Par: BasTianAder
Durée: 2.92 min.
Consultations: 1210
Votes: 5.0

Final minutes of David Claerbout's 2007 film

Par: richarwi72
Durée: 1.30 min.
Consultations: 2924
Votes: 5.0

David Claerbout - The Shadow Piece 2005

Par: gloomsel
Durée: 0.58 min.
Consultations: 13023
Votes: 5.0

Par: goculturegr
Durée: 6.05 min.
Consultations: 1996
Votes: 5.0

A short sequence from David Claerbout's 2007 film

Par: richarwi72
Durée: 0.95 min.
Consultations: 3551
Votes: 5.0

Abstract of "Cat and bird in peace" video of David Claerbout. Filmed in Athens National Museum of Modern Art at October 2008

Par: omiros100
Durée: 0.45 min.
Consultations: 6033
Votes: 5.0

David Claerbout - Ruurlo, Borculoscheweg, 1910 Tentoonstelling the shape of time

Par: gloomsel
Durée: 0.30 min.
Consultations: 10459
Votes: 5.0

Movie still of the video installation "The Shape of Time" (De Pont Museum of Contemporary Art, Tilburg, 2009) of the Belgium artist David Claerbout compared with a postcard of the same photo.

Par: wich2000
Durée: 0.43 min.
Consultations: 2750
Votes: 0

Par: angsang111
Durée: 0.47 min.
Consultations: 1469
Votes: 5.0

Head Curator Timothy Long discusses his first time seeing David Claerbout's Sunrise. Sunrise can be seen in After Presence at the MacKenzie Art Gallery from February 4 to April 8, 2012

Par: atthemag
Durée: 2.02 min.
Consultations: 50
Votes: 0

This is reflection of David Claerbout's work. Visit: the-artists.org for more information.

Par: skprien
Durée: 0.83 min.
Consultations: 1391
Votes: 0

DAVID CLAERBOUT "Diese Sonne strahlt immer", SLAVS AND TATARS "Not Moscow Not Mecca", STEPHAN DILLEMUTH "Öffentliche Verkehrsmittel" at the Secession from May 3 -- June 17, 2012,

Par: zyance
Durée: 1.85 min.
Consultations: 33
Votes: 0

www.vernissage.tv | The 29th Bienal de São Paulo exhibition shows works of art by approximately 160 artists from all over the world. The Bienal is titled "There is always a cup of sea to sail in" ("Há sempre um copo de mar para um homem navegar"). It "is anchored on the notion that it is impossible to separate art from politics. Such impossibility is expressed in the fact that art, through ways of its own, is capable of blocking the sensorial coordinates through which we understand and inhabit the world by bringing into it themes and attitudes that did not previously fit in, thus making it different and wider." The 29th Bienal de São Paulo is curated by Moacir dos Anjos and Agnaldo Farias and by a team of guest curators from various backgrounds. The curators are Fernando Alvim (Angola), Rina Carvajal (Venezuela USA), Yuko Hasegawa (Japan), Sarat Maharaj (South Africa / UK), and Chus Martinez (Spain). The 29th Bienal de São Paulo comprises of different parts. The exhibition, an educational program, discursive activities, art residencies, and its website. Among the artists are: Aernout Mik, Ai Weiwei, Alfredo Jaar, Allora & Calzadilla, Anri Sala, Apichatpong Weerasethakul, Cao Fei, David Claerbout, Douglas Gordon, Ernesto Neto, Fiona Tan, Francis Alÿs, Gustav Metzger, Harun Farocki, Hélio Oiticica, Isa Genzken, Jeremy Deller, Kendell Geers, Nancy Spero, and Yto Barrada (who just won the Deutsche Bank Artist of the Year award. Sao Paulo Biennial 2010. By VTV correspondents ...

