Vidéos : Tracey Moffatt(En savoir plus sur Tracey Moffatt) |
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Tracey Moffatt Night Cries: A Rural Tragedy (1989) 1Synopsis A short experimental film shot totally in a studio, it is about the relationship between an Aboriginal daughter and her white mother. The daughter, now the sole carer of her dying mother, dreams of far away places. Curator's notes A short film written and directed by Tracey Moffatt, Night Cries is promoted as a possible sequel to Chauvel's feature film Jedda. What would have happened had Jedda survived, and became the primary carer of her white mother? Moffatt, one of Australia's most famous visual artists whose work is internationally acclaimed, continues her use of constructed environments, with no outdoor scenes filmed in this work. Shot entirely indoors, the design work of Steven Curtis in Night Cries can also be seen in Moffatt's feature film BeDevil. The beautiful use of rich colours, reflections and sounds open up the indoor environment of the set, and suggests the grand expanse of physical landscapes. Moffatt's use of famous Aboriginal singer Jimmy Little, who sings 'Royal Telephone' in Night Cries, evokes the presence of Christianity, and its role in the assimilation of Aboriginal peoples. The haunting textures of the painted landscape can then perhaps be reflective of a gradual change in how Aboriginal people relate to the land as a consequence of assimilation. The haunted look in the eyes of the Aboriginal daughter (Marcia Langton), is loaded with a sense of what could have been. The final scene of Night Cries is reminiscent of a scene from Jedda, when ...
Tracey MoffattBurning Down the House: Building a Feminist Art Collection is an exhibition of nearly fifty works focusing on recent acquisitions and major loans, including works by artists such as Kiki Smith, Tracey Emin, Tracey Moffatt, and Lorna Simpson. Burning Down the House October 31, 2008 - April 5, 2009 Brooklyn Museum www.brooklynmuseum.org
Tracey Moffatt Night Cries: A Rural Tragedy (1989) 2Synopsis A short experimental film shot totally in a studio, it is about the relationship between an Aboriginal daughter and her white mother. The daughter, now the sole carer of her dying mother, dreams of far away places. Curator's notes A short film written and directed by Tracey Moffatt, Night Cries is promoted as a possible sequel to Chauvel's feature film Jedda. What would have happened had Jedda survived, and became the primary carer of her white mother? Moffatt, one of Australia's most famous visual artists whose work is internationally acclaimed, continues her use of constructed environments, with no outdoor scenes filmed in this work. Shot entirely indoors, the design work of Steven Curtis in Night Cries can also be seen in Moffatt's feature film BeDevil. The beautiful use of rich colours, reflections and sounds open up the indoor environment of the set, and suggests the grand expanse of physical landscapes. Moffatt's use of famous Aboriginal singer Jimmy Little, who sings 'Royal Telephone' in Night Cries, evokes the presence of Christianity, and its role in the assimilation of Aboriginal peoples. The haunting textures of the painted landscape can then perhaps be reflective of a gradual change in how Aboriginal people relate to the land as a consequence of assimilation. The haunted look in the eyes of the Aboriginal daughter (Marcia Langton), is loaded with a sense of what could have been. The final scene of Night Cries is reminiscent of a scene from Jedda, when ...
Tracey Moffatt Compilation | Celebrating WMM's 40th AnniversaryWMM filmmaker Tracey Moffatt will have a retrospective of her films and videos at the The Museum of Modern Art from May 4-13. The event is one of 40 taking place between now and March 2013 to commemorate WMM's 40th anniversary. Australian Tracey Moffatt is a filmmaker, video artists and photographer whose stylistic experiments draw upon both popular culture and her own background, examining subjects such as Aboriginal subjugation, maternal domination, gender stereotypes and class division. Films screening that are distributed by WMM include: BEDEVIL, LOVE, ARTIST, LIP, HEAVEN, NIGHT CRIES: A RURAL TRAGEDY and NICE COLOURED GIRLS. In addition, "An Evening with Tracey Moffatt" will be held on Monday, May 7, a discussion with Moffatt that will focus on her formal and stylistic experimentations with cinema and her use of found footage to reimagine the silent film. For more information on the screenings, visit MoMA here: www.moma.org
Tracey Moffatt "Other" - Tyler Rollins Gallerywww.trfineart.com
Tracey Moffatt "Other" 2 - Tyler Rollins Gallerywww.trfineart.com '"Other" presents a more light-hearted view of relationships between racial and ethnic groups as seen through the lens of Hollywood, yet it brings to the fore the mixture of desire, violence, and exoticism that inform the image of the "native" in popular culture.'
