Vidéos : Alfred Gaspart(En savoir plus sur Alfred Gaspart) |
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Ravel Scarbo Gaspard de la nuit Bachauer Rec 1954Some Important Pupils of Alfred Cortot Gina Bachauer plays Scarbo from Ravels Gaspard de la nuit. Recorded in 1954
CRIMEN PERFECTO, de Alfred Hitchcock -- TXALO PRODUCCIONESTEATRO JOVELLANOS DE GIJÓN - Viernes 29 y sábado 30 de julio. 20:30 h Jorge Sanz, Elena Furiase, Pablo Puyol, Antonio Albella y José Sánchez-Orosa en Crimen Perfecto, la obra de Frederick Knott que Alfred Hitchcock convirtió en historia del cine. Recreándose en la imaginerÃa y en el genial estilo visual y narrativo de Hitchcock, este Crimen Perfecto sube al escenario una pieza que combina a la perfección cine y teatro. Historia tramada sobre falsas apariencias, ruindades humanas, unas tijeras de costura como arma de protección, seda convertida en garrote vil, deseo por consumar, un diletante amoral, una mujer crédula, un enamorado fiel... Y la trampa, la misma que puede cazar a un inocente que a un culpable.
Ravel Scarbo Gaspard de la nuit Ben Roelswww.everyoneweb.com Recital Blauwe Zaal in deSingel Antwerp. Belgianpianist Ben Roels studied with Leon Fleischer (Master class Germany), Eliane Rodrigues (Brazil/Belgium) and Lionel Bowman (South-Africa), Aldo Ciccolini (France/Paris) He obtained the Diplôme Supérieur de piano at the Ecole Normale de Musique Alfred Cortot in Paris where he studied with the French pianist and famous Liszt interpreter France Clidat. He made his concert debut with Rachmaninovs 2nd piano concerto and offers an extended concerto repertoire including Mozart, Van Beethoven, Liszt, Shostakowitch Gershwin and Addinsell. Ben Roels is Steinway Artist. Roels Liszt interpretations are extraordinary with an outstanding technique and an unheard deep expression (Lionel Bowman, pianist) An amazing sound in forte passages and controlled virtuoso playing, Ben Roels gave an interpretation with fascinating tension a maximum musical and physical performance (Speyerer Tagepost). Ben Roels : retenons ce nom, il va faire parler de lui. Une Maestria, une concentration, une sincérité digne des plus grands, dans un répertoire qui sort des sentiers battus. Bravo au Festival du Château du Cingle pour ça « découverte » très grand pianiste en Belgique. (P. Crapie 07/2007) contact: management.benroels@gmail.com
Chieko Hara plays Chopin Piano Concerto No.1 First movementConducter : Akeo Watanabe/The Japan Philharminic Orchestra Recording date : 1962 Chieko Hara(1914~2001), a pioneer Japanese pianist who performed throughout Europe, died of old age at a suburban Tokyo hospital, she was 86. Hara was born in Kobe and graduated from the Conservatoire National Superieur de Musique in Paris. She studied under Lazare Levy, Alfred Cortot. She was awarded a special prize at the International Frederic Chopin Piano Competition in 1937 and started performing throughout Europe. Hara married Gaspar Cassado, a Spanish cellist, in 1959 and obtained Spanish citizenship. After Cassado died, she started the International Gaspar Cassado Competition in Italy in his memory and nurtured young musicians. She returned to Japan in 1989.
