Vidéos : Lynsey Addario(En savoir plus sur Lynsey Addario) |
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Lynsey Addario, Institute Fellow and Award-Winning PhotographerOn May 3rd, the Institute presented a special evening program with Institute Fellow and award-winning photographer, Lynsey Addario, in conversation with Executive Director Jane M. Saks. As an Institute Fellow, Addario was commissioned to create portraits of women and girls who are survivors of gender-based violence in the Democratic Republic of Congo for the internationally traveling photography exhibition, Congo/Women Portraits of War, co-produced by the Institute and Art Works Projects. The exhibition premiered at Columbia College in February 2009, and is currently touring internationally through 2012 (www.congowomen.org). A MacArthur Fellow and recipient of a Pulitzer Prize for team reporting, Addario photographs for numerous publications, frequently focusing on human rights and women's lives around the world. She is a memberof the prestigious VII Network, and was recently named one of O Magazine's "Power List of 2010." This was Lynsey Addario's first live public program in Chicago since she and three New York Times colleagues---Stephen Farrell, Tyler Hicks, and Anthony Shahid---were held captive in Libya for a week in March by Col. Muammar el-Qaddafi loyalists. This highlight reel presents some of the program's prominent moments.
Photography Talk with Lynsey Addario and Josh Lustig on behalf of Tim Hetherington10-11 February 2012 the 24 hour opening of the Nobel Peace Center exhibition "In Afghanistan" took place: www.nobelpeacecenter.org This seminar was part of the exhibition opening. This photography talk includes photographer Lynsey Addario, and assignment editor Josh Lustig of Panos Pictures, representing photographer Tim Hetherington. The discussion is moderated by Liv Astrid Sverdrup, Director of Exhibitions at the Nobel Peace Center in Oslo. Filmed and edited by Odd Erik Sedberg.
Lynsey Addario ("Darfur")Lynsey Addario (www.lynseyaddario.com) is an American photojournalist based in New Delhi, India, where she photographs for The New York Times, National Geographic, and Time Magazine. Lynsey began photographing professionally in 1996-with no professional photographic training or studies-and started photographing conflict and humanitarian issues. In 2000, she traveled to Afghanistan under Taliban rule to document life and oppression under the Taliban. She has since covered conflicts in Afghanistan, Iraq, Lebanon, Darfur, and Congo, and shoots features across the Middle East, South Asia, and Africa. Lynsey's recent bodies of work include 'Veiled ABU SOURUJ, WEST DARFUR. An overhead view of the remains of the burned-out village of Abu Sourouj, which was bombed on the 8 February by the Sudanese government and simultaneously attacked by armed men on camels, horseback and donkeys, otherwise known as Janjaweed, in West Darfur, Sudan, February 28, 2008. The government spate of bombings was in response to an ambush two months prior by rebels from the Justice and Equality Movement, and subsequent intelligence that JEM members were living in these villages and using them as a base. After a period of relative quiet, there has been a great deal of renewed fighting between the Sudanese government with militias loyal to the government and rebel factions, namely JEM. Dozens of civilians in Silean, Sirba, and Abu Sourouj were killed in the attacks around February 8-9th,many others were ...
Women in the World 2012: Lynsey Addario: 'Do You Ask Men That Question?'120209 Addario You Woul#5EA
Lynsey AddarioFototrek Fotoğraf Galerisinde 5 nisan 1 mayıs tarihleri arasında açılan Darfur isimli sergisiyle Lynsey Addario röportajı.
THE OLIVIER REBBOT AWARDBest photographic reporting from abroad in magazines or books LYNSEY ADDARIO National Geographic "Veiled Rebellion: Afghan Women" Lynsey Addario's photographs give us a comprehensive and intimate look at a largely unseen aspect of Afghan society — its women. Her images are unvarnished, intimate and far-reaching. Addario worked hard to gain access and in doing so produced a very important body of work. CITATION TIM HETHERINGTON Chris Boot Ltd."Infidel"
Journalists Recall 'Medieval' Captivity Experience in LibyaRead the transcript: to.pbs.org While covering the Libya uprising, four New York Times journalists were held captive by Moammar Gadhafi's forces before being freed. Anthony Shadid and Lynsey Addario describe the experience.