Par: henrichy0205yt
Durée: 5.73 min.
Consultations: 3641
Votes: 5.0

cité temps

Par: elphi69
Durée: 1.60 min.
Consultations: 4890
Votes: 4.3333335

homenagem aos videos de David Claerbout sunrise e seções de um momento feliz na Argelia exibidos na 29ª Bienal de São Paulo. Varios momentos aqui de uma noite a dois de solidão cercado de imagens

Par: CristianoFeitosaVale
Durée: 3.98 min.
Consultations: 188
Votes: 5.0

Abstract from "Piano player" video from David Clauerbout as taped at Athens National Museum of Modern Art in October 2008

Par: omiros100
Durée: 1.02 min.
Consultations: 3935
Votes: 5.0

Abstract from "Piano player" video from David Clauerbout as taped at Athens National Museum of Modern Art in October 2008

Par: omiros100
Durée: 1.02 min.
Consultations: 2186
Votes: 5.0

OUT-OF-SYNC THE PARADOXES OF TIME 17/02/2011 - 22/05/2011 L'exposition Out-of-Sync aborde la vaste question de la place qu'occupe la dimension temporelle dans le champ des arts visuels sous un angle spécifique : elle s'intéresse à des œuvres dans lesquelles plusieurs temporalités coexistent, se superposent, se contredisent, développant ainsi une relation paradoxale au temps. À travers cet intérêt pour ce que le philosophe Elie During nomme dans son récent ouvrage Faux Raccords les « temps désaccordés », les œuvres regroupées dans l'exposition n'entendent pas illustrer ou circonscrire la notion de temps. Elles nous proposent au contraire l'expérience de son caractère insaisissable. Artistes : Manon de Boer, David Claerbout, Tony Conrad, Valie Export, Marco Godinho, Dan Graham, David Lamelas, Laurent Montaron, Bruce Nauman, Anri Sala, Hiroshi Sugimoto Commissaires : Christophe Gallois, Marie-Noëlle Farcy, Clément Minighetti

Par: mudamLU
Durée: 5.65 min.
Consultations: 801
Votes: 5.0

www.cultrd.net NUMBER FIVE CITIES OF GOLD AND MIRRORS. Works from the JULIA STOSCHEK COLLECTION. 02.07.2011 - Sommer 2012 Ab dem 25. Juni wird in der JULIA STOSCHEK COLLECTION eine Neupräsentation der Sammlung zu sehen sein. Die 44 Werke von insgesamt 35 KünstlerInnen umfassende Ausstellung dokumentiert bisher noch nie gezeigte Arbeiten, Neuerwerbungen der letzten Jahre sowie ortsspezifische, räumliche Interventionen. Für jede Arbeit wurde eine sorgfältig durchdachte Präsentationsarchitektur initiiert. Statt einer thematischen Zusammenstellung verfolgt die Konzeption der Ausstellung verschiedene inhaltliche Stränge und spiegelt aktuelle Themen der zeitgenössischen Kunstproduktion wider. Der Titel CITIES OF GOLD AND MIRRORS rekurriert nicht nur auf den in der Ausstellung gezeigten Film von Cyprien Gaillard, sondern steht metaphorisch für die Auseinandersetzung mit gesellschaftspolitischen Fragestellungen in Hinblick auf Stadtentwicklung und Urbanismus und der Beziehung des Menschen zur Architektur und zu seinen persönlichen Sehnsüchten und Eitelkeiten. Im ersten Ausstellungsgeschoss stehen Positionen wie die von Gordon Matta-Clark, Tobias Zielony, Cyprien Gaillard und Francis Alÿs für die Maßstäblichkeit oder das Verhältnis von Architektur und Mensch. Francis Alÿs, Charles Atlas, Salvatore Bevilacqua, Johanna Billing, David Claerbout, Jane Crawford, Keren Cytter, Simon Denny, Olafur Eliasson, Robert Fiore, Cyprien Gaillard, Andreas Gursky, Nancy Holt, DAS INSTITUT und ...

