RESULTATRECH any photo 9 REPONSRECHs
Maleonn - White on White, Ã la galerie Magda Danysz dans le cadre de Paris Photo
A l’occasion de cette 15ème édition de Paris Photo, la galerie Magda Danysz présente la série White on White de l’ar...
Photographs, London - Phillips de Pury & Company.
Phillips de Pury & Company is pleased to announce an upcoming Photographs sale in London on May, 19th 2011.
View the onli...
David Spero in conversation with David Campany - Contemporary Photography Artist Talks
David Spero will be in conversation with David Campany, artist, writer and reader in photography at the University of Westminster. Since the early 1990s, David Spe...
Jeune Photographie Russe - Anya Maysuk, Tatiana Plotnikova, Alexandra Demenkova
« Il s’agit de trois jeunes photographes russes qui ont entre 20 et 35 ans. L’Europe voit en elles l’espoir d’un souffle nouveau pour la photographie tandis qu’e...
Edward Hopper & Company: Hopper's Influence on Photography
British author Geoff Dyer once surmised that Edward Hopper "could claim to be the most influential American photographer of the twentieth century- even though he didn't take any photographs.&q...
Czech Photography of the 20th Century - Art and Exhibition Hall of the Federal Republic of Germany
From Surrealism and other avant-garde experimentation to realism and classic photo reportage, Czech photographers have long played a key role in all areas of photography and continue to do so to th...
Richard Avedon Everyone is Anyone 50 ans de photographies
For more than fifty years Richard Avedon (b. 1923) has maintained his position as one of the great names of fashion photography. As early as the 1950s he achieved star status a...
New Photography Portfolio for the Merce Cunningham Dance Company
Richard Hamilton
A suite of eight photographs by:
Darren Almond
Robert Gober
Richard Hamilton
Christian Marclay
Bruce Nauman
Ernesto Neto
Gabriel Orozco
Terry Winters
Carolina Nitsch a...
Peter Klasen“ Nowhere Anywhere - confrontations†Photographies 1970-2005
Avec la photographie, la valeur d'exposition commence à repousser au second plan, dans tous les ordres, la valeur de culte. Cette dernière pourtant ne cède pas sans résistance. Son ultime retranch...