ADIL - Almost Dawn in Libya (Archive)Eight photojournalists - Lynsey Addario, Eric Bouvet, Bryan Denton, André Liohn, Christopher Morris, Jehad Nga, Finbarr O'Reilly and Paolo Pellegrin - are suggesting documentary photography as a possible bridge for Reconciliation in Libya. In order to receive contributions, the project must be funded in full by 4/30/12. To help: www.emphas.is ADIL is an Arabic name derived from the Arabic word "Adl" which means "fairness" and "justice". THE PROJECT The ADIL project's purpose is to contribute to the Reconciliation process for Libyan People facing the aftermath of the civil war. The core concept of the project is to use Visual Communication as a Bridge for Reconciliation. International photographers who lived the conflict "on the ground" offer independent visual documentation of the war and are partnering with local organizations to bring four exhibitions to four Libyan cities - Benghazi, Misratah, Tripoli and Zintan - scheduled for the spring 2012, one year after the eruption of the conflict against the Ghaddafi regime. The aim is to put these exhibitions at the service of dialogue, we do not want to impose a reality, we are knocking at doors wishing to be welcome. During the period of the exhibitions some of the photographers will come to Libya to participate in events linked to ADIL, such as workshops with local photographers and journalists, and panel debates with local activists organizations. These events will be organized by our local partners, among them: The ...
Harry Hardie on the photo exhibition "In Afghanistan"Photo curator Harry Hardie on behalf of Panos Pictures, talks about the photo series "Infidel" by Tim Hetherington and "Veiled Rebellion" by Lynsey Addario. The photo series are both part of the Nobel Peace Center exhibition "In Afghanistan", on display 10 February - 22 April 2012. www.nobelpeacecenter.org Filmed and edited by Christoffer Næss. The camera filming this interview is one of the cameras used to film the Kabul Cards: youtu.be
Photo Week 2012 - VII: Questions Without Answers21/05/12 Since its formation in 2001, VII Photo has represented some of the leading photojournalists of the 21st century. As a collectively owned agency, it has grown from seven to 23 members, diversifying from conflict photography to all branches of photojournalism. VII's new book, Questions Without Answers, tackles issues that have shaped the world in our lifetime. A powerful visual history of the world from the end of the Cold War to the present day, the book features a startlingly wide variety of work; from coverage of the war in Iraq and the events of 9/11 to an exploration of Hurricane Katrina's aftermath, from portraits of our most significant cultural figures to dispatches from the current economic crisis. VII photographers Lynsey Addario, Gary Knight, Christopher Morris and John Stanmeyer will be at the Frontline Club to discuss the key themes in the book and their individual experiences of covering history in the making. The event will be moderated by Alexia Singh, Editor-in-Charge, Wider Image Desk at Thompson Reuters. Lynsey Addario began photographing professionally in 1996 for The Buenos Aires Herald in Argentina, with no professional training. Since 2001, Addario has freelanced for the daily New York Times, National Geographic, and TIME while living in Mexico, Iraq, Turkey, and India, covering feature stories worldwide, in addition to conflicts in Afghanistan, Iraq, Darfur, Lebanon, and Congo. Addario has won many awards and was part of the NYT team to win ...
The Human Cost of War - (Vide Cor Meum)This short montage and accompanying music is not posted to shock you. It is posted to inform you better of the evils we unleash when we make war on our fellow men. Our news channels in the West seldom show the true carnage we inflict by choosing war to solve our problems. I have no political point to make, I abhor terrorism in all its forms and equally abhor governments who lack the imagination, courage and humanity to find other ways of solving disputes. There has to be another way. I used the music 'Vide Cor Meum' (see my heart) as its sublime beauty contrasts with the images in the film and reminds us that human beings can create beauty and harmony as well as destruction and suffering. Rest in peace all victims of war and may God (however you perceive him) heal those injured in body, mind and spirit by war. And may our leaders work to end this barbarism forever.
Afghan Pics - Bente Erichsen10. -11. februar 2012 åpnet fotoutstillingen "I Afghanistan" med et 24-timers arrangement: www.nobelpeacecenter.org En rekke kjente personer ble invitert til å snakke om sitt favorittbilde fra utstillingen, i seminarrekken "Afghan Pics". Direktør ved Nobels Fredssenter, Bente Erichsen, valgte et bilde fotografert av Lynsey Addario. Filmet og redigert av Odd Erik Sedberg.