Pogorelich plays Ravel: Gaspard de la nuit (Ondine - Le Gibet - Scarbo)Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand (1908) I. Ondine [0:00] II. Le Gibet [7:36] III. Scarbo [14:28] A work for solo piano by French composer Maurice Ravel (1875-1937), based on poetry by the French proto-Symbolist Aloysius Bertrand (1807-1841). The first movement "Ondine" evokes the ethereal realm of the title water-fairy who lures hapless men into her magical lake. The second movement ("Le Gibet") depicts a different vision: "It is a bell tinting at the walls of a city under the horizon and the carcass of a hanged man reddened by the setting sun." The third movement "Scarbo" depicts a fiendish creature - perhaps a scarab beetle-like imp - scampering and twirling underneath the bed of the frightened observer. This movement is notorious for its incredible difficulty, since Ravel intended it to surpass Balakirev's Islamey in technical terms. The piece is performed by the famous Croatian pianist Ivo Pogorelich. The text of Bertrand's poems with English translation is available here: sites.google.com
Reine Gianoli plays Ravel Ondinefrom Gaspard de la nuit - 1. Ondine Rec. 1954 The legendary French pianist Reine Gianoli (1915-1979) achieved early recognition as a child prodigy, studying with Alfred Cortot, Yves Nat and Edwin Fischer. She performed with leading orchestras led by such conductors as Paul Paray, Felix Weingartner, George Enescu, Hermann Scherchen, Karl Munchinger, Louis Auriacombe, Milan Horvat and George Sebastian. In recital, she appeared with such luminaries as Pablo Casals, Pierre Fournier, George Enescu and Edwin Fischer. She was a regular performer at leading festivals, including the International Strasbourg and Lucerne. In 1946 she was appointed as a piano professor at the École Normale de Musique in Paris. Among her students was Jean-Yves Thibaudet. A prolific recording artist, she made numerous recordings for the BAM, Westminster, and Ades labels, focusing on the piano music of Mozart, Bach, Beethoven, Mendelssohn, Debussy, Ravel and Schumann. (from DOREMI site)
'Just Stay Home' - creepy short filmWhen you are home alone, never answer the door. Written & directed by Marcus Wagner.
054 Die Kraft, die keine ist - Gaspard de Coriolos und die Ablenkung der MassenMeilensteine der Naturwissenschaft und Technik hier: www.youtube.com DieSendungen der Reihe "Meilensteine der Naturwissenschaft und Technik" stellen in informativer und unterhaltender Form herausragende Leistungen und Erfindungen der technischen und naturwissenschaftlichen Entwicklung vor. Im Mittelpunkt jeder Folge steht ein einzelnes „Meisterwerk". Angereichert mit vielen Anekdoten werden technische und physikalische Hintergründe durch Animationen und geschichtliche Materialen anschaulich erklärt.
Experimental Filmexperimental film ,made with windows movie maker. Intro influenced by Gaspar Noe; pictures from google image, shots from "Alejandro Jodorowsky's The Holy Mountain", "Alfred Hitchcock's Psycho", "Jean-Pierre Melville's Le Samourai" and "Salvador Dali's Melting Clock" painting track: Freddwzz - Hell is a better place film: Freddwzz
Ravel: Gaspard de la Nuit: I. Ondine (James Chang)Maurice Ravel: Gaspard de la Nuit: I. Ondine Publisher: Alfred (revised edition because Durand sucks) Gaspard de la Nuit was based on 3 poems by Aloysius Bertrand. The first, Ondine, is based on the poem with the same name. « Écoute ! Écoute ! C'est moi, c'est Ondine qui frôle de ces gouttes d'eau les losanges sonores de ta fenêtre illuminée par les mornes rayons de la lune ; et voici, en robe de moire, la dame châtelaine qui contemple à son balcon la belle nuit étoilée et le beau lac endormi. » Chaque flot est un ondin qui nage dans le courant, chaque courant est un sentier qui serpente vers mon palais, et mon palais est bâti fluide, au fond du lac, dans le triangle de feu, de la terre et de l'air. « Écoute ! Écoute ! Mon père bat l'eau coassante d'une branche d'aulne verte, et mes sœurs caressent de leurs bras d'écume les fraîches îles dherbes, de nénuphars et de glaïeuls, ou se moquent du saule caduc et barbu qui pêche à la ligne. » Sa chanson murmurée, elle me supplia de recevoir son anneau à mon doigt, pour être l'époux d'une Ondine, et de visiter avec elle son palais, pour être le roi des lacs. Et comme je lui répondais que j'aimais une mortelle, boudeuse et dépitée, elle pleura quelques larmes, poussa un éclat de rire, et sévanouit en giboulées qui ruisselaient blanches le long de mes vitraux bleus. English: ''Listen! Listen! It is I, it is Ondine brushing with these drops of water the resonant diamond panes of your window illuminated by the dull moonbeams; and ...