Par: cultrdTV1
Durée: 5.00 min.
Consultations: 1335
Votes: 0

Vanaf januari 2010 begon Kunstpodium T met een nieuwe serie leerling-meester exposities met eindexamenstudenten van de volgende academies: • Academie voor Beeldende Vorming - Fontys Hogeschool voor de Kunsten Tilburg. • Autonome Beeldende Kunst - Willem de Kooning Academie Rotterdam. • Autonome Beeldende Kunst - Hogeschool voor de Kunsten Utrecht. De Leerling meester expositie wisselt elke twee weken. Per expositie zijn er steeds 4 tot 5 eindexamenstudenten van de 3 academies die aan 1 bekende hedendaagse kunstenaar worden gekoppeld. Deze kunstenaars zijn: Joost Conijn, Katinka Lampe, Jaap de Vries, Karel Goudsblom, Linda Arts, Gé Karel van der Sterren, Linda Molenaar, Cindy Wright, Fleur Boonman, David Claerbout, René Korten, Dieuwke Spaans Tarara boem De essentie van de vierde Leerling meester expositie is de samenwerking tussen de kunstenaars, zowel voor als tijdens de expositie. Het zou zonde zijn als we deze kans niet grijpen om te experimenteren. Meester Karel Goudsblom en leerlingen Sanne Hak, Wieske de Jong, Astrid Willems en Noortje Stortelder en Sara Zolak hebben de afgelopen weken intensief e-mailcontact gehad om zoveel mogelijk ideeën naar boven te krijgen. Met deze ideeën zijn de kunstenaars tijdens de opbouw van Tarara boem samen aan de slag gegaan. Volgens Karel is samenwerken zo belangrijk omdat het je uit je eigen veilige wereld haalt. Wie zich ervoor openstelt, blijft daardoor niet binnen zijn eigen manier van denken. De samenwerking is voor mij erg ...

Par: admintilburgers
Durée: 5.63 min.
Consultations: 897
Votes: 0

LC von Sukmeister performs operations upon both collage and film in such a way as to produce a physical experience of both these mediums and a keen awareness of the potentialities of these mediums. If collage fixes and documents a specific moment in time in such a way as to prevent if from slipping away, film contrawise, enables the continous evolution of one image into another. While conflating collage and film in a computarised medium ―a single electronic signal that codifies them into information emitted as video― LC von Sukmeister affirms that the concepts of collage and of film survive into this digital medium. The loose collage image and the filmic register in real time are constituted as two temporal modalities that join forces. It is in the condensation of the different temporalities into a single medium that Von Sukmeister makes his Wayang 2.0 work. Credits: Art Director: Anton Slamet Wahyono bin Kasturi Cinematographer: LC von Sukmeister Camera: Le Complice Associate Producer: Poncke P. Set Designer: Raden Saleh Set Assistant: A. Kurniawan Prop: P. Princen Special Effects: N. Fernanda Sound Editor: Nena F. Music: Bojo Loro Location: Centraal Museum, Utrecht (The Netherlands) Location Details: Nicolaaskerkhof 10, 3512 XC Utrecht, The Netherlands Date: 25 November 2009 Wayang 2.0 Script: Pedro Lapa, Director do Museu Nacional de Arte Contemporânea Museu do Chiado, D. Claerbout Series: Beyond Belanda: Seni Kontemporer FUCK SEX ! LOVE ART WAHYU!

Par: lcvonsukmeister
Durée: 2.72 min.
Consultations: 407
Votes: 5.0

Was ist ein Foto? Wo liegen die Grenzen der Fotografie, zwischen Foto und Video? Welchen Einfluss haben die technischen Produktionsbedingungen, welchen das Trägermedium? Was kann mit Manipulation erreicht werden? Das sind die Fragen mit denen sich unsere Ausstellung "objektiv" auseinandersetzt. Cerith Wyn Evans geht in seinem Wandtext auf die Interpretation des Unerklärlichen ein. Es ist nicht immer die große Unbekannte. Ursachen können ganz einfach auch Unzulänglichkeiten sein. Wolfgang Tillmans dreht den Spieß um. Seine Saros Wand greift Aspekte einer Sonnenfinsternis auf. Allerdings geht es nicht um die reine Dokumentation, vielmehr bleibt bewusst unklar, welche der Aufnahmen tatsächlich bei dem Naturereignis entstanden sind, und was Fake ist. Bei den anderen Tillmans-Arbeiten wird der Fehler sogar zur Ikone erhoben. Bei diesen frühen Fotos handelt es sich um Fehlbelichtungen die zu ganz eigenen Ergebnissen führen. Die Einmaligkeit solcher Fehler führt natürlich dazu, dass ein Foto, von dem es normalerweise eine Auflage gibt, zum Unikat wird. "Violetta" von David Claerbout scheint sich nicht zu bewegen. Ist es ein Video-Still? Bei längerer Beobachtung stellt man fest, dass sich Violettas Haare ein wenig bewegen - entweder weil man es sieht oder weil es am eigenen Körper erfährt. Das eingefrorene Video-Bild wurde von Andy Warhol bereits in den 60er Jahren in den Mittelpunkt einer Arbeit gestellt. Er filmte das Empire State Building über mehrere Stunden hinweg. Douglas ...

