William Helburn
#Photographe
- Livre
Mid-century fashion and advertising photography - William Helburn
William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Shock value and an unrelenting hunger for success helped Helburn to a pioneer’s share in the revolutionary era of advertising and his work would also appear on the editorial pages and covers of major magazines. As well as cars and cosmetics, Helburn shot Coca-Cola, Canada Dry, whiskeys, clothing lines, airlines, jewelry, cigars and cigarettes, and any number of other products. He worked with the top models of the day, from Dovima and Dorian Leigh to Jean Patchett and Barbara Mullen to Jean Shrimpton and Lauren Hutton.
William Helburn: Seventh and Madison is the first book to survey the photographic work of William Helburn and gives viewers a delicious taste of the vivid reality that the televis... - Exposition
Exhibition : William Helburn at the Staley-Wise Gallery
A contemporary of Richard Avedon, Irving Penn, Francesco Scavullo and Lillian Bassman, William Helburn was at the top of his profession from the early 1950s through the 1960s, with bylined covers and editorial images in the pages of Harper’s Bazaar, Life, McCall’s and many other magazines. Helburn also worked extensively in advertising, contributing memorable pictures to campaigns designed by such legendary art directors as Gene Federico, Robert Gage, Helmut Krone and George Lois.
DOVIMA UNDER THE EI, Dior, 1956 ©William Helburn
Helburn’s first work in photography came at the close of World War II, when he was part of the team that processed the first pictures of the atom bomb exploding over Hiroshima. Inspired soon after by then‐partner Ted Croner’s encounter with model Lisa Fo... - Exposition
The exhibition : « William Helburn : Ad Man »
A contemporary of Richard Avedon, Irving Penn, Francesco Scavullo and Lillian Bassman, William Helburn was at the top of his profession from the early 1950s through the 1960s, with bylined covers and editorial images in the pages of Harper’s Bazaar, Life, McCall’s and many other magazines. Helburn also worked extensively in advertising, contributing memorable pictures to campaigns designed by such legendary art directors as Gene Federico, Robert Gage, Helmut Krone and George Lois.
© William Helburn, Courtesy Staley-Wise Gallery, New York
Helburn’s first work in photography came at the close of World War II, when he was part of the team that processed the first pictures of the atom bomb exploding over Hiroshima. Inspired soon after by then‐partner Ted Croner’s encounter with ...
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William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Shock value and an unrelenting hunger for success helped Helburn to a pioneer’s share in the revolutionary era of advertising and his work would also appear on the editorial pages and covers of major magazines. As well as cars and cosmetics, Helburn shot Coca-Cola, Canada Dry, whiskeys, clothing lines, airlines, jewelry, cigars and cigarettes, and any number of other products. He worked with the top models of the day, from Dovima and Dorian Leigh to Jean Patchett and Barbara Mullen to Jean Shrimpton and Lauren Hutton.
William Helburn: Seventh and Madison is the first book to survey the photographic work of William Helburn and gives viewers a delicious taste of the vivid reality that the televis...
A contemporary of Richard Avedon, Irving Penn, Francesco Scavullo and Lillian Bassman, William Helburn was at the top of his profession from the early 1950s through the 1960s, with bylined covers and editorial images in the pages of Harper’s Bazaar, Life, McCall’s and many other magazines. Helburn also worked extensively in advertising, contributing memorable pictures to campaigns designed by such legendary art directors as Gene Federico, Robert Gage, Helmut Krone and George Lois.
DOVIMA UNDER THE EI, Dior, 1956 ©William Helburn
Helburn’s first work in photography came at the close of World War II, when he was part of the team that processed the first pictures of the atom bomb exploding over Hiroshima. Inspired soon after by then‐partner Ted Croner’s encounter with model Lisa Fo...
A contemporary of Richard Avedon, Irving Penn, Francesco Scavullo and Lillian Bassman, William Helburn was at the top of his profession from the early 1950s through the 1960s, with bylined covers and editorial images in the pages of Harper’s Bazaar, Life, McCall’s and many other magazines. Helburn also worked extensively in advertising, contributing memorable pictures to campaigns designed by such legendary art directors as Gene Federico, Robert Gage, Helmut Krone and George Lois.
© William Helburn, Courtesy Staley-Wise Gallery, New York
Helburn’s first work in photography came at the close of World War II, when he was part of the team that processed the first pictures of the atom bomb exploding over Hiroshima. Inspired soon after by then‐partner Ted Croner’s encounter with ...