Hamza Halloubi
#Photographe
- Festival
La 2ème Edition du Festival de la Photographie Méditerranéenne
Festival de découvertes et de redécouvertes, Photo'Med a, pour sa deuxième édition, choisi comme pays invité le Maroc et, comme invité d’honneur, l’Italien Massimo Vitali.
Encore peu connue du grand public, la création photographique marocaine regroupe des photographes qui, souvent partagés entre deux rives, s’interrogent sur leur identité.
Cette sélection, confiée à Mouna Mekouar, se présente comme un « voyage qui met en balance le proche et le lointain, le privé et le public, l’intime et l’étranger ».
Des photographes confirmés, comme Daoud Aoulad-Syad, voisinent avec de jeunes artistes jamais exposés en France, comme Mehdi Chafik, Yasmine La... - Exposition
A house of several stories - an exhibition by Signal
Nevin Aladag, Jumana Emil Abboud,
Hamza Halloubi, Anna Nordquist Andersson,
Christina Ouzounidis
21 November 2014–22 February 2015
Opening Friday 21 November
7–9pm at Mitt Möllan
We now know this:
That what is claimed with certainty rarely is what is claimed with certainty. That what is claimed with certainty gladly argues something else, something much more unstable, something which cannot completely guarantee its own survival, its position, its existence.
– Tid för ekot, Christina Ouzounidis
During the 19th century, a city court judge and editor named Nils Herman Quiding (1808-1886) lived in a two-story house on Östergatan in Malmö. Quiding was, in many ways, a contradictory and ambiguous man – officially deeply rooted in the bourgeois sphere, unofficially oc... - Exposition
Fototagetrier 2010: LEBEN elementar
Conceptual background:
The non-profit organisation Kulturverein Bild und Kunst eV Trier is proud to announce that the first edition of the fototagetrier, the Trier Photo Days, will be held in 2010. The festival, which was conceived as a triennial event, will invest various museums and exhibition spaces in the city of Trier. Entitled “LEBEN elementar”, the first edition intends to survey a wide range of contemporary artistic practices based on photography or video and dealing with notions of contemporaneousness and existentiality.
The concept of the exhibition follows the observation that the gaps in our seemingly banal everyday – a seamless succession of events from birth and growing up to ageing and dying, interspersed with experiences of love and loss, joy and sadness, happiness and dismay, poverty ...
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