Vidéos : Lynsey Addario(En savoir plus sur Lynsey Addario) |
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Lynsey Addario, Institute Fellow and Award-Winning PhotographerOn May 3rd, the Institute presented a special evening program with Institute Fellow and award-winning photographer, Lynsey Addario, in conversation with Executive Director Jane M. Saks. As an Institute Fellow, Addario was commissioned to create portraits of women and girls who are survivors of gender-based violence in the Democratic Republic of Congo for the internationally traveling photography exhibition, Congo/Women Portraits of War, co-produced by the Institute and Art Works Projects. The exhibition premiered at Columbia College in February 2009, and is currently touring internationally through 2012 (www.congowomen.org). A MacArthur Fellow and recipient of a Pulitzer Prize for team reporting, Addario photographs for numerous publications, frequently focusing on human rights and women's lives around the world. She is a memberof the prestigious VII Network, and was recently named one of O Magazine's "Power List of 2010." This was Lynsey Addario's first live public program in Chicago since she and three New York Times colleagues---Stephen Farrell, Tyler Hicks, and Anthony Shahid---were held captive in Libya for a week in March by Col. Muammar el-Qaddafi loyalists. This highlight reel presents some of the program's prominent moments.
Lynsey Addario ("Darfur")Lynsey Addario (www.lynseyaddario.com) is an American photojournalist based in New Delhi, India, where she photographs for The New York Times, National Geographic, and Time Magazine. Lynsey began photographing professionally in 1996-with no professional photographic training or studies-and started photographing conflict and humanitarian issues. In 2000, she traveled to Afghanistan under Taliban rule to document life and oppression under the Taliban. She has since covered conflicts in Afghanistan, Iraq, Lebanon, Darfur, and Congo, and shoots features across the Middle East, South Asia, and Africa. Lynsey's recent bodies of work include 'Veiled ABU SOURUJ, WEST DARFUR. An overhead view of the remains of the burned-out village of Abu Sourouj, which was bombed on the 8 February by the Sudanese government and simultaneously attacked by armed men on camels, horseback and donkeys, otherwise known as Janjaweed, in West Darfur, Sudan, February 28, 2008. The government spate of bombings was in response to an ambush two months prior by rebels from the Justice and Equality Movement, and subsequent intelligence that JEM members were living in these villages and using them as a base. After a period of relative quiet, there has been a great deal of renewed fighting between the Sudanese government with militias loyal to the government and rebel factions, namely JEM. Dozens of civilians in Silean, Sirba, and Abu Sourouj were killed in the attacks around February 8-9th,many others were ...
Lynsey AddarioFototrek Fotoğraf Galerisinde 5 nisan 1 mayıs tarihleri arasında açılan Darfur isimli sergisiyle Lynsey Addario röportajı.
Journalists Recall 'Medieval' Captivity Experience in LibyaRead the transcript: to.pbs.org While covering the Libya uprising, four New York Times journalists were held captive by Moammar Gadhafi's forces before being freed. Anthony Shadid and Lynsey Addario describe the experience.
THE OLIVIER REBBOT AWARDBest photographic reporting from abroad in magazines or books LYNSEY ADDARIO National Geographic "Veiled Rebellion: Afghan Women" Lynsey Addario's photographs give us a comprehensive and intimate look at a largely unseen aspect of Afghan society — its women. Her images are unvarnished, intimate and far-reaching. Addario worked hard to gain access and in doing so produced a very important body of work. CITATION TIM HETHERINGTON Chris Boot Ltd."Infidel"
Harry Hardie on the photo exhibition "In Afghanistan"Photo curator Harry Hardie on behalf of Panos Pictures, talks about the photo series "Infidel" by Tim Hetherington and "Veiled Rebellion" by Lynsey Addario. The photo series are both part of the Nobel Peace Center exhibition "In Afghanistan", on display 10 February - 22 April 2012. www.nobelpeacecenter.org Filmed and edited by Christoffer Næss. The camera filming this interview is one of the cameras used to film the Kabul Cards: youtu.be
The Human Cost of War - (Vide Cor Meum)This short montage and accompanying music is not posted to shock you. It is posted to inform you better of the evils we unleash when we make war on our fellow men. Our news channels in the West seldom show the true carnage we inflict by choosing war to solve our problems. I have no political point to make, I abhor terrorism in all its forms and equally abhor governments who lack the imagination, courage and humanity to find other ways of solving disputes. There has to be another way. I used the music 'Vide Cor Meum' (see my heart) as its sublime beauty contrasts with the images in the film and reminds us that human beings can create beauty and harmony as well as destruction and suffering. Rest in peace all victims of war and may God (however you perceive him) heal those injured in body, mind and spirit by war. And may our leaders work to end this barbarism forever.