Tracey Moffatt Heaven
Roslyn Oxley9 Gallery - Tracey MoffattPlantation and Other
Tracey Moffatt - Vox PopOk, I gushed a bit....
Through the studio for Tracey Moffatt's workSections through the studio
BeDevil TrailerBEDEVIL consists of three episodes making up the feature, they are: MR CHUCK The sandy shores and the breezy bungalows of Bribie Island play host to a strange and eerie story. Years back an American GI drove his truck into the quicksand after a party. The pervasive malevolence of the GI's presence is still felt by many who live on the island. However, there is another underlying evil that remains unspoken. Rick experienced it and lived to tell the tale. CHOO CHOO CHOO CHOO In the desolate plains of outback Queensland, Ruby (played by Moffatt herself) and her family are haunted by invisible trains which run on a track beside their house. The ghost of a young girl killed by a train drives Ruby and her family away. After many years Ruby returns to experience the ghostly presence yet again. LOVIN' THE SPIN I'M IN Imelda's people are Torres Strait Islanders. When her son Bebe and his love, Minnie, leave their community to escape opposition to their marriage, Imelda follows them to a small town in north Queensland. Tragedy strikes - Bebe and Minnie die, but the doomed couple never find peace. The spirits of Minnie and Bebe dance on a condemned warehouse and refuse to leave.
"Other", Tracey Moffat
on Doomed by Tracey Moffatt - Architecture of Fear | Z33curator talk - Ils Huygens about the work 'Doomed' of Tracey Moffatt in the theme exhibition Architecture of Fear (02.10 - 31.12.2011) at Z33. Tracey Moffatt Doomed (2007) Earthquakes, tsunamis, explosions, floods, violence, terror! Tracey Moffatt and Gary Hilleberg string together a long succession of spectacular disaster images from all kinds of Hollywood movies at a hallucinatory pace. The images are accompanied by an entertaining techno soundtrack that directs the ups and downs of our emotions. The result is a confronting reflection of our own fascination with fear and violence and our appetite for sensational images. Each scene is laden with a host of references. The whole not only explains the codes of the disaster genre and reveals the audience's desire for the climax, but also shows simultaneously how certain social anxieties are interwoven into our popular culture. www.z33.be Aardbevingen, tsunami's, ontploffingen, overstromingen, geweld, terreur! In een hallucinant tempo rijgen Tracey Moffatt en Gary Hillberg een lange opeenvolging van spectaculaire beelden van rampen uit allerlei Hollywoodfilms aan elkaar. De beelden worden begeleid door een entertainende technosoundtrack die de pieken en dalen van onze emoties dirigeert. Het resultaat is een confronterende afspiegeling van onze eigen fascinatie voor angst en geweld en onze hang naar sensationele beelden. Elke scène draagt een resem aan verwijzingen. Het geheel legt niet alleen de codes van het rampengenre en ...
Tracey Moffat Studio: Fourth - Above groundThe inspired word for the studio was embrace, taken from Tracey's artwork, Fourth. I have kept the materials quiet simple and earthy, by using plain bricks around the outside and on the floor. I have used white walls to heighten the word "embrace". The artwork is quiet small, so i intended to keep the interior simple. The texture was inspired by the word "Psychedelic". This texture is quiet busy so i kept it to a small section of the upstairs space, as i didnt want to take the attention away from the artwork.
Tracey Moffat Studio: Fourth - Above groundThe inspired word for the studio was embrace, taken from Tracey's artwork, Fourth. I have kept the materials quiet simple and earthy, by using plain bricks around the outside and on the floor. I have used white walls to heighten the word "embrace". The artwork is quiet small, so i intended to keep the interior simple.
Saatchi & Saatchi art opening for Theresa Byrnes 2006Theresa Byrnes art opening at Saatchi & Saatchi sspace gallery New York 'Sydney to New York' opened by Tracey Moffatt.
Roslyn Oxley9 Gallery - Group ShowDestiny Deacon, Fional Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap and Anne Zuhalka...
Suzanne OptonBurning Down the House: Building a Feminist Art Collection is an exhibition of nearly fifty works focusing on recent acquisitions and major loans, including works by artists such as Kiki Smith, Tracey Emin, Tracey Moffatt, and Lorna Simpson. Burning Down the House October 31, 2008 - April 5, 2009 Brooklyn Museum www.brooklynmuseum.org
Nice Coloured GirlsThe first short film of Tracey Moffatt. There is also a very cute Italian waiter, but that was the 1987.
PUTABecome incredibly well-versed in hooker cinema in 6 sizzling minutes! Legendary experimental filmmaker and Tracey Moffatt collaborator, Gary Hillberg, delivers a delicious mashup of the oldest profession on celluloid.