Par: ArtDocumentaries
Durée: 5.30 min.
Consultations: 152
Votes: 5.0

(Access Haertel at www.oligoplix.com) Video art. "Haertel" reveals within its architecture a small universe in ruins, where supposedly there are two persons walking in this place of labyrinthine paths. The characters live in a kind of space-time shifted, coexisting in the same environment, or is it a delusion of one of them? Or is it a place where our desires come true? This is only defined by the viewer. The waiting is the marker of time in this video, consider the images that move in a slow and steady course, denoucing the natural state of things. The original soundtrack accompanies this path where the mind travels at levels that the body can not reach. Extend, move or create the time. Vídeoarte, Vídeo-arte, Video art. "Haertel" revela dentro de sua arquitetura um pequeno universo em ruínas, onde supostamente existem duas pessoas que transitam neste lugar de percursos labirínticos. Os personagens vivem uma espécie de espaço- tempo deslocado, coexistem num mesmo ambiente ou seria delírio de um deles? Ou então um lugar onde seria possível existir nossos desejos projetados? Isso só é definido pelo espectador. A espera é o marcador do tempo neste vídeo, contemplar as imagens que se movimentam em curso lento e constante, denunciam o estado natural das coisas. A trilha sonora original de " Timbres e Bicicletas" acompanha esse caminho onde a mente transita em níveis que o corpo não alcança. Prolongue, desloque-se ou crie o tempo. (Este vídeo foi gravado em 2009, nos arredores ...

Par: pzechlinski
Durée: 7.55 min.
Consultations: 1167
Votes: 5.0

homevideo.icarusfilms.com Fischli and Weiss remove these things that surround us from their contexts in our daily lives, and then restructure their relationships to one another. The artists aim neither to glorify nor to alienate these common objects, but merely to create new references in which they might be considered. THE WAY THINGS GO - without narration or interviews - simply records the self-destructing performance of Fischli's and Weiss' most ambitious construction: 100 feet of physical interactions, chemical reactions, and precisely crafted chaos worthy of Rube Goldberg or Alfred Hitchcock. homevideo.icarusfilms.com

Par: IcarusFilmsNY
Durée: 3.22 min.
Consultations: 171107
Votes: 4.8741417

(Access Haertel at www.oligoplix.com) Vídeoarte, Vídeo-arte, Video art. "Haertel reveals within its architecture a small universe in ruins, where supposedly there are two persons walking in this place of labyrinthine paths. The characters live in a kind of space-time shifted, coexisting in the same environment, or is it a delusion of one of them? Or is it a place where our desires come true? This is only defined by the viewer. The waiting is the marker of time in this video, consider the images that move in a slow and steady course, denoucing the natural state of things. The original soundtrack accompanies this path where the mind travels at levels that the body can not reach. Extend, move or create the time. Vídeoarte, Vídeo-arte, Video art. "Haertel" revela dentro de sua arquitetura um pequeno universo em ruínas, onde supostamente existem duas pessoas que transitam neste lugar de percursos labirínticos. Os personagens vivem uma espécie de espaço- tempo deslocado, coexistem num mesmo ambiente ou seria delírio de um deles? Ou então um lugar onde seria possível existir nossos desejos projetados? Isso só é definido pelo espectador. A espera é o marcador do tempo neste vídeo, contemplar as imagens que se movimentam em curso lento e constante, denunciam o estado natural das coisas. A trilha sonora original de " Timbres e Bicicletas" acompanha esse caminho onde a mente transita em níveis que o corpo não alcança. Prolongue, desloque-se ou crie o tempo. (Este vídeo foi gravado ...

Par: pzechlinski
Durée: 1.20 min.
Consultations: 2076
Votes: 5.0