
M+B 612 NORTH ALMONT DRIVE LOS ANGELES 90069 California États-Unis
M+B   is pleased to announce Locals Only, an exhibition of color photographs  by Hugh Holland that capture the Los Angeles skateboard revolution  during the mid-Seventies from an insider’s perspective. At the nascence  of a cultural movement—before extreme sports and corporate  sponsorship—Holland documented rebellious teens gliding through the  drainage bowls and emptied pools around Venice, Orange County and  Brentwood’s Kenter Canyon Elementary School. The opening reception for  the artist on Saturday, October 23 from 6 to 8pm will include a book  signing for Holland’s recently published monograph of the same name by  AMMO Books. The exhibition runs from October 23 to December 5, 2010.
In the mid-Seventies, two events coincided in Southern California that  gave rise to skateboarding as we now know it. The invention of the  urethane wheel and the drought that emptied the pools across the city  allowed the kids to ride their new boards in an entirely new way.   Skateboarders, stoners, thrashers and bad-ass kids from different  neighborhoods and backgrounds in Los Angeles began hitting the pavement  after school and during the summer, creating a counter-culture that has  inspired numerous books, songs, documentaries and films. From the  flatland kids skating “freestyle” to the canyon kids going vertical and  carving up drained out pools—including soon-to-be legends Stacy Peralta  and Jay Adams—Hugh Holland perfectly captured their youthful innocence  and the energy of the movement.
Unlike most photographers capturing the craze, Holland’s photographs  were never about the sport. Holland shot with old color negative movie  film, rendering his images in warm, soft tones that were in complete  contrast to the sharp, crisp chromes that the majority of skate  photographers were using at the time. Beyond the bodies in motion,  Holland captures beautifully intimate portraits of the young boys  sitting under the trees waiting their turn, resting by the chain link  fence at Kenter or in peaceful contemplation after a long day of riding.  Holland primarily shot his subjects in the late afternoon, bathing his  models and settings with an effervescent, glistening quality. They are,  in essence, photographs of a generation of boys discovering their  identity amidst the backdrop of cultural phenomena that shaped a  generation.
Hugh Holland (b. 1942, United States) had no formal training in  photography prior to picking up a camera in 1968 after returning from a  trip to Spain. He made a dark room and began shooting everything around  him, particularly people. In 1975, while driving up Laurel Canyon, he  witnessed his first skateboarders in the drainage ditches along the side  of the canyon. For the next few years, he knew he found his subject,  tirelessly documenting the burgeoning culture. Holland’s work was first  exhibited at M+B in 2006. Following the success of the show, the  exhibition traveled to Paris, New York and England. The artist’s  forthcoming monograph Locals Only by AMMO Books is published in  conjunction with his second exhibition at M+B.

