“The first and last frontier is the one that separates us from each other. It is the moment when thought overflows the perimeter of the individual and begins to embrace the world: my breathing, my way of seeing.

The Latin word cum-finis (the origin of the word “confines”) is an oxymoron for shared limits and evokes two concepts that are both similar and contradictory. As I thought about the theme of this work focusing on Italy’s northern borders, I had the idea of depicting the mountains, a crown of wind-torn ice that separates the regions ...

    Lire la suite

« La première et dernière frontière est celle avec soi-même, c’est l’instant où la pensée dépasse le périmètre de la personne et s’apprête à accueillir le monde: ma respiration, mon regard.

Le mot latin cum-finis (confins), oxymore d’une limite partagée, évoque deux concepts proches et opposés. En réfléchissant au thème de ce travail sur les frontières du nord de l’Italie, j’ai imaginé d’en visualiser les sommets, une cou...

    Lire la suite

For several years Didier Ben Loulou has been working in Athens, and this new series of photographs is the result. Although his approach is firmly anchored in reality, he remains faithful to his initial sources of inspiration, refusing to work in a hurry and rejecting the idea of reportage.

For several years he has travelled through this cradle of civilization searching for remains of ancient Attica and showing them in parallel with the realities of modern Greece. He includes pollution, destruction, and mass immigration in pictures that focus on both ancient ruins ...

    Lire la suite

Didier Ben Loulou mène depuis plusieurs années à Athènes une recherche dont sa nouvelle série de photographies est le résultat. Bien que sa démarche s’inscrive profondément dans le réel, il demeure fidèle à son inspiration première, refusant de travailler dans l’immédiat et l’urgence, récusant l’idée même de reportage.

Depuis plusieurs années il arpente ce haut lieu de civilisation pour y entrevoir les restes ...

    Lire la suite

On the occasion of the Mois de la Photo 2010, Galerie Pierre Brullé is glad to show for the third time in Paris a one-man show of Mohamed Camara.

The gallery showed his first exhibition ever in the realm of the same event in 2002.

In his new series called Souvenirs (Memories), young Malian photographer Mohamed Camara took pictures of some of his friends posing next to an old photograph of them selves floating in a plastic bag full of water.

According to Camara bringing those elements t...

    Lire la suite

    Consultez toutes les actualités en relation avec Mois de la photo 2010