Mustafa Sabbagh
#Photographe
- Exposition
Exhibition: « #000 – TUXEDO RIOT »
In John Cage, it was the silence. In Gilles Deleuze, too much long nails. Revolutionary acts starting from an habitus (or from a bad habit, as a Bourdieu 2.0 would have meant) burning out in revolution, and betraying art. As silence for Cage, as nails for Deleuze, at SI Fest 2015, Mustafa Sabbagh presents # 000 - Tuxedo Riot: his revolution in black tie.
Tuxedo: elegance and anarchy, because - from Plato to Edgar Wind - «If the ultimate desire of a man is to live without hassles, perhaps the best advice that you can give him is to keep art far from his home». Nature buries any kind of tragedy in order to formalize its beauty, but the darkness of silence, as the scratching nails’ one, is more deafening than a bombardment, more excruciating than an open wound.
In exhibition, rebels in tuxedo by Must...
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In John Cage, it was the silence. In Gilles Deleuze, too much long nails. Revolutionary acts starting from an habitus (or from a bad habit, as a Bourdieu 2.0 would have meant) burning out in revolution, and betraying art. As silence for Cage, as nails for Deleuze, at SI Fest 2015, Mustafa Sabbagh presents # 000 - Tuxedo Riot: his revolution in black tie.
Tuxedo: elegance and anarchy, because - from Plato to Edgar Wind - «If the ultimate desire of a man is to live without hassles, perhaps the best advice that you can give him is to keep art far from his home». Nature buries any kind of tragedy in order to formalize its beauty, but the darkness of silence, as the scratching nails’ one, is more deafening than a bombardment, more excruciating than an open wound.
In exhibition, rebels in tuxedo by Must...