Can geometrical forms be something else from what they actually are? If yes, could they serve as basis for a new vade mecum apt to instruct us on how to construct meaning? This last question is the leading theme of "a short guide for the construction of meaning", the exhibition presenting the new works of Berlin based artist Frank Hülsbömer.
Using photography and video as art media, Hülsbömer depicts a parallel universe inhabited by minimally structured surfaces and forms in which all contradictions are admitted and - sometimes - happily unified. The artist's way of treating objects is both poetical and playful: it seems as though he is taking a step back in order to allow his objects to live and to develop their own life. Hülsbömer does not want to disturb the scenery h...
Can geometrical forms be something else from what they actually are? If yes, could they serve as basis for a new vade mecum apt to instruct us on how to construct meaning? This last question is the leading theme of "a short guide for the construction of meaning," the exhibition presenting the new works of Berlin based artist Frank Hülsbömer.
Using photography and video as art media, Hülsbömer depicts a parallel universe inhabited by minimally structured surfaces and forms in which all contradictions are admitted and—sometimes—happily unified. The artist's way of treating objects is both poetical and playful: it seems as though he is taking a step back in order to allow his objects to live and to develop their own life. Hülsbömer does not want to disturb the s...
A l'occasion de Paris Photo, la galerie organise une soiree speciale dediee a Frank Hulsbomer. Il y devoile ses dernieres photos et un coffret special documentaire sur certaines formes architecturales et sur la relation entre les hommes et les lieux qu'ils construisent .
Pour recevoir une invitation pour cette soiree magda@magda-gallery.com
in his new series entitled "the anatomy of surface", frank hülsbömer fills his surfaces with a semantic depth which appears diametrically opposed to the idea of surface itself. here surfaces are led to simulate objects via curves and kinks, alternatively becoming independent zones, configurations or positions, juxtaposed as they are with neighbouring surfaces and objects in contrasting shades.
the photographs are digitally unmanipulated and only print optimised yet their rende...