Paul and Lynsey got married Part 1 the ceremonyPaul de Bendern ( Reuters News Bureau Chief ) and Lynsey Addario (war photographer? Pulitzer and Macarthur award winner)) wedding ceremony at Lectoure cathedral, France. with Hero Melia interpreting "The Rose" by Caroline de Bendern
Culture Wire: Afghanistan in 4 FramesThe SF Arts Commission Gallery's Art at City Hall is pleased to present Afghanistan in Four Frames. This groundbreaking and timely exhibition features works by four photojournalists who have embedded with various military units/forces in Afghanistan over the past five years: James Lee, Eros Hoagland, Teru Kuwayama and Lynsey Addario. Learn More at: www.sfartscommission.org
War Journalism: Meeting a Warlord on the Pakistani BorderComplete video at: fora.tv Pulitzer Prize-winning journalist Dexter Filkins recalls his meeting with a tribal warlord on the Pakistan-Afghanistan border. ----- The New Yorker Festival presents: Reporting from the Edge: Covering Conflict. This program was recorded on October 1, 2011. With Lynsey Addario, Jon Lee Anderson, Dexter Filkins, and Wendell Steavenson. Moderated by Dorothy Wickenden. Dexter Filkins joined The New Yorker in January and has reported from Yemen and Afghanistan. Previously, he was at the Times, where he won a Pulitzer Prize as part of a team covering Afghanistan and Pakistan. He has received two George Polk Awards and three Overseas Press Club Awards. His book, The Forever War, won a National Book Critics Circle Award.
Requiem for LibyaShort video featuring the brave Libyan people. Photography by Lynsey Addario, Tyler Hicks, Ed Ou (New York Times); Luis Sinco (Los Angeles Times). Music: Sufi Prayer Based on Persian Melody, Arranged, Composed, and Played by Ahmad Al-Jawadi (myspace.com/​ahmadjawadi) Made with Adobe Photoshop and After Effects.
A2A samtsirhc yrremdj vj a2a christmas video 2011 Photographer John Moore is no stranger to combat. As a member of an Associated Press team in 2005, he shared a Pulitzer Prize for breaking news photography for coverage of the war in Iraq and he's done extended stints in Afghanistan, Pakistan, Somalia, South Africa, Mexico and Nicaragua and elsewhere in the last 20 years. Moore, who now works for Getty Images, also won a host of international awards in 2008 for his exclusive photos of the assassination of former Pakistani Prime Minister Benazir Bhutto. Yet despite his relative comfort with being on the frontlines, Moore told the NewsHour from his hotel room in Cairo that his latest assignment -a six-week trip that took him to the uprisings in Egypt, Bahrain and Libya - might have been his most dangerous. Moore recorded the interview for us after sneaking out of Benghazi, Libya en route back to his home in Denver. "I've covered a lot of conflict over the years," More said, "but I'd say my days of combat coverage here in Libya were the most heavy of all. "The battle scenes were absolutely epic." Moore said that he had been traveling with New York Times photographers Tyler Hicks and Lynsey Addario for two of the three weeks he was in Libya. "For safety I traveled with other journalists," Moore said. "And we'd convoy each day to the frontlines." The New York Times announced Wednesday that Hicks and Addario, along with their Beirut Bureau Chief Anthony Shadid and videographer Stephen Farrell, had ...
Congo/Women in honour of Mother's Day 2011In honour of Mother's Day, the Nobel Peace Center used the façade to show the powerful photo exhibition CONGO/WOMEN in the dark evening of 10 February 2011. It was a stark reminder that one of the big differences between the poor and the rich women of the world is the likelihood of surviving their pregnancies. The event is a collaboration between the UNFPA, Sex and Politics, the Norwegian Ministry of Foreign Affairs and the Nobel Peace Center to focus on global health differences among women. The photographers featured in the exhibition are Lynsey Addario, Marcus Bleasdale, Ron Haviv, and James Nachtwey from VII Photo Agency. The music was composed by Mario Grigorov on behalf of Siblings Music and the editing was done by J. Matthew Jacob. CONGO/WOMEN is produced by ART WORKS Projects and Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media Columbia College Chicago. The exhibiton was first shown at the UN in New York, and has toured the world. The Nobel Peace Center is the first venue in Scandinavia. This was the first time the Peace Center façade has been used to project photographs. Filmed by Marcus Bleasdale
Paul and Lynsey got married Part 2Paul de Bendern Reuters bureau chief and Lynsey Addario war photographer, Pulitzer and Macarthur award-winner married at Lectour Cathedral France guests leaving after wedding ceremony by Caroline de Bendern
Paul and Lynsey got married Part 3Lynsey Addario, war photographer, Pullitzer prize and Macarthur award winner married to Paul de Bendern, journalist, Reuters bureau chief. Wedding reception and introduction to Lynsey's rather unusual American family, by Caroline de Bendern
Paul and Lynsey got married Part 4 Fiesta with "the cake"Paul de Bendern Reuters Bureau chief and Lynsey Addario war photographer, Pulitzer prize and Macarthur Genius award winner. wedding reception night. fiesta salsa dancing show performance, girl coming out of cake with beretta (no), doves. by Caroline de Bendern
Paul and Lynsey got married Part 5 "The Day After"Paul de Bendern Reuters Bureau chief and Lynsey Addario war photographer, Pulitzer prize and Macarthur Genius award winner. the day after wedding reception. Insight into members of Paul's family decsendants of Oscar Wilde's lover Lord Alfred Douglas "Bosie" by Caroline de Bendern Jacques Thollot on drums
CNN: Freed photojournalist tells her storyNew York Times photographer Lynsey Addario was taken hostage by Gadhafi's forces. Addario and her husband talked to CNN. Tune in to 'AC360' tonight at 10 ET for part 2 of the interview.
