Benjamin Thorel. «Sur l’exposition de David Douard, Innerspace : Jean Comandon/David Douard»,
May, n.9, June, 2014. http://www.mayrevue.com/sur-lexposition-de-david-douard-innerspace-jean-comandondavid-douard.
Bianca Stoppani. “Paris-Based artist David Douard”,Kaleidoscope, Issue 21, Summer 2014, p.131.
«Mo’swallow, une discussion entre Stef Aupers, David Douard et Rebecca Lamarche-Vadel», Palais, n°19, 2014, p. 168-186.
Laura Preston. «David Douard», Artforum, April 2014.
Michele D’Aurizio. «Empathetic Violence, David Douard discusses his idea of sculptural resistance», Flashart, March/April 2014.
Philippe Dagen. «David Douard dérange le Palais de Tokyo», Le Monde, Février 2014.
Jean-Max Collard. «Il y a-t-il un virus dans l’exposition», Les Inrocks, April 23, 2014, p. 96.
«Génération Netflix, David Douard en conversation avec Maurizio Cattelan», L’Offiel Art, March/May 2014. «Mo’Swallow. David Douard», Cura, 2014.
The Reason We No Longer Speak is an exhibition by David Douard (b. 1983 in Perpignan, France; lives and works in Paris) that also includes interventions by Los Angeles-based artists, Liz Craft (b. 1970, Los Angeles; lives and works in Los Angeles) and Jesse Stecklow (b. 1993, Cambridge; lives and works in Los Angeles).
David Douard takes interest in systems of growth, decay and contamination, as well as technological and organic modes of degeneration. By creating systems of interconnected installations, Douard tweaks everyday objects, compulsive soundtracks, and disturbing videos that are inspired by mechanisms of natural transformation and biological mutation. His work alludes to bodily fluids such as saliva or milk as well as physical and technological contaminations, and conveys references to urban poetry, the hist...