Got to get on this train - THE COCONUTS LIVE @ CLUB OSTOne of the hottest bands in town - THE COCONUTS - playing a gig at the Club Ost Vienna, 15 Jan 2008. (ss,as - Alfred Kern, as - Michael Gasteiner, ts - Thomas Gaspar, bs/voc/arr - Gerald Mittermüller, tp - Christian Koubsky, tp - Andreas Heindel, tb - Werner Wurm, g/voc - Martin Paset, p - Jürgen Tauber, b - Bernd Klug, perc - Georg Mittemüller, dr - Gerhard Leutgeb)
Photography Masters: Things EditionPre-1925 photographs by Eugène Atget, Karl Blossfeldt, Alvin Langdon Coburn, Imogen Cunningham, Roger Fenton, Jacques Henri Lartigue, Tina Modotti, László Moholy-Nagy, Paul Outerbridge, Emmanuel Radnitzky (Man Ray), Edward Steichen, Alfred Stieglitz, Paul Strand, William Fox Talbot, Gaspard-Félix Tournachon (Félix Nadar), and Carleton Watkins. Song: Coquetry by McKenzie Stubbert. Created at animoto.com.
REY GASPAR en el TROYA.wmvEl HOTEL HESPERIA TROYA en Playa de las Américas de Tenerife Sur, recibió la visita del REY GASPAR con infinidad de regalos para los niños y niñas que se encontraban allÃ. Los ilusionadÃsimos peques en compañÃa de sus personajes preferidos, "HESPERIO" y "PAYASITA LOLA" del Hotel pasaron una inolvidable velada y quedaron agradecidos al REY GASPAR
SAMSON FRANÇOIS plays FAURÉ NOCTURNE 2Born: May 18, 1924 - Frankfurt am Main, Germany Died: October 22, 1970 - Paris, France The admired French pianist, Samson Pascal François, was born in Frankfurt where his father worked at the French consulate. His mother, Rose, named him Samson, for strength, and Pascal, for spirit. François discovered the piano early - at the age of two - and his first studies were in Italy, with Mascagni, who encouraged him to give his first concert at the age of 6, in which he played a Mozart concerto under Mascagni. Moving from country to country with his itinerant family, he studied in Belgrade with Cyril Licar, obtaining a first prize in performance. Licar also introduced him to the works of Béla Bartók. Having studied in the Conservatoire in Nice from 1932 to 1935, where he again won first prize, François came to the attention of Alfred Cortot, who encouraged him to move to Paris and study with Yvonne Lefébure at the l'École Normale de Musique, the school Cortot co-founded with Auguste Mangeot. He also studied piano with Alfred Cortot (who reportedly found him almost impossible to teach), and harmony with Nadia Boulanger. In 1938, he moved to the Paris Conservatoire to study with Marguerite Long, the doyenne of French teachers of the age. In 1940 he won premier prix at this Conservatoire. In 1943, be reaching the age of 20, Samson François won the Long-Thibaud Competition and thereafter embarked on a career, one of international scale once World War II had ended. Even during the ...
