Mariana Cook
#Photographe
- Livre
Mariana Cook - Stone Walls
New York City – A new photography book Stone Walls: Personal Boundaries (Damiani, $50, 192 pages, ISBN 978-88-6208-169-6). The book will be published October 1, 2011.
Stone Walls: Personal Boundaries was conceived by Mariana Cook, the last protégé of Ansel Adams, at her home on Martha’s Vineyard on the day before Thanksgiving in 2002. After 56 cows strayed through a crumbling section of the stone wall she shares with her neighbor, Cook studied the tumbled wall and was struck by its beauty. With that inspiration, Cook spent eight years traveling to farms, towns, and temples in Peru, Great Britain, Ireland, the Mediterranean, New England, and Kentucky in pursuit of dry stone walls.
The striking black-and-white photographs portray the wall in landscape, the wall in abstract form, and the... - Festival
AIPAD 2011 - New York
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The AIPAD Photography Show New York, will be presented by the Association of International Photography Art Dealers (AIPAD) from March 17 through 20, 2011. More than 75 of the world’s leading fine art photography galleries will present a wide range of museum-quality work including contemporary, modern, and 19th century photographs, as well as photo-based art, video, and new media, at the Park Avenue Armory in New York City. The 31st edition of The AIPAD Photography Show New York will open with a Gala Preview on March 16 to benefit the John Szarkowski Fund, an endowment for photography acquisitions at The Museum of Modern Art in New York City. The AIPAD Photography Show New York is the longest running and foremost exhibition of fine art photography.&... - Exposition
« Justice : Faces of the Human Rights Revolution » Photography by Mariana Cook
The Bernstein Gallery is pleased to present “Justice: Faces of the Human Rights Revolution,” a collection of fine-art, photographic portraits of human rights pioneers from around the world. Photographer Mariana Cook traveled the globe to answer one question: Why do some people have the courage to look injustice in the eye while others avert their gazes?
Each black and white photographic portrait is accompanied by first-person accounts of how each of these human rights activists found their way into the field and what compels them to make it their life’s work. The portraits were shot with natural light, with most subjects seated before a simple backdrop. The results are unadorned, elegant meditations on the men and women who have been crucial in securing basic rights and safety for their fellow ma...
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