Through an exhibition with the same name, de Brakke Grond welcomes .tiff, the new photography magazine of Antwerp’s FotoMuseum. This annual publication offers an introduction to the work of ten talented young Belgian photographers. De Brakke Grond presents a live edition of the magazine.

The curators of FotoMuseum Antwerp closely follow the latest developments in Belgian photography. For the first edition of .tiff, they selected ten young photographers who have stood out during the past year through the uniqueness, authenticity and cu...

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In the spring of 2012 the FoMu will start a series of exhibitions focusing on young Belgian photographers. The series opens with Sarah Carlier (Belgium, 1981) and Lara Mennes (Belgium,1982), two photographers who are fascinated with how the past is visualized in present society. Carlier focuses on how people cling to tradition, Mennes carries a magnifying glass in her search of traces of the past in abandoned buildings.

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Capture the past. That was the assignment photographers Bruno Vandermeulen and Danny Veys were given at the archaeological site of Sagalassos in Turkey. How does a photographer approach the past? When photographing the ancient city, Vandermeulen and Veys decided not just to record the archaeological finds, but to question the very objectivity of the lens itself.

This was the starting point for Imaging History. How does one look at something that is no longer there? Do we have enough imagination, or does it vary according to th...

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Four photographers invite you to gain 'insight' into their work. There is more to every single one of these images than meets the eye. It is up to the viewer to discover the deeper meaning in the photographs.

Elke Andreas Boon sets out in search of an ever-present primal power. In the photographs of Elinor Carucci, one is confronted with female intimacy in all its aspects. In her portraits of authors, Alexandra Cool wants to reveal the invisible and let the silence speak. The life work of Jacques Sonck categorizes people into a classification system known only ...

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In the spring of 2011, the FoMu is set to stimulate more than just the eye: Three photographers approach 'food' in an entirely singular way. Tony Le Duc (B) has dramatically changed our way of looking at gastronomy through his innovative photographs in cookbooks and culinary magazines. The FoMu shows his extensive body of work that spans no less than 25 years of food photography. To strengthen the supportive base of his photographic efforts, FoMu presents a historical overview of the illustrated cookbook.

In the 'Skulls' series Dimitri Tsykalov creates symbols of vanity in which he combines skulls with ripe fr...

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