Lorenzaccio teaser 2Lorenzaccio de Alfred de Musset Au Théâtre Mathis Les 10, 11, 12 décembre 2009 Mise en scène Daniel Annotiau Avec : Lorenzo - Raphaël MONDON Alexandre de Médicis - Yann COESLIER Le Cardinal Cibo - Bernard CHARNACE La marquise Cibo - Philippe Strozzi - Philippe MILLAT-CARUS Pierre Strozzi - Etienne CHEVREL Marie Soderini - Françoise BUSSY Catherine Ginori / lAubergiste - Eve DRUELLE Le Prieur de Capoue / un convive - Antoine VUILLAUME Tebaldeo / un écolier / Pippo - Gaspard LEGENDRE Julien Salviati / un convive - Patrice CARPUAT Scoronconcolo / un banni / Thomas Strozzi / un convive - Alain DESPREZ Louise Strozzi / un écolier - Elisabeth FORESTIER Lorfèvre / Bindo - Daniel ANNOTIAU Le Marchand / Venturi / un convive / le soldat - Henri-Jean CAUPIN Le Marquis Cibo / un banni / François Strozzi / Côme de Médicis / lOfficier - Cyril DAVION
JORDAN Das Gospel - MusicalAusschnitte von der Premiere am 8.7.2011 in Stockerau. Mitwirkende: Rupert Preißler, Tanja Petrasek, Lena Brandt, Susanne Radinger, Alex Bechtloff, Christian Schild, Beatrice Forler, Sarah Laminger, Alixa Kalaß, Horst Schirmbrand, Judy Archer, Maggie A. Zahn, Sebastian Brandmeir, Alfred Wainke, Monika Hoschtalek, Philipp Kreinbucher, Andrea Ott, Angelika Erlacher, Christian Graf, Julia Preglau. Musik: Adrian Gaspar Orchestra Libretto: Stefanie D. Kuschill Vocalcoaching: Anita Horn Choreographie: Susanne Radinger Kostüme: Gerti Howorka Organisation: Petra Langer Ausstattung: Martin Ginner Regie: Sigrid Frank Gesamtleitung: Norbert Hofer Kamera/Schnitt: Peter Uhlir
Please Baby - THE COCONUTS LIVE @ CLUB OSTOne of the hottest bands in town - THE COCONUTS - playing a gig at the Club Ost Vienna, 15 Jan 2008. (ss,as - Alfred Kern, as - Michael Gasteiner, ts - Thomas Gaspar, bs/voc/arr - Gerald Mittermüller, tp - Christian Koubsky, tp - Andreas Heindel, tb - Werner Wurm, g/voc - Martin Paset, p - Jürgen Tauber, b - Bernd Klug, perc - Georg Mittemüller, dr - Gerhard Leutgeb)
Tributo ad Arturo Benedetti Michelangeli: RAVEL piano concerto in G Major- I Tempo 1957Tributo ad Arturo Benedetti Michelangeli (Brescia, 5 gennaio 1920 Lugano, 12 giugno 1995) -Ravel piano concerto inciso nel 1957- Philharmonia Orchestra/Ettore Gracis - London March 1957 « Essere un pianista e un musicista non è una professione. E' una filosofia, uno stile di vita che non può basarsi né sulle buone intenzioni né sul talento naturale. Bisogna avere prima di tutto uno spirito di sacrificio inimmaginabile. » (Arturo Benedetti Michelangeli) Biography di ABMichelangeli: Arturo Benedetti Michelangeli (January 5, 1920 June 12, 1995) was an Italian classical pianist. He has been regarded as among the most commanding and individual piano virtuosos of the 20th century. Along with Ferruccio Busoni, he is often considered the most important Italian pianist. Born in Brescia, Italy, he began music lessons at the age of 3, initially with the violin, but quickly switched to the piano. At ten he entered the Milan Conservatory. In 1938, at age 18, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he placed seventh. A year later he earned first prize in the Geneva International Competition where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided by Ignacy Jan Paderewski. Michelangeli was known for his note-perfect performances. The music critic Harold Schonberg wrote of him: "His fingers can no more hit a wrong note or smudge a passage than a bullet can be ...
Banda Juvenil de la Unión Musical de Muro: 20th Century Fox FanfareConcierto realizado el dÃa 13 de marzo de 2011 en honor a los socios. La pieza que se escucha es del compositor Alfred Newman, adaptada para banda por Julio Juan GarcÃa y está dirigida por Gaspar Nadal Maronda.
TennysonTENNYSON
Brahms - Michelangeli, Ballade Op.10 No 4 in B major(Lugano, 1981) Arturo Benedetti Michelangeli (January 5, 1920 June 12, 1995) was an Italian classical pianist. He has been regarded as among the most commanding and individual piano virtuosos of the 20th century, among names such as Horowitz and Richter. Along with Ferruccio Busoni, he is often considered the most important Italian pianist. Born in Brescia, Italy, he began music lessons at the age of three, initially with the violin, but quickly switched to the piano. At ten he entered the Milan Conservatory. In 1938, at age eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he placed seventh (a brief account of this competition, at which Emil Gilels took first prize, is given by Arthur Rubinstein, who was one of the judges. According to Rubinstein, Michelangeli gave "an unsatisfactory performance, but already showed his impeccable technique"). A year later he earned first prize in the Geneva International Competition where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided by Ignacy Jan Paderewski. Michelangeli was known for his note-perfect performances. The music critic Harold Schonberg wrote of him: "His fingers can no more hit a wrong note or smudge a passage than a bullet can be veered off course once it has been fired...The puzzling part about Michelangeli is that in many pieces of the romantic repertoire he seems unsure of himself ...
