Jonathan Lewis

Jonathan Lewis

#Photographe
EDUCATION

1996-97 Certificate in Professional Photographic Practice, London College of Printing
1989-93 BA Hons History of Art, Robinson College, Cambridge University


EXHIBITIONS

2008
Deutsche Bank, London - Jonathan Lewis and Tim Pitman
John Michael Kohler Arts Center, Sheboygan, WI - Stretching the Truth

2007
Photographic Resource Center at Boston University - Ad Agency

2006
Bonni Benrubi Gallery, New York, NY - Walmart
Galerie Negulesco, Munich, Germany - Color
Bonni Benrubi Gallery, New York, NY - 20/30 Vision

2004
Bonni Benrubi Gallery, New York, NY - 57 on 57th
George Eastman House, Rochester, NY - The Pixles

2003
Bonni Benrubi Gallery, New York, NY - CMYK: Contemporary Color
Visual Studies Workshop, Rochester, NY - Introducing…
Center of Contemporary Arts, St Louis, MO - Slop Art
Santa Monica Museum of Art, Los Angeles, CA - Fresh StART

2002
Bellwether Gallery, Brooklyn, NY - Flatfiles
Red Dot Gallery, New York, NY - Living with Art
Blind Spot Editions, New York, NY - The Armory Photography Show
Hunterdon Museum of Art, Clinton, NJ - Post-Systemic Art
Nantucket Film Festival, Nantucket, MA - Dancer

2001
Visual Studies Workshop, Rochester, NY - Init.One
Pierogi Gallery, Brooklyn, NY - Flatfiles
Painted Bride Art Center, Philadelphia, PA - Metropolitan Museum of Scarves
Philadelphia Art Alliance, Philadelphia, PA - Digital Deluxe
International Print Center New York, NY - New Prints 2001
Silicon Gallery, Brooklyn, NY - Working Artists


PUBLICATIONS

Artscope Magazine, 2008, Ad/Agency, Gary Duehr
Small Spaces: Big Style, 2005, See Candy featured in television program
Exit, 2004, Bit O'Honey in Abstraction in Photography issue
Picture Perfect, 2004, Aurum Press, Stephanie Hoppen
House and Garden, 2004, Cracking the Bar Code, Caroline Cunningham
Norari, 2003, Gallery 1 by 4, Aya Harazono
Pierogi Press (Number 8), 2002, Camel
The Express-Times, 2002, Post-Systemic Art brings new life to the ordinary,Tony Sienzant
The Sunday Star-Ledger, 2002, A kaleidoscope of wit and whimsy, Bydan Bischoff
Neo-Impressionism - Artists on the Edge, 2002, Points and Pixels, Sabrina DeTurk
Art On Paper, 2001, Working Proof, Faye Hirsch
Blind Spot (Issue 18), 2001, front cover with 4 pages inside
Philadelphia Weekly, 2001, User-Friendly Interface, Gerard Brown
Philadelphia City Paper, 2001, Paint by Number, Robin Rice
The Philadelphia Inquirer, 2001, A Survey of how digital technology has broadened options in art, Edward Sozanski


COLLECTIONS

Bank of America Collection, New York, NY
George Eastman House, International Museum of Photography and Film, Rochester, NY