ValuesTracey Moffat, chief operating officer of Wellmont Health System, explains the importance of our values.
Guerrilla GirlsBurning Down the House: Building a Feminist Art Collection is an exhibition of nearly fifty works focusing on recent acquisitions and major loans, including works by artists such as Kiki Smith, Tracey Emin, Tracey Moffatt, and Lorna Simpson. Burning Down the House October 31, 2008 - April 5, 2009 Brooklyn Museum www.brooklynmuseum.org
"Loss of Control" Jan Hoets Abschied vom MartaImpressionen aus Jan Hoet letzter Ausstellung am Museum Marta in Herford „LOSS OF CONTROL - Grenzgänge zur Kunst von Félicien Rops bis heute" (1. November 2008 -- 25. Januar 2009) Mit seiner letzten großen Ausstellung LOSS OF CONTROL verabschiedete sich JAN HOET nach achtjähriger Tätigkeit als inspirierender Gründungsdirektor des Marta in Herford. Im Zentrum von Hoets letzter großen Ausstellung steht jedoch nicht nur eine Ausstellung mit einer Auswahl aller bedeutenden Schaffensperioden Félicien Rops, dem Zeitgenossen James Ensors; die Ausstellung wird unter enger Beteiligung des zeitgenössischen belgischen Künstlers Jacques Charlier realisiert. Zwischen Rops und Charlier lassen sich unterschiedlichste Verbindungen und Gemeinsamkeiten zwischen vergangenen und gegenwärtigen Zeiten erkennen: der karikierende Blick auf die Welt, die „Inszenierung" der Frau, der Wagemut und die Lust am Schockieren, aber auch die Fähigkeit den Menschen hintergründig zur intimen Selbstbeobachtung zu animieren. Im imaginären Dialog mit dem großen belgischen Symbolisten stehen weitere Künstlerinnen und Künstler wie Louise Bourgeois, Hans Bellmer, Jean Dubuffet, Tracey Moffatt, Francis Picabia, Bjarne Melgaard, Yue Minjun und eine Reihe von künstlerisch tätigen Menschen, die unter der Bezeichnung Outsider-Kunst an der Grenze zwischen Kunst und psychischen Extremzuständen leben und arbeiten. Flankiert wird LOSS OF CONTROL dabei von weiteren eigenständigen Bilderwelten, in denen das historische ...
Jan Hoet führt durch "Loss of Control"Jan Hoet führt durch seine letzte Ausstellung am Museum Marta in Herford „LOSS OF CONTROL - Grenzgänge zur Kunst von Félicien Rops bis heute" (1. November 2008 -- 25. Januar 2009) Mit seiner letzten großen Ausstellung LOSS OF CONTROL verabschiedet sich JAN HOET nach achtjähriger Tätigkeit als inspirierender Gründungsdirektor des Marta Herford. Im Zentrum von Jan Hoets letzter großen Ausstellung steht jedoch nicht nur eine Ausstellung mit einer Auswahl aller bedeutenden Schaffensperioden Félicien Rops, dem Zeitgenossen James Ensors; die Ausstellung wird unter enger Beteiligung des zeitgenössischen belgischen Künstlers Jacques Charlier realisiert. Zwischen Rops und Charlier lassen sich unterschiedlichste Verbindungen und Gemeinsamkeiten zwischen vergangenen und gegenwärtigen Zeiten erkennen: der karikierende Blick auf die Welt, die „Inszenierung" der Frau, der Wagemut und die Lust am Schockieren, aber auch die Fähigkeit den Menschen hintergründig zur intimen Selbstbeobachtung zu animieren. Im imaginären Dialog mit dem großen belgischen Symbolisten stehen weitere Künstlerinnen und Künstler wie Louise Bourgeois, Hans Bellmer, Jean Dubuffet, Tracey Moffatt, Francis Picabia, Bjarne Melgaard, Yue Minjun und eine Reihe von künstlerisch tätigen Menschen, die unter der Bezeichnung Outsider-Kunst an der Grenze zwischen Kunst und psychischen Extremzuständen leben und arbeiten. Flankiert wird LOSS OF CONTROL dabei von weiteren eigenständigen Bilderwelten, in denen das historische ...
Carolee SchneemannBurning Down the House: Building a Feminist Art Collection is an exhibition of nearly fifty works focusing on recent acquisitions and major loans, including works by artists such as Kiki Smith, Tracey Emin, Tracey Moffatt, and Lorna Simpson. Burning Down the House October 31, 2008 - April 5, 2009 Brooklyn Museum www.brooklynmuseum.org
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