The Netherlands
“Documentary photography is an interpretation of an existing story or given. That may be investigating or recording, but it’s always a coloured interpretation of the creator. The subjects that I choose seem airy, but they often have a tough, grim undertone. My interest is in places where fiction already plays an important symbolic role, such as theme parks from Dream City. In my imagery I find that ambiguity also. I work slowly and plan in advance, but within that tight organization I like to let things happen spontaneously. “
Eefje Blankevoort is co-founder of the journalism production company Prospektor. She writes articles and books and makes (multimedia) documentaries. She has published the books Stiekem kanhier alles (Secretly everything is possible here), about Iran, De ‘The Refugee Jackpot’ (with photographer Karijn Kakebeeke) and Dream City (with photographer Anoek Steketee). Her directorial
credits include the films Niemand vertelt mij wat ik moet geloven (No one tells me what to believe) and Joella, Best Friends Forever (both for IKON), Nieuw (New, NCRV Dokument Junior) and the youth programme Jong geleerd, oud gedaan (What is learned in the cradle is carried to the grave). For the exhibition ANGRY she produced video portraits of radicals and ex-radicals (Nederlands Fotomuseum Rotterdam). The interactive music documentary Hidden Wounds (IDFA Doclab, Reflecting Images 2013) and the two-part radio documentary Men don’t cry (OVT, VPRO), about veterans with post-traumatic stress disorder, were recently released. She is currently working on the feature-length production Bring the Jews home (IKON).