Afghan Pics - Knut Olav Åmås10. -11. februar 2012 åpnet fotoutstillingen "I Afghanistan" med et 24-timers arrangement: www.nobelpeacecenter.org En rekke kjente personer ble invitert til å snakke om sitt favorittbilde fra utstillingen, i seminarrekken "Afghan Pics". Kultur- og debattredaktør i Aftenposten Knut Olav Åmås valgte et bilde fotografert av Lynsey Addario. Filmet og redigert av Odd Erik Sedberg.
Paul and Lynsey got married Part 1 the ceremonyPaul de Bendern ( Reuters News Bureau Chief ) and Lynsey Addario (war photographer? Pulitzer and Macarthur award winner)) wedding ceremony at Lectoure cathedral, France. with Hero Melia interpreting "The Rose" by Caroline de Bendern
War Journalism: Meeting a Warlord on the Pakistani BorderComplete video at: fora.tv Pulitzer Prize-winning journalist Dexter Filkins recalls his meeting with a tribal warlord on the Pakistan-Afghanistan border. ----- The New Yorker Festival presents: Reporting from the Edge: Covering Conflict. This program was recorded on October 1, 2011. With Lynsey Addario, Jon Lee Anderson, Dexter Filkins, and Wendell Steavenson. Moderated by Dorothy Wickenden. Dexter Filkins joined The New Yorker in January and has reported from Yemen and Afghanistan. Previously, he was at the Times, where he won a Pulitzer Prize as part of a team covering Afghanistan and Pakistan. He has received two George Polk Awards and three Overseas Press Club Awards. His book, The Forever War, won a National Book Critics Circle Award.
Culture Wire: Afghanistan in 4 FramesThe SF Arts Commission Gallery's Art at City Hall is pleased to present Afghanistan in Four Frames. This groundbreaking and timely exhibition features works by four photojournalists who have embedded with various military units/forces in Afghanistan over the past five years: James Lee, Eros Hoagland, Teru Kuwayama and Lynsey Addario. Learn More at: www.sfartscommission.org
ADIL - Almost Dawn in LibyaADIL is an Arabic name derived from the Arabic word "Adl" which means "fairness" and "justice" Official site: www.emphas.is Facebook page: www.facebook.com An original idea by André Liohn with: Lynsey Addario, Eric Bouvet, Bryan Denton, Christopher Morris, Jehad Nga, Finbarr O'Reilly and Paolo Pellegrin. THE PROJECT The ADIL project's purpose is to contribute to the Reconciliation process for Libyan People facing the aftermath of the civil war. The core concept of the project is to use Visual Communication as a Bridge for Reconciliation. International photographers who lived the conflict "on the ground" offer independent visual documentation of the war and are partnering with local organizations to bring four exhibitions to four Libyan cities - Benghazi, Misratah, Tripoli and Zintan - scheduled for the spring 2012, one year after the eruption of the conflict against the Ghaddafi regime. The aim is to put these exhibitions at the service of dialogue, we do not want to impose a reality, we are knocking at doors wishing to be welcome. During the period of the exhibitions some of the photographers will come to Libya to participate in events linked to ADIL, such as workshops with local photographers and journalists, and panel debates with local activists organizations. These events will be organized by our local partners, among them: The Tripoli Post, the Art Gallery Art House of Tripoli, the artist Mohammad Bin Lamin, the Libyan lawyer and activist Rima Bugaighis. It is our ...
