Can geometrical forms be something else from what they actually are? If yes, could they serve as basis for a new vade mecum apt to instruct us on how to construct meaning? This last question is the leading theme of "a short guide for the construction of meaning", the exhibition presenting the new works of Berlin based artist Frank Hülsbömer.

Using photography and video as art media, Hülsbömer depicts a parallel universe inhabited by minimally structured surfaces and forms in which all contradictions are admitted and - sometimes - happily unified. The artist's way of treating objects is both p...

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