The Anne Landa Award: The Space Between Us, curated by Charlotte Day, Art Gallery of NSW, Sydney
The Real Thing? curated by Antonia Alampi and Jason Waite, Palais de Tokyo, Paris
Kunstverein Hildesheim, Germany, curated by Kathrin Meyer (solo)
2013:
Material Traces: Time and the Gesture in Contemporary Art, curated by Amelia Jones, Galerie Leonard & Bina Ellen Art Gallery, Montréal
The Missing Action, Galerie Michael Janssen, Berlin (performance)
2012
Why Lame Ducks When Dogs Can Fly? Arratia, Beer, Berlin (performance)
Contact, Frankfurter Kunstverein, Frankfurt
Bodies and Situations, Starkwhite, Auckland (solo)
The opportune spectator, curated by Ash Kilmartin, Gertrude Contemporary, studio 6, Melbourne (performance)
The Walters Prize, Auckland City Art Gallery, Auckland
Artists’ Proof, Monash University Museum of Art, Melbourne
City Within the City, Gertrude Contemporary, Melbourne
A program of artistic interventions … and they installed the office in the tavern, organized by The Office (Berlin) and Le Bureau/ (Paris), 2012” “Drei Schwestern” Berlin and Gaîté Lyrique, “Bar du foyer historique” Paris (performances)
AIR RIVER BAR: DeathRace 2000, AIR, Antwerp (performance)
Made Active: The Chartwell Show, Auckland City Art Gallery, Auckland
Lost in Translation, curated by Viktor Wang, One Night Only, Oslo
The Obstinate Object: Contemporary New Zealand Sculpture, City Gallery, Wellington
2011
Dublin Contemporary 2011; Terrible Beauty: Art, Crisis, Change and The Office of Non-Compliance curated by Jota Castro and Christian Viveros-Fauné
City Within the City, curated by Emily Cormack, Sunjung Kim and Alexie Glass- Kantor, Artsonje Center, Seoul
Burn what you cannot steal, curated by Reuben Keehan, Galerja Nova, Zagreb, Croatia
From Blank Pages, curated by Heejin Kim in collaboration with Reuben Keehan Art Space Pool, Seoul
Gestures, Splits and Annulations, Künstlerhaus Bethanien, Berlin (solo)
Floor Resistance, Hebbel Am Ufer, HAU 3, Berlin (performance)
Undisciplined Bodies; an Evening Dissolving Social and Spatial Conventions, Salon Populaire, Berlin (performance)
Floor Resistance in Davide Savorani’s The Green Room, curated by Chiara Agnello and Roberta Tenconi, C/O, Milan (performance)
If Sameness is in the centre then difference is on the periphery, Starkwhite, Auckland, NZ
2010
The 4th Auckland Triennale, Last Ride in a Hot Air Balloon, curated by Natasha Conland, Auckland City Art Gallery, NZ
NEW010, curated by Hannah Mathews, Australian Centre for Contemporary Art, Melbourne, Australia
HaVE A LoOk! HAve a Look! FormContent, London
The Unofficial Nobel Peace Prize Internet Exhibition, curated by Alejandra Salinas and Aeron Bergman
Effigies, curated by Aaron Kriesler, Dunedin Public Art Gallery, NZ (solo)
Still Vast Reserves, curated by Emily Cormack, Alexie Glass and Chris Sharp, Gertrude Contemporary Art Spaces, Melbourne, Australia
Time/lapse, curated by Andrea Bell, Screen Space, Perth Institute of Contemporary Art, Australia and Square 2 Screen Space, City Gallery Wellington, NZ
Cracker # 1 Performance Festival, Self Service open art space, Stuttgart, Germany (performance)
2009
Picturing the Studio, curated by Michelle Grabner and Annika Marie, The School of the Art Institute of Chicago – Sullivan Galleries, Chicago, USA
A Plane for Behavers, curated by Emma Bugden, ARTSPACE, Auckland, NZ (solo)
Super Segue, curated by Reuben Keehan, Artspace, Sydney, Australia (solo)
Performance Studies International Conference #15, Shift performance, ‘I would like to be attached to a random entrant’, project curator Chris Braddock, Zagreb, Croatia (performance)
