Landscapes as projection screens for desires are the overarching theme of the German photographic artist Thomas Wrede (*1963, Lethmate). Since the late 1990s the artist has in various photographic series delved into our – still rather romantically characterised - desire to experience nature. He further questions the truth value and the messages of media images, which are surround us everywhere and at the same time form the visual basis for such desires.
Galerie Wagner + Partner is excited to be able to present the next instalment of the series “Real Landscapes” through new works by the artist. The works display...

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The exhibition title refers to the mental state of immersion, void of directed and intentional thought but being open to the surroundings as an undifferentiated whole. Selbstvergessenheit affirms the possibility of enjoying events unexplained.

Gaál’s photographic thought reconsiders the ways in which photography is presented, read, and received. The exhibition is a collection of singular works from recent years including photographic prints, a hand printed artist book, a slide show and a silkscreen series that make up a playground in which the viewer’s relationship to photography is placed in the foreground...

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The sparkle of the enclosures – The internationally renowned artist-photographer Raïssa Venables (1977- ) interprets in her new solo exhibition, embedded into the 4th European Month of Photography, different enclosed spaces in as yet unparalleled fashion. The exhibition takes the visitor on a journey through the magnificent Green Vault in Dresden, the Richard-Wagner-House in Bayreuth or the cool Oyster Bar in Grand Central Station in New York City. Each of these “enclosures” opens a hidden world.

Raïssa Venables has developed a distinctive style over the past years, which crosses the boundary into...

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The photographer, Raïssa Venables (born 1977), and the painter, Eckart Hahn (born 1971), both work with different emotional as well as psychic qualities of space. Venables creates spaces for retrospection and sentience through her collage technique and expressive use of colour, whereby photography is used as an artistic medium in the painterly sense. Hahn, by contrast, paints almost photo-realistically in the finest acrylics, and yet his presentations of space and identity, too, are constructions that generate a confusing and at times bizarre emotional game.



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On the occasion of the exhibition at Fotogalerie Wien Austria, Gallery Wagner + Partner launches the new publication of Natascha Stellmach: It is Black in Here.

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