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Joe Mills
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« Extended Realities: The Language of Photomontage » at the Rowan University Art Gallery
Extended Realities From its earliest years, photographers have sought to overcome the limitations of making images from a single exposure, to adapt the picture-making strategies of printmaking, drawing, and painting, and to claim an equal place for photography among the fine arts. Photomontage — the combining of two or more photographic images into one — has been one strategy for achieving this goal. It was used in the 19th century by such practitioners as Oscar Gustave Rejlander and Henry Peach Robinson, and was popular in the early 20th century among the Dadaists and Surrealists as well as Russian Constructivist artists and Modernist photographers. It was the technique used by John Heartfield to skewer the Nazis in his many covers for the Arbeiter-Illustriete-Zeitung (The Workers Pictorial Newspaper)...
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Extended Realities
From its earliest years, photographers have sought to overcome the limitations of making images from a single exposure, to adapt the picture-making strategies of printmaking, drawing, and painting, and to claim an equal place for photography among the fine arts. Photomontage — the combining of two or more photographic images into one — has been one strategy for achieving this goal. It was used in the 19th century by such practitioners as Oscar Gustave Rejlander and Henry Peach Robinson, and was popular in the early 20th century among the Dadaists and Surrealists as well as Russian Constructivist artists and Modernist photographers. It was the technique used by John Heartfield to skewer the Nazis in his many covers for the Arbeiter-Illustriete-Zeitung (The Workers Pictorial Newspaper)...