Photographs are repositories of time – but in a paradoxical sense, since the time they preserve or show remains unspecified. A millisecond exposure depicts the same surface, perspective and spatial situation as an image with an exposure time of fourteen hours. This, precisely, is the theme of Michael Ruetz’ Eye on Infinity project, portraying the effect of time in shaping images which themselves have a different temporal existence. The technical means employed may suggest a form of Romantic landscape photography, but in fact, – as in the work of many Romantic artists of the early n...

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