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Elaine Stocki
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Exposition
Freeway Balconies
Artists are often the best judges of which works by young emerging talents are the most interesting. Their tastes shaped independently of the art market, they are attracted to different aesthetic approaches and positions. With Freeway Balconies, the Deutsche Guggenheim follows the precedent set the exhibition The Vanity of Allegory, curated by the artist Douglas Gordon together with Nancy Spector in 2005. Acclaimed American artist Collier Schorr, whose multimedia practice explores appropriated identities and performance, has organized a group exhibition that is at once a self-portrait and a riveting display of some of the most vital trends in U.S.-based contemporary art. From her position as visual artist, critic, and teacher, Schorr possesses a uniquely intimate perspective on current art production, which she has t...
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Artists are often the best judges of which works by young emerging talents are the most interesting. Their tastes shaped independently of the art market, they are attracted to different aesthetic approaches and positions. With Freeway Balconies, the Deutsche Guggenheim follows the precedent set the exhibition The Vanity of Allegory, curated by the artist Douglas Gordon together with Nancy Spector in 2005.
Acclaimed American artist Collier Schorr, whose multimedia practice explores appropriated identities and performance, has organized a group exhibition that is at once a self-portrait and a riveting display of some of the most vital trends in U.S.-based contemporary art. From her position as visual artist, critic, and teacher, Schorr possesses a uniquely intimate perspective on current art production, which she has t...