Paul and Lynsey got married Part 2Paul de Bendern Reuters bureau chief and Lynsey Addario war photographer, Pulitzer and Macarthur award-winner married at Lectour Cathedral France guests leaving after wedding ceremony by Caroline de Bendern
Lyric Stage - "Time Stands Still"For tickets, visit www.lyricstage.com or call the box office at 617-585-5678. Time Stands Still Feb 17 - Mar 17, 2012 By Donald Margulies Directed by Scott Edmiston February 17 -- March 17, 2012 Widely hailed as one of the best new plays on Broadway, Time Stands Still is the story of Sarah and James, a photojournalist and foreign correspondent, who are reeling after their recent brush with death while on an assignment. Will their relationship of nearly a decade be more threatened by a traditional go at domesticity than the roadside bombs of Baghdad? Featuring: Barlow Adamson* Jeremiah Kissel* Laura Latreille* Erica Spyres *Denotes a member of Actor's Equity Association Video services by Johnathan Carr
Requiem for LibyaShort video featuring the brave Libyan people. Photography by Lynsey Addario, Tyler Hicks, Ed Ou (New York Times); Luis Sinco (Los Angeles Times). Music: Sufi Prayer Based on Persian Melody, Arranged, Composed, and Played by Ahmad Al-Jawadi (myspace.com/​ahmadjawadi) Made with Adobe Photoshop and After Effects.
A2A samtsirhc yrremdj vj a2a christmas video 2011 Photographer John Moore is no stranger to combat. As a member of an Associated Press team in 2005, he shared a Pulitzer Prize for breaking news photography for coverage of the war in Iraq and he's done extended stints in Afghanistan, Pakistan, Somalia, South Africa, Mexico and Nicaragua and elsewhere in the last 20 years. Moore, who now works for Getty Images, also won a host of international awards in 2008 for his exclusive photos of the assassination of former Pakistani Prime Minister Benazir Bhutto. Yet despite his relative comfort with being on the frontlines, Moore told the NewsHour from his hotel room in Cairo that his latest assignment -a six-week trip that took him to the uprisings in Egypt, Bahrain and Libya - might have been his most dangerous. Moore recorded the interview for us after sneaking out of Benghazi, Libya en route back to his home in Denver. "I've covered a lot of conflict over the years," More said, "but I'd say my days of combat coverage here in Libya were the most heavy of all. "The battle scenes were absolutely epic." Moore said that he had been traveling with New York Times photographers Tyler Hicks and Lynsey Addario for two of the three weeks he was in Libya. "For safety I traveled with other journalists," Moore said. "And we'd convoy each day to the frontlines." The New York Times announced Wednesday that Hicks and Addario, along with their Beirut Bureau Chief Anthony Shadid and videographer Stephen Farrell, had ...
Paul and Lynsey got married Part 3Lynsey Addario, war photographer, Pullitzer prize and Macarthur award winner married to Paul de Bendern, journalist, Reuters bureau chief. Wedding reception and introduction to Lynsey's rather unusual American family, by Caroline de Bendern
Congo/Women in honour of Mother's Day 2011In honour of Mother's Day, the Nobel Peace Center used the façade to show the powerful photo exhibition CONGO/WOMEN in the dark evening of 10 February 2011. It was a stark reminder that one of the big differences between the poor and the rich women of the world is the likelihood of surviving their pregnancies. The event is a collaboration between the UNFPA, Sex and Politics, the Norwegian Ministry of Foreign Affairs and the Nobel Peace Center to focus on global health differences among women. The photographers featured in the exhibition are Lynsey Addario, Marcus Bleasdale, Ron Haviv, and James Nachtwey from VII Photo Agency. The music was composed by Mario Grigorov on behalf of Siblings Music and the editing was done by J. Matthew Jacob. CONGO/WOMEN is produced by ART WORKS Projects and Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media Columbia College Chicago. The exhibiton was first shown at the UN in New York, and has toured the world. The Nobel Peace Center is the first venue in Scandinavia. This was the first time the Peace Center façade has been used to project photographs. Filmed by Marcus Bleasdale
Paul and Lynsey got married Part 4 Fiesta with "the cake"Paul de Bendern Reuters Bureau chief and Lynsey Addario war photographer, Pulitzer prize and Macarthur Genius award winner. wedding reception night. fiesta salsa dancing show performance, girl coming out of cake with beretta (no), doves. by Caroline de Bendern
Paul and Lynsey got married Part 5 "The Day After"Paul de Bendern Reuters Bureau chief and Lynsey Addario war photographer, Pulitzer prize and Macarthur Genius award winner. the day after wedding reception. Insight into members of Paul's family decsendants of Oscar Wilde's lover Lord Alfred Douglas "Bosie" by Caroline de Bendern Jacques Thollot on drums
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