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Paul Sharits
#Photographe
Exposition
Paul Sharits presents « A Retrospective »
« I wish to abandon imitation and illusion and enter directly into the higher drama of: celluloid, two-dimensional strips; individual rectangular frames; the nature of sprockets and emulsion; projector operations; the three-dimensional light beam; environmental illumination; the two-dimensional reflective screen surface; the retinal screen, optic nerve and individual psycho-physical subjectivities of consciousness ». Paul Sharits, 1967 Working with precisely composed 16mm films, the American experimental filmmaker Paul Sharits (1943–1993) created extraordinary cinematic spaces characterized by a degree of complexity and density that is unique in the history of art. In his installations and multiple projections (locational film pieces) he transforms film not only into a deeply visual, but also ...
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« I wish to abandon imitation and illusion and enter directly into the higher drama of: celluloid, two-dimensional strips; individual rectangular frames; the nature of sprockets and emulsion; projector operations; the three-dimensional light beam; environmental illumination; the two-dimensional reflective screen surface; the retinal screen, optic nerve and individual psycho-physical subjectivities of consciousness ».
Paul Sharits, 1967
Working with precisely composed 16mm films, the American experimental filmmaker Paul Sharits (1943–1993) created extraordinary cinematic spaces characterized by a degree of complexity and density that is unique in the history of art. In his installations and multiple projections (locational film pieces) he transforms film not only into a deeply visual, but also ...