Carolina Nitsch is pleased to present performance photographs from the 1970's by Carolee Schneemann at Carolina Nitsch Project Room in Chelsea, New York. This exhibition has been organized in collaboration with Elisabeth Ross Wingate on the occasion of several jointly published editions with the artist.
A pioneer of performance art, Schneemann's multidisciplinary work also includes assemblage, photography, film, video, and installation, while consistently referring to painting. Schneemann was one of the first artists to use her body to animate the relationship between the lived experience and the imagination. "Prior to Schneemann, the female body in art was mute and functioned almost exclusively as a mirror of masculine desire." (1)
Schneemann's work has had a huge influence on multiple generations of you...
Photography is present everywhere. It plays a formative role in all societies and in private, public, intimate, commercial, and "free" areas of our lives. It is also present in the closed off areas, there where it is "dark", where we withdraw from society, or where acts are excluded from society. For eroticism, sexuality, desire, and identity, photography is a central visual tool: as document, stimulation, instrument of power, and as artistic form of expression.
The exhibition and book project Darkside will discuss photography as an instrument of representation and as an important visual catalyst of sexuality. Photography shows and stylizes lust and passion, fantasy and desire, power and violence, voyeurism and self-presentation in sexuality. Fantasy and desire form a thrilling pact with photograph...