Lungeing Chambon, (performance), curated by Hannah Mathews and Jonathan Nichols, Beyond the Green Door, Melbourne, Australia (performance)
Automatic, curated by Chris Fite-Wassilak & Gavin Murphy, Auto-Italia, London, England
Automatic, Part 2, curated by Chris Fite-Wassilak & Gavin Murphy, Pallas Contemporary Projects, Dublin, Ireland
Still Vast Reserves, curated by Emily Cormack, Alexie Glass and Francesco Stocchi Magazzino d’Arte Moderna, Rome, Italy
For Keeps: Sampling Recent Acquisitions 2006 – 2009, Auckland Art Gallery Toi o Tamaki, Auckland, NZ
2008
International Prize for Performance, fourth edition, curated by Fabio Cavallucci and Cristina Natalicchio, Galleria Civica di Arte Contemporanea Trento, Italy (performance)
SEMPRE MENO, SEMPRE PEGGIO, SEMPRE PIÙ, Le Case d’Arte, Milan, Italy (performance)
The, curated by Julian Dashper, The Suburban, Oak Park, Illinois, USA
Invisible Miracles, curated by Anna Daneri, Roberto Pinto and Cesare Pietroiusti, visiting professor Joan Jonas, Neon FDV, Milan, Italy
Too Near Too Far; and insight into the Australian Independent Art Scene, curated by Chiara Agnello and Roberta Tenconi, C/O careof, Milan, Italy
Other Worlds Other News, curated by Aaron Seeto, Starkwhite, Auckland, NZ
Corso Aperto, Fondazione Antonio Ratti, Lake Como, Italy
2006
Busan Biennale, A Tale of Two Cities, curated by Manu Park, Busan, South Korea
The Velodrome Project – a collaborative project with Laresa Kosloff, CLUBSproject, at the Brunswick Velodrome, Melbourne, Australia (collaboration)
Of Stadiums and Construction Sites, Gertrude Contemporary Art Spaces – studio 12, Melbourne, Australia (solo)
AN OCCUPATION (OF A HOUSE), 236 Drummond St, Carlton, (Residential), Melbourne Australia
2005
Standard Apparatus, CLUBSproject, Melbourne, Australia (solo)
The Air Between Us, Gertrude Contemporary Art Spaces, Melbourne, Australia
2004
A Kelly-Frankovich Production, Conical Inc., Melbourne, Australia (solo)
Manoeuvre, curated by Monique Redmond and Nova Paul, St. Paul St. Gallery, Auckland, NZ
Lost in Translation, Small Gallery, CalArts Valencia, USA
Bibliography
Barucco, Simona, Alicia Frankovich, Galleria Annarumma404, Napoli, Arte e Critica, No. 55, June- August, 2008, pp. 100.
Blumenstein, Ellen, ‘Behavers’, in Emma Bugden (ed.), Volume 2, Artspace and Clouds, Auckland, 2011.
Boenzi, Francesca, ‘Alicia Frankovich in conversation with Francesca Boenzi, Film/Body/Gesture Alicia Frankovich: Book of Works, Künstlerhaus Bethanien GmbH, Berlin, 2011
Braddock, Chris, Frakcija Visual Arts Journal, Issue No. 50, 2009, pp. 28-33.
Braddock, Chris, ‘Alicia Frankovich and the Force of Failure’, Column 5, Artspace, Sydney, 2010.
Bywater, Jon, ‘Alicia Frankovich’, Artforum, May, 2012. p.329.
Conland, Natasha, in an interview with Reuben Keehan, ‘Last Ride in a Hot Air Balloon; Auckland Triennial: a conversation’, Contemporary Visual Art and Culture Broadsheet p61. 2010.
Cormack, Emily, ‘Alicia Frankovich’, Frieze, Issue 147, May, 2012
Fite-Wassilak, Chris, ‘Alicia Frankovich’ and Conland, Natasha, The 4th Auckland Triennial ‘Last Ride in A Hot Air Balloon,’ (exhibition catalogue) published by Auckland Art Gallery, March 2010.
Frankovich, Alicia with Dashper, Julian Artist Pages for Piano Magazine, Issue 1 On Boundaries, pp. 2-7, 2008.
Gardiner, Sue, ‘01. Berlin for Frankovich’, NZ Wrap, Australian Art Collector, April- May, 2010, pp. 355.
Grabner, Michell, Killam, Brad, Nash, Forrest and Pickleman, Jason, editors, CAN I COME OVER TO YOUR HOUSE: The First Ten Years of The Suburban, Manawa, WI: Poor Farm Press, 2009.
