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Michal Moravcik
#Photographe
Livre
Leftovers / CEE PhotoFund, Slovakia Lucia Nimcova, Marian Kusik, Michal Moravcik
This book comprises only a small proportion of Marian's work. It offers a view, an insight, into the everyday reality of a world that no longer exists. I focused on secondary photos of children and shots that help complete the story of Marian's life. They are snapshots that capture moments between "real" shots. I often ask myself what makes good photographs? And I always get the same answer: depends on what you want to say. Are they good? Useful? Bad? Useless? These concepts are fluid and always contingent on the beholder. I find the threshold between shots as interesting as the threshold between childhood and adulthood, past and future. In order to get into Marian's way of thinking when he took those images, I used some of his stories and observations as captions. Some of the important stories - like the one a...
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This book comprises only a small proportion of Marian's work. It offers a view, an insight, into the everyday reality of a world that no longer exists. I focused on secondary photos of children and shots that help complete the story of Marian's life. They are snapshots that capture moments between "real" shots. I often ask myself what makes good photographs? And I always get the same answer: depends on what you want to say. Are they good? Useful? Bad? Useless? These concepts are fluid and always contingent on the beholder. I find the threshold between shots as interesting as the threshold between childhood and adulthood, past and future. In order to get into Marian's way of thinking when he took those images, I used some of his stories and observations as captions. Some of the important stories - like the one a...