Eva Bertram
#Photographe
- Livre
2 One Child - Eva Bertram
Eva Bertram photographs her daughter in the midst of play, discovering her identity, and growing up.
Childhood as a self-willed process is the central theme of 2 One Child by Berlin photographer Eva Bertram. Over a period of eleven years, Bertram photographed her daughter, Herveva. The pictures not only depict the astonishingly theatrical changes in the girl, but also reflect the special relationship between the photographer and her model, as well as the increasing recognition of the daughter as an independent person.
A selection of around 70 photos of the girl often shows her amid installations and playing fields she made herself. At the same time, the playful quality of her poses and arrangements is also part of the girl’s serious role-playing. In this situation the photographer regards herself as an observer o... - Exposition
Eva Bertram - 2 One Child
Childhood as a self-willed process is the central theme of 2 One Child by Berlin photographer Eva Bertram. Over a period of eleven years, Bertram photographed her daughter Herveva in the midst of play, discovering her identity, and growing up. The pictures not only depict the astonishingly theatrical changes in the girl, but also reflect the special relationship between the photographer and her model, as well as the increasing recognition of the daughter as an independent person.
A selection of around 70 photos of the girl often shows her amid playing fields she made herself. At the same time, the playful quality of her poses and arrangements is also part of the girl's serious role-playing. In this situation the photographer regards herself as an observer of childhood processes, which devel... - Exposition
2 Ein Kind - Eva Bertram
In Eva Bertram's photographic art, the Madonna leaves the image. She steps out of it, and directs her gaze on the child. But the child looks back, a long time, before she realizes what this means: to revoke the directive of the other, and to integrate herself into the mesh of reciprocal terms. To see one another - the mother the child, the child the mother, the mother, who sees, how the child sees, how it looks at her, the child who sees, how the mother sees, that she is looked at by it, while it looks back at her - produces the looks of penetrating one another in the photographs.
It is the solemnness of one's own life, this view, which hits that of the beholders. The solemnness of this work of transformation on that discovered, from which each must draw on their own life that begins with play, in which the child feel... - Exposition
Eva Bertram 2 Ein Kind Fotografie
n Eva Bertrams Bildkunst verlässt die Madonna das Bild. Sie tritt aus ihm heraus und richtet ihren Blick auf das Kind. Aber das Kind schaut zurück, lange bevor es ahnen kann, was das bedeutet: sich der Verfügung der anderen zu entziehen und sich einzufügen ins Geflecht der wechselseitigen Bestimmungen. Einander sehend – die Mutter das Kind, das Kind die Mutter, die Mutter, die sieht, wie das Kind sieht, wie sie es sieht, das Kind, das sieht, wie die Mutter sieht, dass sie von ihm gesehen wird, während sie es sieht – erzeugen die einander durchdringenden Blicke die Bilder. Andreas Steffens
//In Eva Bertram’s photographic art, the Madonna leaves the image. She steps out of it, and directs her gaze on the child. But the child looks back, a long time, before she realizes what t... - Exposition
Eva Bertram - Inseln
"INSELN sind Ersatzparadiese ebenso wie Straflager, Idyllen wie Gefängnisse, letzte Zuflucht ebenso wie Ort der Verbannung, sanfte Gewährerinnen von Geborgenheit ebenso wie strenge Aufseherinnen der Weltausgeschlossenheit. Ihre Wirklichkeiten sind von Mehrdeutigkeit geprägt.
Das macht sie zu einer Metapher für den aktuellen Zustand unserer visuellen Menschennatur.
Noch nie haben wir so viel gesehen, und noch nie blieb so viel im Meer der Sichtbarkeit ungesehen. Die Allgegenwart von Bildern täuscht darüber hinweg, dass Sichtbar-Sein keine Garantie für Gesehen-Werden ist. EVA BERTRAM setzt mit ihren Bildern Inseln ins Meer der Unsichtbarkeiten unserer Sehgewohnheiten. Der Betrachter ihrer Bilder findet sich aus den ästhetischen Schiffbrüchen unserer alltäglichen Bilderstürme gerettet auf die Inseln der Wahrneh...