Grieves, Harold, We are Housed (in and around all of this stuff), Volume series catalogue, The Physics Room, Christchurch, 2005.
Harvey, Nicola, Looking forward: biennials and triennials 2010; Auckland and Sydney, Frieze, Issue 128, January to February 2010, pp. 95.
Hester, Bianca, Things full of people 2002 – 2005 A partial index of multiple events, images, texts, 2005.
Jackson, Anna, The Gymnastics of Space, NY Arts Magazine, vol 12, No 1/2, January – February, 2007, pp. 51.
Keehan, Reuben, Double agents: Complication in recent performance, Art & Australia, Vol 47, No. 1 Spring 2009, pp. 146-153.
Keily, Annemarie, ‘Seven Wonders’, Vogue Living Australia, May- June 2010, pp 85-6.
Laird, Tessa, The 4th Auckland Triennial, Art & Australia, vol 47, No 4, p683.
Lisette Lagnado, Ice Cream, Contemporary Art in Culture, Phaidon Press, New York, pp. 112-5, 2007.
Flash Art Italia, n.271, August-September 2008, pp. 204.
Education and Residencies
2012 AIR Antwerpen, Belgium
2010-11 Künstlerhaus Bethanien Berlin resident artist
2010 Dunedin Public Art Gallery, NZ
2009 Resident Artist, March- April, Artspace, Sydney
2008 Residency at The Firestation, Dublin, Ireland
2008 2nd Prize at the International Prize for Performance, fourth edition, Galleria Civica di Arte Contemporanea Trento, Italy
2007 Advanced Course in Visual Arts, Fondazione Antonio Ratti (with Joan Jonas), cur. Anna Daneri, Roberto Pinto and Cesare Pietroiusti, Lake Como, Italy
2005-6 (2 Years) Studio Artist at Gertrude Contemporary Art Spaces, Melbourne
2002 Bachelor of Visual Arts (Sculpture), Auckland University of Technology, Auckland, New Zealand
BIOGRAPHY
Alicia Frankovich (New Zealand, 1980) obtained a BVA in sculpture at AUT in Auckland in 2002. She is currently living and working in Berlin. Her work is made up of performance, performance-based videos, short films and sculpture. She puts bodies into situations where they play out relations, often testing social conventions and behaviours. She has undertaken various residencies at AIR Antwerpen, The Firestation Dublin and Gertrude Contemporary, Melbourne. Selected individual exhibitions include: Gestures, Splits and Annulations, Künstlerhaus Bethanien, Berlin, 2011; Effigies, Dunedin Public Art Gallery, 2010; A Plane for Behavers, ARTSPACE, Auckland, 2009; Super Segue, Artspace, Sydney, 2009. Recent group exhibitions include: The Walters Prize, Auckland City Art Gallery, Toi o Tāmaki, 2012; Dublin Contemporary; Terrible Beauty: Art, Crisis, Change and The Office of Non-Compliance, 2011; Burn what you cannot steal, Galerja Nova, Zagreb, Croatia, 2011; City Within the City, Artsonje Center, Seoul, 2011; NEW010, Australian Centre for Contemporary Art, Melbourne, 2010; Picturing the Studio, The School of the Art Institute, Chicago, 2009. Recent performances include: A program of artistic interventions … and they installed the office in the tavern, organized by The Office (Berlin) and Le Bureau/ (Paris), 2012” “Drei Schwestern” Berlin and Gaîté Lyrique, “Bar du foyer historique” Paris, Floor Resistance, 2012; Hebbel Am Ufer, HAU 3, Berlin, 2011; Undisciplined Bodies; an Evening Dissolving Social and Spatial Conventions, Salon Populaire, Berlin, 2011.
« NOUVELLES VAGUES », 53 EXPOSITIONS DANS TOUT PARIS ET AU PALAIS DE TOKYO
Après « Soleil froid », le Palais de Tokyo expérimente à nouveau. « Nouvelles vagues » est une grande manifestation composée par vingt-et-un jeunes curateurs ou groupes de curateurs internationaux (13 nationalités), sélectionnés par un jury parmi plus de cinq cent candidatures.
Cette saison transformera le Palais de Tokyo dans son intégralité, et sera l’occasion de révéler les artistes, les idées et les situations pour lesquels s’engagent ces nouveaux professionnels.
Grâce au Comité professionnel des galeries d’art, cet événement est complété par l’implication de plus d’une trentaine d’importantes galeries parisiennes et de l...