Caleb Charland
#Photographe
- Exposition
Exhibition : « Under the arc of the Sky » by Caleb Charland
Press release :
Caleb Charland's new exhibit, Under the Arc of the Sky, combines science, photography, art, and a sophisticated curiosity creating images which are both magical and surreal - illusions that make us question what we are seeing. Visually striking, the resulting pieces reveal the artist's exploration of light, motion, movement, gravity, the push and pull of Earth's forces that are experienced every day.
Charland's pieces are made with and without a camera. They are gelatin silver photographs made in the darkroom or cyanotype prints made in the light. Photograms, long exposures, paper negatives, glow in the dark powder are some of the techniques used, each demonstrating Charland's inexhaustible sense of wonder and childlike exuberance for discovery. Using a lit candle as a pendulum... - Exposition
« EXPERIMENTAL » : Exposition de photographies
Caleb Charland (USA 1980)
Alexander Gehring (Allemagne 1981)
Sylvain Granjon (France 1971)
Jordi Gual (Catalogne 1964)
Sous le titre "Expérimental", Galeria Tagomago présente une exposition qui s'intéresse à la fonction laboratoire du medium photographique. Réunis à cette occasion, quatre auteurs qui ne se connaissent sans doute pas, nous livrent une version de leurs recherches formalisées sur des axes bien différents. Le point commun de ces auteurs est la photographie analogique, tous ces travaux sont réalisés à la pellicule noir et blanc ou couleur. Mais trés vite on décèle des intentions très diverses.
Caleb Charland s'appuie sur une solide connaissance de la physique-chimie et d... - Exposition
ClampArt expose « Into the Woods »
ClampArt is pleased to present « Into the Woods », a group exhibition including artworks by Corey Arnold, Anna Beeke, Jesse Burke, Caleb Charland, Larry Clark, Lisa DiLillo, Adam Ekberg, Nan Goldin, Gregory Halpern, Collin LaFleche, Sebastian Lemm, Ralph Eugene Meatyard, David Nadel, Ahndraya Parlato, Pacifico Silano, Chad States, Amy Stein, and Robert Voit.
The woods commonly serve as metaphor for many things—including that which is mysterious, perhaps frightening, or simply unfamiliar. The forest marks the edge of mankind’s domain, and for centuries poets, composers, painters, and artists of all media have been inspired by what at first may seem outwardly calm and tranquil, but firmly delineates what should be the boundary of man’s authority.
In recent years a number of emerging... - Exposition
« Second Nature : Abstract Photography Then and Now » s'expose au DeCordova Museum
« It is another nature which speaks to the camera rather than to the eye » Walter Benjamin, Little History of Photography (1931)
Abstract photography challenges our popular view of photography as an objective image of reality by reasserting its constructed nature. In Walter Benjamin’s essay on the history of photography, the philosopher and critical theorist articulates photography’s « second nature » as its inherent ability to detach and abstract the visible from the real. Non-representational photography lives in this contested middle ground between material reality and photographic illusion—fact and fiction—first and second natures. Today, anyone who has a cell phone can take and send digital pictures instantaneously. In response to this snapshot culture, many art...
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Press release :
Caleb Charland's new exhibit, Under the Arc of the Sky, combines science, photography, art, and a sophisticated curiosity creating images which are both magical and surreal - illusions that make us question what we are seeing. Visually striking, the resulting pieces reveal the artist's exploration of light, motion, movement, gravity, the push and pull of Earth's forces that are experienced every day.
Charland's pieces are made with and without a camera. They are gelatin silver photographs made in the darkroom or cyanotype prints made in the light. Photograms, long exposures, paper negatives, glow in the dark powder are some of the techniques used, each demonstrating Charland's inexhaustible sense of wonder and childlike exuberance for discovery. Using a lit candle as a pendulum...
Caleb Charland (USA 1980)
Alexander Gehring (Allemagne 1981)
Sylvain Granjon (France 1971)
Jordi Gual (Catalogne 1964)
Sous le titre "Expérimental", Galeria Tagomago présente une exposition qui s'intéresse à la fonction laboratoire du medium photographique. Réunis à cette occasion, quatre auteurs qui ne se connaissent sans doute pas, nous livrent une version de leurs recherches formalisées sur des axes bien différents. Le point commun de ces auteurs est la photographie analogique, tous ces travaux sont réalisés à la pellicule noir et blanc ou couleur. Mais trés vite on décèle des intentions très diverses.
Caleb Charland s'appuie sur une solide connaissance de la physique-chimie et d...
ClampArt is pleased to present « Into the Woods », a group exhibition including artworks by Corey Arnold, Anna Beeke, Jesse Burke, Caleb Charland, Larry Clark, Lisa DiLillo, Adam Ekberg, Nan Goldin, Gregory Halpern, Collin LaFleche, Sebastian Lemm, Ralph Eugene Meatyard, David Nadel, Ahndraya Parlato, Pacifico Silano, Chad States, Amy Stein, and Robert Voit.
The woods commonly serve as metaphor for many things—including that which is mysterious, perhaps frightening, or simply unfamiliar. The forest marks the edge of mankind’s domain, and for centuries poets, composers, painters, and artists of all media have been inspired by what at first may seem outwardly calm and tranquil, but firmly delineates what should be the boundary of man’s authority.
In recent years a number of emerging...
« It is another nature which speaks to the camera rather than to the eye » Walter Benjamin, Little History of Photography (1931)
Abstract photography challenges our popular view of photography as an objective image of reality by reasserting its constructed nature. In Walter Benjamin’s essay on the history of photography, the philosopher and critical theorist articulates photography’s « second nature » as its inherent ability to detach and abstract the visible from the real. Non-representational photography lives in this contested middle ground between material reality and photographic illusion—fact and fiction—first and second natures. Today, anyone who has a cell phone can take and send digital pictures instantaneously. In response to this snapshot culture, many art...