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Yevgeny Malakhin
#Photographe
Exposition
« Individual Evidence Of Era, Sverdlovsk photography of 1970–1990s » in Saint-Petersburg
When Martina Franck referred to photography as 'individual evidence of our era' she meant not the photographer's connection with history. She spoke of evidence of another kind, of the ability of photography co create of simple things a poetic image of its time. Starting from real-life facts photography grows into metaphor, and the variety of subjects on photographs renders it diversity of meanings. The exhibition introduces works by Sverdlovsk (now Yekaterinburg) photographers of 1970s-early 1990s. In most cases it is not important whether they were made in the Urals, in Odessa, in Moscow or in the Baltic States. The exhibition is about the last decades of the Soviet power and about Russian photography of the epoch. Like all areas of culture in the late Soviet period,...
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When Martina Franck referred to photography as 'individual evidence of our era' she meant not the photographer's connection with history. She spoke of evidence of another kind, of the ability of photography co create of simple things a poetic image of its time. Starting from real-life facts photography grows into metaphor, and the variety of subjects on photographs renders it diversity of meanings.
The exhibition introduces works by Sverdlovsk (now Yekaterinburg) photographers of 1970s-early 1990s. In most cases it is not important whether they were made in the Urals, in Odessa, in Moscow or in the Baltic States. The exhibition is about the last decades of the Soviet power and about Russian photography of the epoch.
Like all areas of culture in the late Soviet period,...