Adam Broomberg and Oliver Chanarin are a photographic team based in London. Together they have produced three photographic books: Trust which accompanied their solo-show at The Hasselbad Center; Ghetto, a collection of their work as editors and principal photographers of Colors magazine; and Mr Mkhize's Portrait which documented South Africa ten years after apartheid and accompanied their solo show at The Photographers' Gallery. Their work has been exhibited internationally and is part of the Victoria and Albert Museum's permanent collection. They are the recipients of numerous awards, including the Achievement Award from the Royal Photographic Society of Great Britain, and have also been awarded a number of photographic commissions. Broomberg and Chanarin also teach on the MA photojournalism course at London College of Communication. They continue to work for a number of magazines including The Guardian Weekend, The Observer Magazine and Life. Last year they produced their first documentary film, commissioned by Channel 4.
Chicago is a fake Arab town built by the Israeli Defense Force for urban combat training. It is a place that is familiar to Israeli and American soldiers but until now largely unknown outside Israel. Chicago stands in the middle of the Negev desert; a ghost town whose history directly mirrors the story of the conflict for Palestine. During the war in Lebanon, its labyrinth of streets and alleys were adorned with abandoned cars, imitating areas of Beirut. During the first and second intifada its concrete walls were covered with Arabic graffiti reminiscent of Gaza city, and an additional area was constructed to simulate the refugee camps of the occupied territories. During the first Gulf war American Special Forces had their first taste of the Middle East in Chicago in the Israeli desert. Everything that happened, happened...
"Conflict, Time, Photography" presents the many facets of the artistic portrayal of armed conflicts using the medium of photography. Artists such as Don McCullin, Pierre-Antony-Thouret, Simon Norfolk, Stephen Shore, Michael Schmidt and Taryn Simon have depicted acts of war and their legacy, in photographs taken in the mo-ment of the action, as well as days, months, years, and even decades after the event. This major group exhibition has no intention of serving as a ‘history of war photography’, however. It instead explores the various possibilities and strategies that artists and photographers have adopted to try to come to terms with violent conflict, in the hope of overcoming it. On show are some 200 works ranging from a period of just over 150 years in the history of photography, from 1855 to 201...
Photojournalism is in the midst of a remarkable, and singularly unexpected, renaissance. New practices, strategies, viewpoints, techniques, and agents have radically transformed the institutions and the fundamental concepts of the field. Whilst it has become fashionable to lament the death of photojournalism, actual events suggest that something quite different is taking place. The group exhibition Antiphotojournalism charts these new developments in exciting ways.
Included is work by Broomberg & Chanarin, Mauro Andrizzi, Jonathan Cavender, Robbie Wright, Shane McDonald, Hito Steyerl, Ariella Azoulay, Paul Lowe, Goran Galic & Gian-Reto Gredig, Laura Kurgan, Renzo Martens, Kadir van Lohuizen, Allan Sekula, Phil Collins, Walid Raad/The Atlas Group, Paul Fusco, Gilles Peress and Susan Meiselas. Compilations b...