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Eva Bertram photographs her daughter in the midst of play, discovering her identity, and growing up.
Childhood as a self-willed process is the central theme of 2 One Child by Berlin photographer Eva Bertram. Over a period of eleven years, Bertram photographed her daughter, Herveva. The pictures not only depict the astonishingly theatrical changes in the girl, but also reflect the special relationship between the photographer and her model, as well as the increasing recognition of the daughter as an independent person.
A selection of around 70 photos of the girl often shows her amid installations and playing fields she made herself. At the same time, the playful quality of her poses and arrangements is also part of the girl’s serious role-playing. In this situation the photographer regards herself as an observer o...
Childhood as a self-willed process is the central theme of 2 One Child by Berlin photographer Eva Bertram. Over a period of eleven years, Bertram photographed her daughter Herveva in the midst of play, discovering her identity, and growing up. The pictures not only depict the astonishingly theatrical changes in the girl, but also reflect the special relationship between the photographer and her model, as well as the increasing recognition of the daughter as an independent person.
A selection of around 70 photos of the girl often shows her amid playing fields she made herself. At the same time, the playful quality of her poses and arrangements is also part of the girl's serious role-playing. In this situation the photographer regards herself as an observer of childhood processes, which devel...
In Eva Bertram's photographic art, the Madonna leaves the image. She steps out of it, and directs her gaze on the child. But the child looks back, a long time, before she realizes what this means: to revoke the directive of the other, and to integrate herself into the mesh of reciprocal terms. To see one another - the mother the child, the child the mother, the mother, who sees, how the child sees, how it looks at her, the child who sees, how the mother sees, that she is looked at by it, while it looks back at her - produces the looks of penetrating one another in the photographs.
It is the solemnness of one's own life, this view, which hits that of the beholders. The solemnness of this work of transformation on that discovered, from which each must draw on their own life that begins with play, in which the child feel...
n Eva Bertrams Bildkunst verlässt die Madonna das Bild. Sie tritt aus ihm heraus und richtet ihren Blick auf das Kind. Aber das Kind schaut zurück, lange bevor es ahnen kann, was das bedeutet: sich der Verfügung der anderen zu entziehen und sich einzufügen ins Geflecht der wechselseitigen Bestimmungen. Einander sehend – die Mutter das Kind, das Kind die Mutter, die Mutter, die sieht, wie das Kind sieht, wie sie es sieht, das Kind, das sieht, wie die Mutter sieht, dass sie von ihm gesehen wird, während sie es sieht – erzeugen die einander durchdringenden Blicke die Bilder. Andreas Steffens
//In Eva Bertram’s photographic art, the Madonna leaves the image. She steps out of it, and directs her gaze on the child. But the child looks back, a long time, before she realizes what t...
"INSELN sind Ersatzparadiese ebenso wie Straflager, Idyllen wie Gefängnisse, letzte Zuflucht ebenso wie Ort der Verbannung, sanfte Gewährerinnen von Geborgenheit ebenso wie strenge Aufseherinnen der Weltausgeschlossenheit. Ihre Wirklichkeiten sind von Mehrdeutigkeit geprägt.
Das macht sie zu einer Metapher für den aktuellen Zustand unserer visuellen Menschennatur.
Noch nie haben wir so viel gesehen, und noch nie blieb so viel im Meer der Sichtbarkeit ungesehen. Die Allgegenwart von Bildern täuscht darüber hinweg, dass Sichtbar-Sein keine Garantie für Gesehen-Werden ist. EVA BERTRAM setzt mit ihren Bildern Inseln ins Meer der Unsichtbarkeiten unserer Sehgewohnheiten. Der Betrachter ihrer Bilder findet sich aus den ästhetischen Schiffbrüchen unserer alltäglichen Bilderstürme gerettet auf die Inseln der Wahrneh...