Vidéos : Michael Snow(En savoir plus sur Michael Snow) |
||
Michael Snow - La Région Centrale (1971)"La Région Centrale" was made during five days of shooting on a deserted mountain top in North Quebec. During the shooting, the vertical and horizontal alignment as well as the tracking speed were all determined by the camera's settings. Anchored to a tripod, the camera turned a complete 360 degrees, craned itself skyward, and circled in all directions. Because of the unconventional camera movement, the result was more than merely a film that documented the film location's landscape. Surpassing that, this became a film expressing as its themes the cosmic relationships of space and time. Cataloged here were the raw images of a mountain existence, plunged (at that time) in its distance from civilization, embedded in cosmic cycles of light and darkness, warmth and cold. La Région Centrale (Quebec, 1971, 180 min., 16mm, color) is arguably the most spectacular experimental film made anywhere in the world, and for John W. Locke, writing in Artforum in 1973, it was "as fine and important a film as I have ever seen." If ever the term "metaphor on vision" needed to be applied to a film it should be to this one. Following Wavelength, Michael Snow continued to explore camera/frame movement and its relationships with space and time in Standard Time (1967) an eight minute series of pans and tilts in an apartment living room and (Back and Forth) (196869), a more extended analysis. But with La Région Centrale, Snow managed to create moving images that heretofore could no possibly be ...
Wavelength (Michael Snow, 1967)www.imdb.com
wavelength (1967)michael snow - wavelength(1967)
"So Is This", by Michael Snow (1982), Pt 1/5Artist: Michael Snow (1982)
Michael Snow | To Illustrate and Multiply: An Open Book
Michael Snow "In the Way" Jack Shainman Gallery.movvideo by Laurie Kwasnik of MICHAEL SNOW In the Way January 7 -- February 11, 2012 Jack Shainman Gallery is pleased to announce a solo exhibition of new work by Michael Snow. The show will examine the act of looking and the process of viewing though projections, holography and photo-based works. Notes by Michael Snow January 2012 La Ferme, 1998 La Ferme (The Farm) was first shown in a solo exhibition at La Ferme du Buisson, a museum in the suburbs of Paris. The following series of events produced this photo-work: a slow, hand-held pan was shot on 16mm film, of a group of cows gazing towards the camera from behind a fence. The successive film frames reading the scanning movement were vertical (one after another, top to bottom). The film strip was then cut up, and the successive frames put side by side horizontally, the way the recorded scene was seen through the camera. The human viewer of the long photograph recapitulates the movement of the camera as it recorded the cows' possible witnessing of this event - which is now an exchange between the foreign opacity of a cow's stare and your appraisal. The Viewing of Six New Works, 2012 The Viewing of Six New Works is a light projection composition derived from the essentialized movements of eyes and head, that a possible person might make in looking at a rectangular object on the wall (ie, a "painting," a "photograph"). Each hypothetical wall rectangle is perceived differently. This is shown by the different "personal" gestures ...
Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time)Michael Snow - (2003) WVLNT (Wavelength For Those Who Don't Have the Time) Short version of Michael Snow's film Wavelenght (1967) I do not own the copyright, I only upload it to share his work.
Michael's Snow — a film by Susan ShawMichaels Snow is a reference to two very different kinds of seminal events in my life. The first has to with art experience. I saw Michael Snows Wavelength in 1967. In the film a camera zooms slowly—from the end of a room to a photograph of waves on the wall at the opposite end. The zoom is accompanied by a sine wave as it gradually progresses from its lowest note to its highest and passes through color filters, film stocks, positive and reverse exposure. I have never seen the film again but it has always remained with me—thus I know it was/is a seminal art experience. The second has to do with sadness and loss, relational in proportion to the people I love. When I made this film I thought it was about snow, now I know it is about the winters of my heart. For more information about Susan Shaw go to: www.slshaw.info www.susanandkurt.blogspot.com For more information about Conrad Cummings go to: www.conradcummings.com ©2009 Susan Shaw
Jason Michael Snow - "Twisted"Jason Michael Snow sings "Twisted" from "Hey, You Know What Movie Would Make A Good Musical?" (October 13th at the Zipper Theater!) at Boys! Boys! Boys! at the Laurie Beechman 9.09.08. Musical direction by Will Van Dyke, cello by Allison Seidner.
Michael Snow, "Two Sides to Every Story" (1974)2 synchronized 16mm films. Michael Snow's "Two Sides to Every Story" (1974) in CCB's (Lisbon) presentation of "Into the Light" (2004-2005), the exhibition curated by Chrissie Illes (Whitney Museum of American Art, New York).
Rameau's Nephew... by Michael Snow - ExcerptsRameau's Nephew by Diderot (Thanx to Dennis Young) by Wilma Schoen by Michael Snow - Described (rather cheekily) by director Michael Snow as a musical comedy, this deft probing of sound/image relationships is one of his wittiest, most entertaining and philosophically stimulating films. In his words, the film "derives its form and the nature of its possible effects from its being built from the inside, as it were, with the actual units of such a film, ie the frame and the recorded syllable. Thus its 'dramatic' element derives not only from a representation of what may involve us generally in life but from considerations of the nature of recorded speech in relation to moving light-images of people.'" Snow's first "talking picture," the film is divided into approximately twenty sections tied together by thematic rather than narrative concerns. Aside from its most prominent theme -- the relationship of the film's sounds to its images -- its concern with memory and the different uses of the word/sound "for/four/fore" is explored. Indeed, the meanings of words and their sounds are played with at length; the film is awash with various puns, quotes and wordplay, which is hinted at in the title (Wilma Schoen is an anagram of Michael Snow) as well as in the cast credits (many of the several dozen names listed -- such as Nice Slow Ham, Seminal Chow, Show Me A Ling and Lemon Coca Wish -- are anagrams for Michael Snow). Rameau's Nephew ... by Michael Snow - Excerpt from 'Commentator ...
