Mardi 13 Janvier 2015 13:46:31 par actuphoto dans Expositions

In 1958, at the age of eighteen, the photographerhttp://www.larryfinkphotography.com/" left his childhood home on Long Island and moved to a one-bedroom apartment in Greenwich Village. Fink was immediately drawn to New York’s counterculture, and he soon met a group of artists, writers, and musicians affiliated with a late stage of the Beat Movement.

© Larry Fink - Turk Leclair, Mac Dougal street, New-York (1958)

"It was my fate to be aligned with the Beats because of my propensity for drugs, anger, and poetry”, writes Larry Fink in his new book “The Beats,” a collection of previously unpublished photographs from 1958-1959. “Since they were second generation, without the same sense of immortal obsession such as the likes of Kerouac and Ginsberg, they had a distinct need to be documented.” He has written that the group “desperately needed a photographer to be with them, to give them gravity, to live within them, record and encode their wary but benighted existence.” Fink readily assumed the role. Not long after he arrived in New York, he travelled with the group on a cross-country trip to Houston and Mexico.

© Larry Fink - The great lakes, Ohio (1958)

Jack Kerouac, one of the leading writers from the “first generation”, introduced the phrase "Beat Generation" in 1948 to characterize a perceived underground, anti-conformist youth movement in New York. Allen Ginsberg's poem Howl (1956) soon became the maxim of the Beats. Central elements of "Beat" culture were a rejection of received standards, use of illegal drugs, alternative sexualities, a rejection of materialism, and the explicit portrayals of the human condition.

© Larry Fink - St Louis, Missouri (1958)

After more than 50 years, Larry Fink shares with us his photographs of artists, musicians, poets and painters with whom he lived and travelled based on the principles of the Beat Movement. A time of rupture, freedom and search.

© Larry Fink - Turk and Roberts, Monterrey, Mexico (1958)