«With La Dolce Vita, Federico Fellini broke with the neorealist tradition of filming on location, and moved to Cinecittà Studios, where he built a near-exact replica of Rome's famed Via Veneto. Cinecittà, then known for hosting American epics like Ben Hur, would become inextricably linked with the great director.

In this series of photographs, artist Gregory Crewdson revisits Fellini's stomping grounds, documenting a cinematic ruin where narratives linger like ghosts. The traces of bygone productions are everywhere: a p...

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