Jane Brown
#Photographe
- Exposition
Exhibition : « Sporting Country » by Jane Brown
Press release - Stills is delighted to present Jane Brown’s series Sporting Country, following its 2016 debut in the prestigious Basil Sellers Art Prize, which commissions contemporary Australian artists to contribute to ‘the critical reflection on all forms of sport and sporting culture in Australia’
Sporting Country comprises a suite of photographs of places related to sport in rural Australia. Brown’s small and thoughtful black and white portraits of sporting clubs, stadiums, swimming pools and monuments contrast with the colour, energy and fervour of Australian sporting life.
Central to the series is the notion of ‘faded glory,’ which evokes both nostalgia for a bygone era and the ongoing and passionate support of local sporting activities. The meticulou... - Exposition
Exhibition : « Black Ships » by Jane Brown
Press Release
Jane Brown’s beautiful and ambiguous photographic work appears to originate from a different era but simultaneously depicts contemporary subject matter. The meticulous process that Brown employs and the careful presentation of her hand-printed, black and white works, places them in a liminal realm between being images and objects.
The title of her latest series Black Ships suggests the idea of a Western perspective on Japan. ‘Black Ships’, was an idiom used by the Japanese for Western vessels approaching their shores and dates from the 16th century when the hulls of Portuguese vessels were painted black with pitch. The term became a symbol of the end of Japan’s isolationist policies and the modernisation that ultimately ensued. The images in Brown’s Black Ships are laden ... - Exposition
Exhibition: Patrick Pound and Jane Brown at Stills Gallery
© Patrick Pound
Cast adrift from their original creator and context, the photographs in Patrick Pound’s artworks find new life and meaning in his hands. In Small world he brings together an idiosyncratic collection of images to create a meditation, not only on the tricky nature of photography and reality, but also of humans and our place in the world.
Pound’s practice is not concerned with photographic mannerism, rather he is “really straight and methodical about things, because it’s a sentimental process already and an expressive form, so you really don’t have to say anything. When it comes to painting, everyone can recognise someone who possesses that lightness of touch with a brush, like Édouard Manet or someone. I like the idea that in conceptual art you can show ...
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