Starved For Attention: Om undernäring och matbistånd, Somalia och KenyaI juni 2010 startade vi kampanjen "Starved For Attention" för att uppmärksamma att 195 miljoner barn i världen är undernärda -- och att matbiståndet många gånger har brister i kvaliteten. Vår turnerande foto- och videoutställning, vårt påverkansarbete och 135 000 engagerade människors underskrifter på vårt upprop har gett resultat. Här kan du se den senaste filmen vi, tillsammans med den internationellt erkända bildbyrån VII, gjort i samband med kampanjen "Starved For Attention". Bilderna i filmen är tagna i Somalia och Kenya av fotografen Lynsey Addario från VII.
Ground View #3 May 4th 2011 Part 1 -- The Epoch TimesGround View #3 Hosted by The Epoch Times On the evening of May 4th, a panel of renowned conflict photographers shared their experiences on the battlefield. They got together on short notice at New York University's Arthur L. Carter Journalism Institute to honor their colleagues Chris Hondros and Tim Hetherington, whose lives were cut short in Libya on April 20. They also came to raise money for Reporters Without Borders, an organization that works to ensure the safety of hundreds of journalists in harm's way. The panel consisted of Lynsey Addario (Agency VII, Time, Nat Geo & NYT), Spencer Platt (Getty Images) and Ron Haviv (co-founder VII Photo Agency) and was moderated by former Time contract photographer Bob Nickelsberg.
GRITtv: The F Word: What Raymond Davis's Ransom is WorthLast week we spoke to Dave Lindorff about Raymond Davis, the CIA employee held in Pakistan, accused of shooting two Pakistani civilians. The story got murkier the deeper it went, Lindorff noted. This week, Davis has been released after a reported $2.3 million was paid to the families of the victims. Davis is free, his secrets protected. Distributed by Tubemogul.
Ground View 3 May 4th 2011 Part 5 -- The Epoch TimesGround View #3 Hosted by The Epoch Times On the evening of May 4th, a panel of renowned conflict photographers shared their experiences on the battlefield. They got together on short notice at New York University's Arthur L. Carter Journalism Institute to honor their colleagues Chris Hondros and Tim Hetherington, whose lives were cut short in Libya on April 20. They also came to raise money for Reporters Without Borders, an organization that works to ensure the safety of hundreds of journalists in harm's way. The panel consisted of Lynsey Addario (Agency VII, Time, Nat Geo & NYT), Spencer Platt (Getty Images) and Ron Haviv (co-founder VII Photo Agency) and was moderated by former Time contract photographer Bob Nickelsberg.
Ground View 3 May 4th 2011 Part 6 -- The Epoch TimesGround View #3 Hosted by The Epoch Times On the evening of May 4th, a panel of renowned conflict photographers shared their experiences on the battlefield. They got together on short notice at New York University's Arthur L. Carter Journalism Institute to honor their colleagues Chris Hondros and Tim Hetherington, whose lives were cut short in Libya on April 20. They also came to raise money for Reporters Without Borders, an organization that works to ensure the safety of hundreds of journalists in harm's way. The panel consisted of Lynsey Addario (Agency VII, Time, Nat Geo & NYT), Spencer Platt (Getty Images) and Ron Haviv (co-founder VII Photo Agency) and was moderated by former Time contract photographer Bob Nickelsberg.
FEATURE PHOTOGRAPHY AWARDBest feature photography published in any medium on an international theme RODRIGO ABD Associated Press Guatemala ER Rodrigo Abd's powerful and moving images show us a variety of situations from a very busy hospital and convey a surprising range of emotions, from despair and grief to dark humor and laughter. His approach is fresh, unique, and creative. CITATION LYNSEY ADDARIO VII Network/Time"Dying to Give Birth: One Woman's Tale of Maternal Mortality"
Desperation drives abused Afghan women to death by fireA large number of Afghan women commit suicide by self-immolation to escape abusive life and desperation. "Why did you burn yourself?" asks the doctor. "If I threw myself from a building, I'd break an arm or a leg, but I wanted to die," Halima answers. "That's why I set myself on fire. I thought I would die instantly." As an answer it is more how than why, but it is enough for Dr. Arif Jalali, the senior surgeon ... Lynsey Addario of The New York Times show us some tragic reports of these ill-fated women. Read more: www.rawa.org
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