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Brian Mccormick
#Photographe
Exposition
Brian McCormick: art
As a student at the Maryland Institute College of Art, I would meander the rooftops of Baltimore with a viscous mullet purchased from the Lexington Fish Market. I would gingerly pose my subject within the ornate metal spokes of weathervanes that topped the brownstones. My allegory symbolically suggested I was looking for an unseen force to point me in the right direction. Later, in total darkness, I would pry the cap off the film canister and fumble to spool the undeveloped high-contrast film on a reel. Once in the tank, I would continue the technical task of push processing, keeping careful note of temperature, time and chemical precision. After the film was dry, I would continue the process by selecting only the negatives with the most dramatic compositions. Back in the darkroom, I would enlarge, crop and furthe...
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As a student at the Maryland Institute College of Art, I would meander the rooftops of Baltimore with a viscous mullet purchased from the Lexington Fish Market. I would gingerly pose my subject within the ornate metal spokes of weathervanes that topped the brownstones. My allegory symbolically suggested I was looking for an unseen force to point me in the right direction.
Later, in total darkness, I would pry the cap off the film canister and fumble to spool the undeveloped high-contrast film on a reel. Once in the tank, I would continue the technical task of push processing, keeping careful note of temperature, time and chemical precision. After the film was dry, I would continue the process by selecting only the negatives with the most dramatic compositions. Back in the darkroom, I would enlarge, crop and furthe...