Brahms - Michelangeli, Ballade Op.10 No. 1 in D minor(Lugano, 1981) Arturo Benedetti Michelangeli (January 5, 1920 June 12, 1995) was an Italian classical pianist. He has been regarded as among the most commanding and individual piano virtuosos of the 20th century, among names such as Horowitz and Richter. Along with Ferruccio Busoni, he is often considered the most important Italian pianist. Born in Brescia, Italy, he began music lessons at the age of three, initially with the violin, but quickly switched to the piano. At ten he entered the Milan Conservatory. In 1938, at age eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he placed seventh (a brief account of this competition, at which Emil Gilels took first prize, is given by Arthur Rubinstein, who was one of the judges. According to Rubinstein, Michelangeli gave "an unsatisfactory performance, but already showed his impeccable technique"). A year later he earned first prize in the Geneva International Competition where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided by Ignacy Jan Paderewski. Michelangeli was known for his note-perfect performances. The music critic Harold Schonberg wrote of him: "His fingers can no more hit a wrong note or smudge a passage than a bullet can be veered off course once it has been fired...The puzzling part about Michelangeli is that in many pieces of the romantic repertoire he seems unsure of himself ...
Musica'Vestys, nouvelle vidéo de présentationEnsemble Musica'Vestys. Vidéo issue de notre concert à la Salle Cortot en 2011. Mélange des genres, des styles, des pays, des époques... à la manière de Musica'Vestys...
Brahms - Michelangeli, Ballade Op.10 No 2 in D major(Lugano, 1981) Arturo Benedetti Michelangeli (January 5, 1920 June 12, 1995) was an Italian classical pianist. He has been regarded as among the most commanding and individual piano virtuosos of the 20th century, among names such as Horowitz and Richter. Along with Ferruccio Busoni, he is often considered the most important Italian pianist. Born in Brescia, Italy, he began music lessons at the age of three, initially with the violin, but quickly switched to the piano. At ten he entered the Milan Conservatory. In 1938, at age eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he placed seventh (a brief account of this competition, at which Emil Gilels took first prize, is given by Arthur Rubinstein, who was one of the judges. According to Rubinstein, Michelangeli gave "an unsatisfactory performance, but already showed his impeccable technique"). A year later he earned first prize in the Geneva International Competition where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided by Ignacy Jan Paderewski. Michelangeli was known for his note-perfect performances. The music critic Harold Schonberg wrote of him: "His fingers can no more hit a wrong note or smudge a passage than a bullet can be veered off course once it has been fired...The puzzling part about Michelangeli is that in many pieces of the romantic repertoire he seems unsure of himself ...
Brahms - Michelangeli, Ballade Op.10 No 3 in B minor(Lugano, 1981) Arturo Benedetti Michelangeli (January 5, 1920 June 12, 1995) was an Italian classical pianist. He has been regarded as among the most commanding and individual piano virtuosos of the 20th century, among names such as Horowitz and Richter. Along with Ferruccio Busoni, he is often considered the most important Italian pianist. Born in Brescia, Italy, he began music lessons at the age of three, initially with the violin, but quickly switched to the piano. At ten he entered the Milan Conservatory. In 1938, at age eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he placed seventh (a brief account of this competition, at which Emil Gilels took first prize, is given by Arthur Rubinstein, who was one of the judges. According to Rubinstein, Michelangeli gave "an unsatisfactory performance, but already showed his impeccable technique"). A year later he earned first prize in the Geneva International Competition where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided by Ignacy Jan Paderewski. Michelangeli was known for his note-perfect performances. The music critic Harold Schonberg wrote of him: "His fingers can no more hit a wrong note or smudge a passage than a bullet can be veered off course once it has been fired...The puzzling part about Michelangeli is that in many pieces of the romantic repertoire he seems unsure of himself ...
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