Born in Jilin Province, *Huang Yan* is a painter, sculpture, photographer and performance artist and currently divides his time between Changchun and Beijing. He graduated from the Changchun Normal Academy, where he presently lectures. His most significant shows include: 100 International Artists at the Casoria Contemporary Art Museum, 2005, Italy; Between the Past and the Future at the International Center of Photography, 2004, NYC; Guangzhou Triennial Exhibition at the Guangdong Museum of Art, 2002; 1st Chinese Art Triennial, Guangzhou Art Museum, 2002; Canton Triennial, Canton Museum of Fine Arts, 2002, China; The Turn of the Century: Exhibition of Chinese Art 1979-1999, Chengdu Museum of Modern Art, 1999, China; The East is Red, Victoria and Albert Museum, 1999, London UK.
The Walther Collection presents "The Order of Things: Photography from The Walther Collection", a major exhibition exploring how the organization of photographs into systematic sequences or typologies has affected modern visual culture. The Order of Things investigates the production and uses of serial portraiture, conceptual structures, vernacular imagery, and time-based performance in photography from the 1880s to the present, bringing together works by artists from Europe, Africa, Asia, and North America. Curated by Brian Wallis, former Chief Curator at the International Center of Photography in New York, the exhibition will be accompanied by a catalogue published by Steidl/The Walther Collection.
Throughout the modern era, photography has been enlisted to classify the world and its people. Driven by a be...
Priska C. Juschka Fine Art is pleased to announce the opening of Huang Yan's first solo show at the gallery. Huang Yan, a native from the Jilin Province in China, now living in Beijing, has been working with the human body over the last decade, drawing from the past in order to comment on and reflect on the present.
The work is a collaboration of the artist and his wife, Zhang Tiemei. The husband and wife team works in synergy, incorporating the shan-shui landscape tradition by making use of the surface of the human body in place of conventional rice paper. *Huang Yan* also utilizes digital techniques to reproduce his images, blurring the line between the conventional and the avant-garde even further.
By redefining his own body as a canvas and combining imagery of traditional Chinese ink painting with a contemporar...