Artistic photography is far removed from just imaging the real world. The emotionally „naive „ first glance that trusts the documentary character of a photo, has been widely made obselete by technical and artistic developments. The photo is able to create surreal or virtual worlds, to produce visual angles, that have no adequate equivalent in the empirical world. This is the moment for the „Zweiten Blick“ (second glance), that leans towards the principles of design and method, that can unsettle our seeing habits, irritate or intensify, and will, undoubtably give our visual perception in its rational function towa...

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