Mercredi 07 Janvier 2015 14:26:42 par actuphoto dans Expositions

Conceived by the French artist Pierre Leguillon, The Museum of Mistakes : Contemporary Art and Class Struggle brings together works that he has created over the last 15 years out of reproduced images.

These are tailor-made displays that bring together photographs, film extracts, advertisements, postcards, posters, slides, record sleeves, magazines, and other types of mass media. But these works evade solidifiying into fixed forms. Each one is intimately informed by a principle of movement, or, indeed, of reversibility, and they are deployed on mobile, light, or transportable structures.

Thanks to its economy of means and the autonomy of its presentation displays, The Museum of Mistakes proposes an exhibition model that attempts to foil, or "de-class-ify" to reprise the exhibition's title the hierarchies of art. In decompartmentalizing identity, whether it is a matter of the artist's, the visitor's, or those of the exhibited images, The Museum of Mistakes invites us to rethink the conditions of the reception of art, depicted here first of all as an activity. In so doing, Leguillon inquires into the political function of art within society, wherein each individual is in a perpetual process of emitting and receiving information.

Pierre Leguillon, born in Nogent-sur-Marne, France, in 1969, lives and works in Brussels. His works, performances, and projections have been the subject of many monographic presentations, notably at Raven Row (London, 2011), Mamco (Geneva, 2010), Moderna Museet (Malmö, 2010), Musée du Louvre (Paris, 2009), and Artists Space (New York, 2009). In 2013, the artist participated in the Carnegie International in Pittsburgh. Leguillon teaches at HEAD (Haute Ecole d'Art et de Design) in Geneva.