Michael Snow introduces The Walking Woman
Irene - Jason Michael SnowJason Michael Snow sings 'Irene' from "Nightfall" at The Songs of Caleb Hoyer - August 8, 2011 at The Laurie Beechman Theatre
michael snow, alan licht, aki onda (montage)part 1 of 3 video clips from a performance in Victoria, BC 2009 during Jazzfest
Wavelength (1967) by Michael Snow, "Take a Bow" by MuseMashup
Michael Snow, Alan Licht, and Aki Onda part 2A performance at Open Space during Jazzfest 2009 in Victoria, BC.
Rameau's Nephew... by Michael Snow. ExcerptsRameau's Nephew by Diderot (Thanx to Dennis Young) by Wilma Schoen by Michael Snow - Described (rather cheekily) by director Michael Snow as a musical comedy, this deft probing of sound/image relationships is one of his wittiest, most entertaining and philosophically stimulating films. In his words, the film "derives its form and the nature of its possible effects from its being built from the inside, as it were, with the actual units of such a film, ie the frame and the recorded syllable. Thus its 'dramatic' element derives not only from a representation of what may involve us generally in life but from considerations of the nature of recorded speech in relation to moving light-images of people.'" Snow's first "talking picture," the film is divided into approximately twenty sections tied together by thematic rather than narrative concerns. Aside from its most prominent theme -- the relationship of the film's sounds to its images -- its concern with memory and the different uses of the word/sound "for/four/fore" is explored. Indeed, the meanings of words and their sounds are played with at length; the film is awash with various puns, quotes and wordplay, which is hinted at in the title (Wilma Schoen is an anagram of Michael Snow) as well as in the cast credits (many of the several dozen names listed -- such as Nice Slow Ham, Seminal Chow, Show Me A Ling and Lemon Coca Wish -- are anagrams for Michael Snow). These Excerpts are in order: Four, Mental (2), Cymbal Symbol ...
Rameau's Nephew ... by Michael Snow - Excerpt from 'Dub'Rameau's Nephew by Diderot (Thanx to Dennis Young) by Wilma Schoen by Michael Snow - Described (rather cheekily) by director Michael Snow as a musical comedy, this deft probing of sound/image relationships is one of his wittiest, most entertaining and philosophically stimulating films. In his words, the film "derives its form and the nature of its possible effects from its being built from the inside, as it were, with the actual units of such a film, ie the frame and the recorded syllable. Thus its 'dramatic' element derives not only from a representation of what may involve us generally in life but from considerations of the nature of recorded speech in relation to moving light-images of people.'" Snow's first "talking picture," the film is divided into approximately twenty sections tied together by thematic rather than narrative concerns. Aside from its most prominent theme -- the relationship of the film's sounds to its images -- its concern with memory and the different uses of the word/sound "for/four/fore" is explored. Indeed, the meanings of words and their sounds are played with at length; the film is awash with various puns, quotes and wordplay, which is hinted at in the title (Wilma Schoen is an anagram of Michael Snow) as well as in the cast credits (many of the several dozen names listed -- such as Nice Slow Ham, Seminal Chow, Show Me A Ling and Lemon Coca Wish -- are anagrams for Michael Snow). "Until Rameau's Nephew... no one has exhibited a film that deals ...
In Person: P. Adams Sitney on the rarity of real film screeningsMichael Snow, Annette Michelson & P. Adams Sitney joined us on Monday, October 4 at TIFF Bell Lightbox to screen a newly struck print of "Wavelength". Moderated by Andréa Picard. Presented with the support of the Justina M. Barnicke Gallery, Hart House, Department of Art, and Cinema Studies Institute, Innis College, University of Toronto. For information on upcoming guests, visit tiff.net
Michael Snow by Gérard Courant - Cinématon #44Le portrait de Michael Snow réalisé par Gérard Courant le 13 décembre 1978 à Paris (France). Silencieux. Michael Snow's portrait by Gérard Courant (silent).
Apropiación del video de Michael Snow "La région centrale"Video realizado por Nicolle Lafaurie y MarÃa José Bermúdez en el periodo 2010-1.
Let it Snow - Michael Buble"Let It Snow" Sung By Michael Buble
Let It Snow by Michael BubleLove this song. We had about 6 inches of snow last night and woke up to a 4 foot plus snowdrift in front of our garages. These pictures are all around our house mostly weekend of Feb 6, 2010 but some are from Jan of 08.
Snow White Feat.Michael Jackson - I Can't Help ItDisney's Snow White And The Seven Dwarfs Feat.Michael Jackson - I Can't Help It
Video interpretación de "La région centrale" de Michael SnowRealizado por Cristian Arguello y David Rincón en el periodo 2010-1.
|
||
Pas encore membre ? Inscrivez-vous
|
Connectez-vous
