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Hubert Becker
#Photographe
Exposition
Hubert Becker La condition humaine
The momentary creation of space within pictures »Hubert Becker's pictures leave the feeling of reliability in the observer« writes Heinrich Miess about his works*, but none of Hubert Becker's photographed motives show what they pretend to be: What looks like a drawing of shoes is actually a real pair of shoes, painted white and drawn over. The studio scene from Gerhard Richter is a built model after his own photograph, the Blossfeld only modelling clay. Becker plays with our mistaken assumption that in times of mechanical reproduction, a depiction of a piece of art is showing as such. Thereby he works with the awareness that we are well situated in our process of visually recycling relevance and aesthetics. Becker reflects (and creates) art for himself by rebuilding a photo, of what seems to incidentall...
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The momentary creation of space within pictures
»Hubert Becker's pictures leave the feeling of reliability in the observer« writes Heinrich Miess about his works*, but none of Hubert Becker's photographed motives show what they pretend to be: What looks like a drawing of shoes is actually a real pair of shoes, painted white and drawn over. The studio scene from Gerhard Richter is a built model after his own photograph, the Blossfeld only modelling clay.
Becker plays with our mistaken assumption that in times of mechanical reproduction, a depiction of a piece of art is showing as such. Thereby he works with the awareness that we are well situated in our process of visually recycling relevance and aesthetics. Becker reflects (and creates) art for himself by rebuilding a photo, of what seems to incidentall...